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Un homme qui dort

  • 1974
  • 1 घं 17 मि
IMDb रेटिंग
7.9/10
5.2 हज़ार
आपकी रेटिंग
Un homme qui dort (1974)
Drama

अपनी भाषा में प्लॉट जोड़ेंA 25-year-old male student in Paris becomes indifferent to the world around him, and subsequently feels a strong sense of alienation and hopelessness.A 25-year-old male student in Paris becomes indifferent to the world around him, and subsequently feels a strong sense of alienation and hopelessness.A 25-year-old male student in Paris becomes indifferent to the world around him, and subsequently feels a strong sense of alienation and hopelessness.

  • निर्देशक
    • Bernard Queysanne
  • लेखक
    • Georges Perec
  • स्टार
    • Jacques Spiesser
    • Ludmila Mikaël
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.9/10
    5.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Bernard Queysanne
    • लेखक
      • Georges Perec
    • स्टार
      • Jacques Spiesser
      • Ludmila Mikaël
    • 22यूज़र समीक्षाएं
    • 7आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो20

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 14
    पोस्टर देखें

    टॉप कलाकार2

    बदलाव करें
    Jacques Spiesser
    Jacques Spiesser
    • The Man
    Ludmila Mikaël
    Ludmila Mikaël
    • Narrator
    • (वॉइस)
    • …
    • निर्देशक
      • Bernard Queysanne
    • लेखक
      • Georges Perec
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं22

    7.95.1K
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    10

    फ़ीचर्ड समीक्षाएं

    7gridoon2025

    Not for every taste (or mood), but certainly a unique experience

    Perhaps cinema's final word on loneliness, aimlessness, and withdrawal, strikingly filmed in black and white. You may love it or hate it, but you probably have never seen anything like it (or Paris like this) before. *** out of 4.
    10jasonisaikaly

    "Trying to find the reality of life"

    The man who sleeps is a film from a lonely heart that will let the most lonely person like me love this self observation film.

    I reach a point in my that I woke up and just want to experience life, not by sadness but by happiness, and when I stopped everything that bugs me, I found myself alone, and I don't want to return to my sad routine (like if I am in prison in society). I just have myself and deep movies to teach me about life, feel with my pain by a film releasing them and talking and solving them, and when I want to feel happy it make me happy, feeling everything in films, and shows me arts, to see how much life can be beautiful.

    But this film is release of everything and every thought I've got in my head in my hole life, it's sad, but it's life at it's most reality. We all want happiness but all that is given to us is sadness, but we will still pursue happiness, and you told me that is this the hole life? I tell you I don't know, because we all try to figure out life, but no one can understand life. So we all have our subjective points of view and we listen to each other to try to emerge them together, but we will never understand life, and we will never appreciate life until we lose it.
    8kurtralske

    Depression and Anxiety in Paris 1974

    Un Homme Qui Dort is a must-see if you're into experimental cinema, or if you're interested in films about mental health issues. The nameless protagonist, who never speaks, battles against his antagonists: his own depression, anxiety, and despair. A female voice-over expressively and poetically narrates his internal struggles and his aimless nocturnal peregrinations through Paris. At times his solitude seems like a higher state, but eventually it becomes an intolerable prison. Towards the end, it seems the anti-hero's battles take on a political dimension, reflecting the perspectives of post-May '68 Situationist concepts: if capitalism is alienating, how can any sensitive person respond except by becoming alienated? While the film works well, and has an effective dynamic arc, it's kind of amazing the creators were able to extend this well-constrained etude to a duration of 1 hour 17 minutes. Not a fun or joyful film, but a powerful one, and one I'm glad to have watched.
    10FilmCriticLalitRao

    For those film lovers who think that Ozu is slow or Chantal Akerman makes boring films

    Can anyone imagine a film with a young student,his room and some pigeons ? This is a film which is going to take your breath away. Of course, it cannot be termed as boring. "Un homme qui dort" is surely not for people who guzzle endless quantities of coke, munch umpteen packets of popcorn while watching what they prefer to call "movies". For me personally it was an rewarding visual experience as there are various breath taking images in this film. The black and white photography dates back to 1974 when this film was made. It is true that during those times color films were made. But this film was filmed in black and white in order to heighten the atmosphere related to monotony,dullness. Yeah, for those who have studied French language and literature: This film is based on a book written by Georges Perec. He even collaborated on this film's scenario. A good news for all those who hunt for rare, hard to find videos. This film is available in France with English subtitles.
    7Ore-Sama

    Moody Experimental Film

    This criminally underrated 1974 film easily ranks among the likes of "Pickpocket", "Breathless" and "The 400 Blows" as among the greatest films in french cinema. This film chronicles a young man who has dropped from his studies and is trying to distance himself from the world around, but starts finding it increasingly hard.

