IMDb रेटिंग
5.8/10
3.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA darkly romantic story of murder and redemption, set against an eerily familiar American landscape.A darkly romantic story of murder and redemption, set against an eerily familiar American landscape.A darkly romantic story of murder and redemption, set against an eerily familiar American landscape.
- पुरस्कार
- 3 कुल नामांकन
Marshall R. Teague
- Coach
- (as Marshall Teague)
Anthony Chow
- Teacher
- (as Anthony C. Chow)
Blake Shields
- Moznick
- (as Blake C. Shields)
फ़ीचर्ड समीक्षाएं
I would be more perplexed by the low rating and the many vituperous reviews if I didn't understand as much as I do about family dysfunction, alcoholism, irresponsible behavior and all that. Some people don't like this much truth in their faces. Oddly, it's not just the perps; it's often the victims, as well.
For me, this is just an artfully rendered case study of the stuff I deal with four days a week. But I see more Victor Hugo (and "Les Miserables") here than I do Dostoyevsky.
Yeah; I agree the execution is uneven. At times to the point of being almost senseless. But that may be part of the charm. Life in the world described here -is- uneven. At times to the point of being almost senseless. (How many adolescent females with alcoholic parents have I known who think life is senseless? A hundred? -Two- hundred?)
Can't say I "enjoyed" this movie. The "Jimmy Stewart" character (from "Rear Window") is just a little too obsessed to work in the world of a young victim / victimizer who seems, at least, to be trying to make sense of it all. The trial scenes may well be meant to have a dreamlike quality, but they just seem disconnected. And the whole trip is plain ugly.
But the fact that the whole trip -is- so ugly is a major reason why this film demands to be seen. Alcohol; frustrated, narcissistic fathers; cougar moms and hottie daughters are a recipe for disaster that's being cooked daily in suburban America. This is reality in modern America. It'd be nice to put a stop to it before our whole culture becomes dysfunctional.
Nice little wake-up call here.
For me, this is just an artfully rendered case study of the stuff I deal with four days a week. But I see more Victor Hugo (and "Les Miserables") here than I do Dostoyevsky.
Yeah; I agree the execution is uneven. At times to the point of being almost senseless. But that may be part of the charm. Life in the world described here -is- uneven. At times to the point of being almost senseless. (How many adolescent females with alcoholic parents have I known who think life is senseless? A hundred? -Two- hundred?)
Can't say I "enjoyed" this movie. The "Jimmy Stewart" character (from "Rear Window") is just a little too obsessed to work in the world of a young victim / victimizer who seems, at least, to be trying to make sense of it all. The trial scenes may well be meant to have a dreamlike quality, but they just seem disconnected. And the whole trip is plain ugly.
But the fact that the whole trip -is- so ugly is a major reason why this film demands to be seen. Alcohol; frustrated, narcissistic fathers; cougar moms and hottie daughters are a recipe for disaster that's being cooked daily in suburban America. This is reality in modern America. It'd be nice to put a stop to it before our whole culture becomes dysfunctional.
Nice little wake-up call here.
Roseanne(Monica Keena) is a popular and beautiful student that is admired by a lot of people, especially by a lonely outcast Vincent(Vincent Kartheiser) who is obsessed with her and follows her around everywhere, hoping to get noticed . But Roseanne isn't so perfect like everybody thinks, she has a horrible life with her stepfather who one night, after her mother leaves, rapes her. The next day, Roseanne is totally devastated and she decides that she wants to kill him along with her boyfriend Jimmy(James DeBello). This movie started out good, it seemed like it was going to be a dark teenage drama but near the end, it turned into this cheesy bad love story with no plot. That was the problem with this story, it didn't really fit in anywhere. The only character i really liked was Vincent, he was so interesting and he had so much soul, not to mention that he was gorgeous. Anyways, I would give Crime and Punishment in Suburbia 7/10
The 3 best aspects to this film are the acting, cinematography and soundtrack.
This film just made me a big fan of Monica Keena and Vincent Kartheiser. Both delivered dynamic and intriguing performances. Monica Keena's character is transformed throughout the film and she's able to convey that arc with great subtlety. Vincent Kartheiser's character was also conveyed very well, not overdone like so many other goth/nerd characters are portrayed.
The cinematography was great - visually compelling imagery and an unsteadiness throughout that lends to the feel of uneasiness with what is happening to the characters. It lends itself to the feelings, moods of not only the characters in the film but to the viewer as well. A great film engages the viewer and makes them feel as though they have been drawn into the world of the film.
Finally I'm a big fan of music and soundtracks that aren't cliché and don't dominate a scene. I'd love to get my hands on a list of all the songs used in the film.
The writing was decent, and many of the supporting actors played their parts very well - this easily could have devolved into overblown and overacted performances but nobody in the cast fell prey to that trap.
