Essex Boys

For those who remember the actual triple murder in Essex which inspired the film, this carries an added edge of realism. The setting - the mock-tudor nouveau riche houses of the gangsters, the Southend seafront, the freezing marshes where Billy runs for his life, are as evocative, as the true-to-life performances of Sean Bean, Alex Kingston and Tom Wilkinson. It is refreshing to see a film which portrays the underworld in all its vindictive pettiness - the little slights which turn into murderous feuds - dozens poisoned by a rogue batch of E, a young girl, dead from an overdose, casually dumped at sea...

The Hollywood view of Gangland England has been too long focused on the East End - Snatch, Long Good Friday, Lock, Stock... when real Londoners know the East End's good for curry houses, and the gangsters headed out to the Home counties years ago.

Interesting to note that several comments in the reviews of this superlative film concerned the unintelligible accents. I should point out that viewers in the UK (and Holland and most Scandinavian countries) regularly enjoy American films without the aid of subtitles, so how come you find it so hard to understand us? :) We didn't complain that the cast of Donnie Brasco or Goodfellas had New York accents, so why complain that the Essex boys have Essex accents?

I just viewed this video, then have read the reviews and am stunned. Was I watching another movie? Sure the characters are shady, but what do you expect, Scorsese-esque, Soprano-ish likeable lots? This is about the seedy, Darwinian underworld and has a compelling story about how Billy (a more cerebral, physically minute character) gets slowly pulled into the bowels of greed and acrimony. The acting is intense and uncompromising. Alex Kingston is wonderful and the actor who played Billy was smart. Certainly not academy award, but interesting fodder nonetheless. A mixture of Sexy Beast & GoodFellas. 7/10

I'm ashamed to admit that I only understood this film the second time I saw it. It is easy to confuse the characters at times as they double cross each other, change camps and generally confuse the viewer to no end.

However, it was worth it for Sean Bean as the psychopathic Jason Locke and Alex Kingston as his femme fatale wife. The guy playing Billy, the narrator, was also very good.

There are very few moments of humour but they certainly work, Lisa's foul mouth, comes to mind as well as the fact that Jason stole the marble lion from his former boss' garden. The plot becomes a bit too confused in the end with Lisa's web of deceit becoming wider and wider.

Moments of violence are very realistic. Jason Locke's treatment of his wife is by far more shocking than anyone flying off a glass window.

As far as the direction is concerned, it is fairly straightforward with some truly excellent editing in the shoot out, near the end as well as in the scene where Mr Dyke (I for one found Tom Wilkinson's gentleman gangster quite believable) is trying to kill Billy.

In all, it is hardly a groundbreaking film but it is very entertaining. I'll give it 7/10.

This movie was reviewed as the English version of Goodfellas, and although the plot lines are similar in a way, and the insanity is much the same, it felt much grittier and harder-edged. Maybe it's the way they treat their women or something. Although the camraderie amongst the 'boys' appeared much the same superficially, underneath there was no 'club'. Sean Bean was so realistic as a bad-guy, that he was REALLY scary. Really hope it was great acting and not a window into his soul showing here. I was surprised at the quality of acting shown by Alex Kingston too. The supporting cast was fine, and it was interesting to see Essex for those of us who live on the other side of the pond. My interest was actually captured farther on in the film by the quick-paced events and the twisted plot line. Imaginative and surprising writing, although the dialogue wasnt as good as Goodfellas. Overall, i recommend it, but it was a hard one to watch -

A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.