    Shot in black and white, the film feels like a new wave film with it's raw, low budget cinematography, having a grainy and gritty look that punctuates the intense, somber mood of the film. Scenes in darkened areas are reminiscent of noir films in their use of shadow, and the editing is generally quick, sometimes with a musical flow. In addition to the imagery, the story is conveyed through a second person female narrator (second person meaning the narrator is always referring to "you", such as "you do or don't get up"). Interestingly, whenever the situation becomes more anxious and desperate, the narrator's normally flat tone starts to become more panicked, or angry. So while the film may seem initially as just a woman talking about something this man is doing, in reality it does have a, albeit abstract, character arc.

    Although at times trying on the patience, this film's style ultimately pays off, creating a completely unique and engrossing experience. The slow, subtle deteoration of the main character's mental state spills into your mind. I was rarely bored while watching, thanks to the powerful imagery and raw, minimalist atmosphere. The detachment our lead is trying to create is perfectly conveyed. The film recreates the tedium and a sort of numb pain, the depravity, desperation and entrapment this attempted lifestyle leads to.

    If you want a more traditional narrative, certainly look elsewhere. If what you've read here and in other reviews sounds interesting, than this is probably the film for you.

    इस तरह के और

    Tanin no kao
    7.9
    Tanin no kao
    अनुष्ठान
    7.5
    अनुष्ठान
    Le feu follet
    7.8
    Le feu follet
    The Man Who Sleeps Backwards in Time
    The Man Who Sleeps Backwards in Time
    Az ötödik pecsét
    8.5
    Az ötödik pecsét
    Nattvardsgästerna
    8.0
    Nattvardsgästerna
    Vivre sa vie
    7.8
    Vivre sa vie
    La jetée
    8.2
    La jetée
    Kárhozat
    7.6
    Kárhozat
    Topio stin omihli
    7.9
    Topio stin omihli
    Skammen
    8.0
    Skammen
    Gerry
    6.0
    Gerry

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film has several paintings by René Magritte: "La reproduction interdite" (1937), over Man's bed is the most prominent. The surreal cinematography also references "Pilgrim" (1966) and possibly other works of his as well. Also featured over the bed is "Relativity" by M.C. Escher.
    • भाव

      Narrator: It is on a day like this one, a little later, a little earlier, that you discover, without surprise, that something is wrong, that you don't know how to live and that you never will. Something has broken. You no longer feel some thing which until then fortified you. The feeling of your existence, the impression of belonging to or being in the world, is starting to slip away from you. Your past, your present and your future merge into one. You are 25 years old, you have 29 teeth, three shirts and eight socks, 500 francs a month to live on, a few books you no longer read, a few records you no longer play. You don't want to remember anything else. Here you sit, and you only want to wait, just to wait until there's nothing left to wait. You go back to your room, you undress, you slip between the sheets, you turn out the light, you close your eyes. Now is the time when dream-women, too quickly undressed, crowd in around you, the time when you reread ad nauseam books you've a read a thousand times before, when you toss and turn for hours without getting to sleep. This is the hour when your eyes wide open in the darkness, you hand groping towards the foot of the narrow bed in search of an ashtray, matches, a last cigarette, you calmly measure the sticky extent of your unhappiness. Unhappiness did not swoop down on you, it insinuated itself almost ingratiatingly. It meticulously impregnated your life, your movements, the hours you keep, your room, it took possession of the cracks in the ceiling, of the lines in your face in the cracked mirror, of the pack of cards; it slipped furtively into the dripping tap on the landing, it echoes in sympathy with the chimes of each quarter-hour from the bell of Saint-Roch. How many times you have repeated the same amputated gesture, the same journey's that lead nowhere? All you have left to fall back on are your tuppeny-halfpenny boltholes, your idiotic patience, the thousand and one detours that always lead you back unfailingly to your starting point. All that counts is your solitude: whatever you do, wherever you go, nothing that you see has any importance, everything you do, you do in vain, nothing that seek is real. Solitude alone exists, every time you are confronted, every time you face yourself.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is The Man Who Sleeps?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 अप्रैल 1974 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • ट्यूनीशिया
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • The Man Who Sleeps
    • फ़िल्माने की जगहें
      • पेरिस, फ़्रांस
    • उत्पादन कंपनियां
      • Dovidis
      • Satpec
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 17 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Un homme qui dort (1974)
    टॉप गैप
    By what name was Un homme qui dort (1974) officially released in India in English?
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