Hansel and Gretel

Despite its European, "old world" look, Hansel and Gretel was made in New York City. Indeed the comments to the contrary are a tribute to the filmmakers' success in evoking a genuine fairy tale style. Nonetheless, the film was shot using conventional stop-motion puppets (notwithstanding the producer's claims to using some sort of mysterious "electronic" method) in the main room of an abandoned courthouse which is still standing at the corner of Second Avenue and Second Street in New York City. The large set was built in the main chamber on the second floor (now the largest of several theaters in what is currently (2005) the Anthology Film Archives).

Apparently electromagnets were used to hold the stop-motion puppets in place during some sequences, but normal procedures were used for the rest. This and some hype that lured in backers may account for the mistaken report that they are electronic puppets. They were solid, armature puppets and not clay (or "claymation") dolls.

The set survived the production and actually toured county fairs as a fairy tale exhibit for many years after the completion of the film.

Saw this a year ago.

It's a nice little musical, I like the songs and the old timey stop motion is pleasant. But dear lord, that mom needs child protective services called on her.

Also, the original version I saw it in was English, but I watched the Danish dub recently and apparently the witch is voiced by a guy? Interesting... wonder if that's the case for other dubs.

The story/fairy-tale is one of the best-known and is a timeless one, while Humperdinck's opera still enchants me after being first acquainted with it 11 or so years ago. It is also one of the most accessible operas(with the music not too heavy and it's a story almost everybody knows) and one of the few to translate well into English.

This 1954 film does get a little hurried visually and narratively at the end, but is overall one of the best versions of both the fairy-tale and the opera(I personally saw it for the first time recently so don't have nostalgic bias for it). The visuals are beautiful and clever, charming in the lighter parts and atmospheric in the darker parts. The amount of effort put into making the film is more than evident throughout. Humperdinck's music is enchanting and is not trivialised whatsoever here, it's played with energy and depth by the orchestra and beautifully paced. The choral singing is well-balanced and committed, if recording the music was indeed punishing it doesn't show at all in the singing.

Hansel and Gretel(1954) works well also in the writing and story departments. The script is whimsical and witty, enough to make one laugh, bite the nails and occasionally cry(not exactly emotionally but because there are scenes done so beautifully that it does evoke some emotion, notably the dream pantomime). The storytelling is close in detail and spirit to both the fairy-tale's story and the opera and captures the essence of both. Filled with cute animals, charmingly lovely moments like the dream pantomime(figuratively and literally heavenly here), funny moments- both light hearted and dark- like with the chemistry between Hansel and Gretel and especially the witch, whimsy and darkly scary moments like with again the witch, there is enough to captivate children and adults alike, not making the mistake of making it too scary for children or too juvenile for adults.

All the characters engage in personality and there is a real attempt to make them individual, the most memorable and most colourful character being quite easily the witch. All the acting and singing is top-notch, several have picked out Anna Russell as the standout and I am going to whole-heartedly agree, Russell is hilarious and genuinely creepy as the witch and was clearly having a whale of a time. That does not mean though that the likes of Mildred Dunnock, Frank Rogier and Christine Brigham didn't excel, they certainly did in fact with Dunnock an authoritative and no-nonsense mother-figure, Rogier is a Father that is easy to feel sorry for and Brigham's Hansel and Gretel are both spirited and appealing. Just that Russell made the biggest impression. Overall, fantastical in every sense, for lovers of the story, the opera or both this is a version that is not to be missed. 10/10 Bethany Cox

When I was growing up, we had a battered old VHS copy of this film that someone had had the presence of mind to tape off of the television one day. Even though I was born over twenty years after this film was created, it still captured my imagination and I remember watching it many times over with my older sisters.

This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.

The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.

I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!

This is a stop-motion animation film of the Hansel and Gretel fairy tale, done, apparently, somewhere in Europe--the Austrian Apollo Boys Choir does the background vocals, so the film could have been made there or in nearby Hungary or Czechoslovakia, both of which were producing well-done animation films--but passed off as an American film, which it is not. Considering the time it was made and the conditions existing in Europe during that period, it is an admirable attempt indeed. The stop-motion, while not up to the standards of Ray Harryhausen, who was doing similar work at the time, is still well-done, and great care was obviously taken in the dubbing and scoring of the film. The background music is at times a bit overpowering, and there are spots where the dialogue is drowned out by it, but there are some imaginative touches throughout and and some visually beautiful moments. Children who are used to today's high-tech computer animation may not be impressed technically, but the film overall should appeal to them. Recommended.