IMDb रेटिंग
5.5/10
2.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंConman Leo Garfield is in hot water after accepting a contract to murder businessman Julius Harvey's alleged wife, Gloria. Leo's wife Lily brings trouble too when her old flame Elmo pops up ... सभी पढ़ेंConman Leo Garfield is in hot water after accepting a contract to murder businessman Julius Harvey's alleged wife, Gloria. Leo's wife Lily brings trouble too when her old flame Elmo pops up again, years after she abandoned him mid-heist.Conman Leo Garfield is in hot water after accepting a contract to murder businessman Julius Harvey's alleged wife, Gloria. Leo's wife Lily brings trouble too when her old flame Elmo pops up again, years after she abandoned him mid-heist.
Tom Lister Jr.
- Moose
- (as Tiny Lister)
Mark Heath
- Paul
- (as Marcus Heath)
फ़ीचर्ड समीक्षाएं
This under-rated British film was unfairly slammed by critics, when it could have been a lot worse. It could have been better also, but it satisfies as a roaring bit of gangster fun and a subtle satire on the British "Lock, Stock..." genre.
John Hannah stars with Ms Janssen as a pair of crooks who are out to rip off Brian Conley for one last time. Along the way, everyone double crosses everyone, and the final scenes make one's head spin!
Brian Conley plays a rather good bad guy, given the quality of his British television shows, and great support is given by the various cast members, with special mention to Eddie Izzard who plays money lender Troy. His habit of paraphrasing songs and singing them to Leo ("R E P A Y M E - You know what it means to me" to the tune of Franklin's "Respect"), and the scene at the beach make for hilarious viewing.
One to be recommended for those with enough tongue in their cheek!
John Hannah stars with Ms Janssen as a pair of crooks who are out to rip off Brian Conley for one last time. Along the way, everyone double crosses everyone, and the final scenes make one's head spin!
Brian Conley plays a rather good bad guy, given the quality of his British television shows, and great support is given by the various cast members, with special mention to Eddie Izzard who plays money lender Troy. His habit of paraphrasing songs and singing them to Leo ("R E P A Y M E - You know what it means to me" to the tune of Franklin's "Respect"), and the scene at the beach make for hilarious viewing.
One to be recommended for those with enough tongue in their cheek!
If you were expecting a comedy, be prepared to be disappointed. This is not a funny movie. It is often violent, and sometimes more graphic than need be, but... It was interesting, complex, and had a multilayer feel to it. Who is betraying whom? The dialog wasn't bad, the acting somewhat stylized (a la a David Lynch movie) but not to the point of distraction. It has a certain amount of the feel of "Snatch", moving in the parts of English not-so-nice society. And in the end, you're glad that the "good" guy wins (although he is willing to do, and see things done, that would hardly qualify him as a "good" good guy.)
Over the last few years the British film industry has made countless films like Circus , some brilliant some not so brilliant. Circus comes under the " Not so brilliant" catagory .The problem with this movie is that it tries to be far to clever for it's own good, which leaves the viewer bemused by the plot and in the end not caring what ,or if there is a final twist. The acting is good by most of the cast.John Hannah is convincing as a con man and Eddie Izzard is fantastic as the loan shark (why couldnt we se more of him?)but Brian Conley is not so convincing as the gangland boss. Every time he grimaces and tries to look nasty he looks like he is about to start laughing. Which is what you might do when you enter the circus for an hour and a half. 5 out of 10
Entertaining, but not in the same satisfying way as 'Snatch', 'Lock Stock & 2 Smoking Barrels' or '7ayer Cake'. I love twists, but I can only suspend my disbelief so far.
A hallmark of this genre (invented by Tarrantino?) is to have people with incongruous-to-gangster traits...I guess these connect the audience to otherwise abhorrent killers/thieves. In this regard they were really trying a bit too hard...the bookie Troy who expresses himself with 80s pop songs...the tender yet brutal Moose. To me it seems like these were the result of an engineered effort to create 'Pulp Fiction-' or 'LS&2SB-' like characters.
But I did like Leo's character.
A hallmark of this genre (invented by Tarrantino?) is to have people with incongruous-to-gangster traits...I guess these connect the audience to otherwise abhorrent killers/thieves. In this regard they were really trying a bit too hard...the bookie Troy who expresses himself with 80s pop songs...the tender yet brutal Moose. To me it seems like these were the result of an engineered effort to create 'Pulp Fiction-' or 'LS&2SB-' like characters.
But I did like Leo's character.
I've read with interest everyone's opinions on this movie, and am surprised at the diversity. Some reviews state it is the worst British move in ages, some compare it to the likes of Trainspotting and Lock, Stock, and Two Smoking Barrels. I'm somewhere in between.
'Circus' is very refreshing, I'll give it that. But I feel like Austin Powers, contemplating time-travel, for I too have 'gone cross-eyed.' I rented this (thank God I didn't see it in the theatre) and found myself rewinding because I was so confused! Sure, they really don't want you to guess the ending, but at the same time, they turn you around so many times try understanding it!
The acting is wonderful. I actually thought Eddie Izzard was great, as was everyone else. I cease to be surprised by John Hannah, who does drama and comedy equally wonderfully. Famke Janssen was interesting enough, and her hick boyfriend was entertaining, as was the little nerdy guy, though his character sort of annoyed me.
I think that this film certainly could've been a lot better...this film-maker had the actors, they just needed to work with the story a little more. Had they taken away some of the twists and turns, they might've gotten a better film.
By the way, these are not all English actors. John Hannah is Scottish. And another thing, I certainly wouldn't compare this to Trainspotting, as Trainspotting was pure brilliance, and this is rather blemished.
'Circus' is very refreshing, I'll give it that. But I feel like Austin Powers, contemplating time-travel, for I too have 'gone cross-eyed.' I rented this (thank God I didn't see it in the theatre) and found myself rewinding because I was so confused! Sure, they really don't want you to guess the ending, but at the same time, they turn you around so many times try understanding it!
The acting is wonderful. I actually thought Eddie Izzard was great, as was everyone else. I cease to be surprised by John Hannah, who does drama and comedy equally wonderfully. Famke Janssen was interesting enough, and her hick boyfriend was entertaining, as was the little nerdy guy, though his character sort of annoyed me.
I think that this film certainly could've been a lot better...this film-maker had the actors, they just needed to work with the story a little more. Had they taken away some of the twists and turns, they might've gotten a better film.
By the way, these are not all English actors. John Hannah is Scottish. And another thing, I certainly wouldn't compare this to Trainspotting, as Trainspotting was pure brilliance, and this is rather blemished.
क्या आपको पता है
- ट्रिवियाThe ad for "Shannon, Brighton's Most Convincing Pre-Op TRANSEXUAL" actually shows 1940's Hollywood actress Veronica Lake.
- कनेक्शनFeatures The Lady from Shanghai (1947)
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $14,693
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $8,406
- 17 सित॰ 2000
- दुनिया भर में सकल
- $14,693
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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