Hansel and Gretel

We had the sound track when I was growing up. My brothers and sisters and I listened to it over and over. I'm well into my forties now, and I can still reel off songs and dialog. My older sister burned CDs of the sound track for us all a few years ago. A wonderful present! I hadn't heard it for decades, and missed it very much. The angel pantomime still gives me goosebumps, it's so very, very beautiful. The witch was played for laughs as much as for being scary. She is delightful. My friend's children always love it when I give them my imitation of her cackle.

I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!

I found the other comments to be enlightening, especially with regard to the hurry-up conclusion.

However, I know for a fact that the boys' choir used in this movie was no a European choir, but the Apollo Boys Choir, originally of Palm Beach, Florida, that moved to Dallas, Texas until its director, Coleman Cooper, retired. It is unfortunately no longer in operation. During the Depression, the choir toured the United States in limousines, not buses, and sang for President Roosevelt at the Hot Springs resort where he escaped the pressures of Washington DC. The choir accompanist, Mr. Bert Hallack, is a resident of Palm Beach.

One famous former chorister of this choir is George Bragg, who founded the Texas Boys Boys (of Fort Worth).

When I was growing up, we had a battered old VHS copy of this film that someone had had the presence of mind to tape off of the television one day. Even though I was born over twenty years after this film was created, it still captured my imagination and I remember watching it many times over with my older sisters.

This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.

The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.

I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!

This was the first full-length stop-motion feature made in the United States. In spite of other comments posted here Mybergh's "Hansel and Gretel" was filmed entirely in New York City.

The film was done sequentially and as funding for the production dried up and the release date drew nearer the animators were forced to speed things up. The animation becomes quite hurried and sloppy near the end and if you look closely you will notice that both the angels from the Dream Pantomime and the Revived Gingerbread Children are only multiple castings of both Hansel and Gretel redressed. There simply was no time to do original sculptures for these characters.

This was to be the first in a series of full-length stop motion features by Mybergh's production team, but despite it doing exceptional business in Germany it failed to ignite at the box office in the United States. According to members of the Mybergh Estate most of the original elements are still intact and we can only hope that someone will take it upon themselves to do a proper restoration of this amazing film to replace the shoddy, amateur DVD edition that is currently available. Anna Russell's vocal performance as Rosina Rubylips is one that is unlikely to ever be equaled and Evalds Dajevskis' set designs definitive.

Despite its European, "old world" look, Hansel and Gretel was made in New York City. Indeed the comments to the contrary are a tribute to the filmmakers' success in evoking a genuine fairy tale style. Nonetheless, the film was shot using conventional stop-motion puppets (notwithstanding the producer's claims to using some sort of mysterious "electronic" method) in the main room of an abandoned courthouse which is still standing at the corner of Second Avenue and Second Street in New York City. The large set was built in the main chamber on the second floor (now the largest of several theaters in what is currently (2005) the Anthology Film Archives).

Apparently electromagnets were used to hold the stop-motion puppets in place during some sequences, but normal procedures were used for the rest. This and some hype that lured in backers may account for the mistaken report that they are electronic puppets. They were solid, armature puppets and not clay (or "claymation") dolls.

The set survived the production and actually toured county fairs as a fairy tale exhibit for many years after the completion of the film.