There's a strange morality to the story - one not easily discerned after one viewing. Of course there can be comparisons to the film "American Beauty" and while that one garnered all the praise and awards I believe this film is much more challenging yet far more fulfilling. It's more subtle and the answers aren't so easy to ascertain. I'll be watching this movie many times and I have a feeling I'll discover something new each time. Great movie!
This film just made me a big fan of Monica Keena and Vincent Kartheiser. Both delivered dynamic and intriguing performances. Monica Keena's character is transformed throughout the film and she's able to convey that arc with great subtlety. Vincent Kartheiser's character was also conveyed very well, not overdone like so many other goth/nerd characters are portrayed.
The cinematography was great - visually compelling imagery and an unsteadiness throughout that lends to the feel of uneasiness with what is happening to the characters. It lends itself to the feelings, moods of not only the characters in the film but to the viewer as well. A great film engages the viewer and makes them feel as though they have been drawn into the world of the film.
Finally I'm a big fan of music and soundtracks that aren't cliché and don't dominate a scene. I'd love to get my hands on a list of all the songs used in the film.
The writing was decent, and many of the supporting actors played their parts very well - this easily could have devolved into overblown and overacted performances but nobody in the cast fell prey to that trap.
There's a strange morality to the story - one not easily discerned after one viewing. Of course there can be comparisons to the film "American Beauty" and while that one garnered all the praise and awards I believe this film is much more challenging yet far more fulfilling. It's more subtle and the answers aren't so easy to ascertain. I'll be watching this movie many times and I have a feeling I'll discover something new each time. Great movie!
When I first heard about this being based on Dostoyevsky's Crime and Punishment I was fearful that it was going to be another half-hearted teen version of a classic. I am so glad I was wrong.
While Dostoyevsky made his point with words, Rob Schmidt did the same with the films imagery which truly was both narcotic and haunting. He would make you feel as if you were in some drug induced dream/nightmare. You felt as if you were trapped between Heaven and Hell, happiness and sorrow, love and loss.
As the story progresses you watch the ghosts of Roseanne (Monica Keena) slowly absorb her. She goes from this glowing image of beauty to a shadow of a human being. It's stark and disturbing. While Vincent (Vincent Kartheiser) the seemingly gloomy one, who loves her from the beginning of the film is the sole voice of reason, hope, and beauty in her slowly cascading world of tragedies.
The film epitomizes the continuous hopelessness that many today feel but refuse to acknowledge. Although, I think what the film does best is that it shows us these sadnesses while reinforcing us with the concepts that we can make anything happen if we want to badly enough. Good or bad, we are the only ones responsible for our fates.
While Dostoyevsky made his point with words, Rob Schmidt did the same with the films imagery which truly was both narcotic and haunting. He would make you feel as if you were in some drug induced dream/nightmare. You felt as if you were trapped between Heaven and Hell, happiness and sorrow, love and loss.
As the story progresses you watch the ghosts of Roseanne (Monica Keena) slowly absorb her. She goes from this glowing image of beauty to a shadow of a human being. It's stark and disturbing. While Vincent (Vincent Kartheiser) the seemingly gloomy one, who loves her from the beginning of the film is the sole voice of reason, hope, and beauty in her slowly cascading world of tragedies.
The film epitomizes the continuous hopelessness that many today feel but refuse to acknowledge. Although, I think what the film does best is that it shows us these sadnesses while reinforcing us with the concepts that we can make anything happen if we want to badly enough. Good or bad, we are the only ones responsible for our fates.
I'll admit, I was not in the most jovial of moods when I sat down to view Crime and Punishment in Suburbia, so the plot had a far greater impact than it would have had I been in an upbeat mood. But, at the same time I was expecting yet another glossy teen flick where a mess of pretty people prance around on the screen for ninety minutes, after which the credits roll to the tune of a popular radio hit. However, I found quite the opposite. I was genuinely moved by this film. Though it is not the most original movie I've seen, it touched me in a very unique way.
Ultimately, do not judge this movie by it's generic, mainstream movie cover. It is actually a high quality piece of cinema. And fellow teenagers, drop your Cruel Intentions and Bring It Ons and give this a try. It might not be oscar award material, but it is far more engaging than any of the pg-13 tripe they try and pawn off on you at blockbuster. Give it a shot. If you like it, good. If you don't, oh well.
Ultimately, do not judge this movie by it's generic, mainstream movie cover. It is actually a high quality piece of cinema. And fellow teenagers, drop your Cruel Intentions and Bring It Ons and give this a try. It might not be oscar award material, but it is far more engaging than any of the pg-13 tripe they try and pawn off on you at blockbuster. Give it a shot. If you like it, good. If you don't, oh well.
क्या आपको पता है
- ट्रिवियाLoosely based on Fyodor Dostoevsky's Crime and Punishment.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Crime + Punishment in Suburbia?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Crime & Punishment in Suburbia
- फ़िल्माने की जगहें
- California State Polytechnic University, पोमोना, कैलिफोर्निया, अमेरिका(Prison exteriors)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $26,394
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $9,893
- 17 सित॰ 2000
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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