Lick the Star

While it's a small film often shown on IFC, "Lick the Star" is an excellent, illuminating film shot in black & white by Lance Acord (who also worked with Coppola in her masterpiece "Lost in Translation" about a young 7th grade queen who becomes outcasted by her peers. Like "Lost in Translation" and "The Virgin Suicides", the theme of disconnection is predominant throughout the whole film. How a young girl is like a snob with all of her friends and one of them turns on her and in the process, things go to hell for the young woman. The film has an excellent soundtrack as well. For those who loved her full-length features, "Lick the Stars" is a must-see for any fan of Sofia Coppola who will be a director that will amaze us all.

On my opinion this short film is very representative of it's time and depicts clearly a state of mind in which the characters are. Acting and photography may look nahive o little elaborated but i think it's very well blended in this particular style of filmmaking.

Sofia Coppola has a very unique style which is proved by her following, "The virgin's Suicides". Seems to me that it's almost a documentary, always an up close view of whats going on. It's not only the story, but how is told, and Coppola has a great personal, intimate style that i feel as being a truly femenine capacity, to tell stories not only with action but by declaring mood stages, contextual plots and settings to make the story much more credible.

I really enjoyed this short piece, i saw it before the "virgin's..." so I strongly recommend to watch this film to see a less "pinky-tender" side of Coppola.

i never saw this film until after i saw sophia coppola's new film "Thirteen". They are very similar. They're both interesting, modern accounts of teenage girls. Moving to a degree and i think for the most part very well acted considering these are very young actresses and actors playing very emotionally unstable characters.

what a captivating little short. Pedophillically (if you will) captured by cinematographer Lance Accord ( Adaptation, Being John Malkovich (1999) and Buffalo '66), this otherwise puerile, syllogical bore looks pretty tempting. Young, unknown Audrey Heaven has something. Sofia rocks. And thats about as deep as this commentary gets ...

Chloe (Audrey Kelly) is the school's 'queen bee' obsessed with Virginia Andrews' Flowers in the Attic. Bored with school and somewhat annoyed with the immature boys her age, she and the girls in her clique start scheming something strange. Lick the star is the name of their 'extra- scholastic' project involving the boy's lunches, rat poison and raw eggs. However before Chloe is able to carry out her evil plan some false rumors about her are spread around school. All of a sudden she's not the 'superstar' anymore, but the one being bullied. Sick of being made fun of, she decides to go the melodramatic route trying to end her life.

Shot in 16 millimeter crispy clean, beautiful bright black and white by Lance Acord, that went on to collaborate with Sofia Coppola more notably on Lost in Translation and Marie Antoinette; Lick the Star is Coppola's first 'solo' director credit. Many of Sofia's directorial and writing trademarks and themes are already present in what's only her second short film. Just like with every feature film, Sofia has consistently experimented with different visual styles to fit her stories. Working and casting friends and family, her brother Roman behind the camera, her cousin Robert Schwartzman in an acting role and Zoe Cassavetes in both, this working approach reinforces the notion that all of Sofia's films are passion projects.

It's her thoughtfulness and attention to detail that makes them so enjoyable and endlessly re- watchable. It's all in the little, exquisite touches: Like shooting 'on location' (R.L.S. Junior High), a killer shoegaze soundtrack (especially the last track) and a cameo by director Peter Bogdanovich himself (as the principal). Lick the Star is all about 'teen angst' and what it means to be a teenager. Sofia really understands the subject matter and is more than capable to transmit emotion and recreating a specific time and place. Coppola's unique vision comes from her courage to paint a genuinely innocent, naïve and very 'girly' picture, that she went on exploring in her next film The Virgin Suicides. Her offbeat humor, poetic flair and fascination with the idea of celebrity, also already come to the forefront in this authentic, cute and super-sweet short film.