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Romance

  • 1999
  • A
  • 1 घं 24 मि
IMDb रेटिंग
5.2/10
13 हज़ार
आपकी रेटिंग
लोकप्रियता
3,823
2,075
Caroline Ducey in Romance (1999)
Trailer for Romance
trailer प्ले करें1:24
1 वीडियो
24 फ़ोटो
Dark ComedyDramaRomance

अपने रिश्ते में अंतरंगता की कमी से निराश, एक युवा स्कूल शिक्षक डराने और यौन हिंसा करने वालों की एक श्रृंखला से गुजरती है.अपने रिश्ते में अंतरंगता की कमी से निराश, एक युवा स्कूल शिक्षक डराने और यौन हिंसा करने वालों की एक श्रृंखला से गुजरती है.अपने रिश्ते में अंतरंगता की कमी से निराश, एक युवा स्कूल शिक्षक डराने और यौन हिंसा करने वालों की एक श्रृंखला से गुजरती है.

  • निर्देशक
    • Catherine Breillat
  • लेखक
    • Catherine Breillat
  • स्टार
    • Caroline Ducey
    • Sagamore Stévenin
    • François Berléand
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.2/10
    13 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    3,823
    2,075
    • निर्देशक
      • Catherine Breillat
    • लेखक
      • Catherine Breillat
    • स्टार
      • Caroline Ducey
      • Sagamore Stévenin
      • François Berléand
    • 130यूज़र समीक्षाएं
    • 52आलोचक समीक्षाएं
    • 49मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो1

    Romance
    Trailer 1:24
    Romance

    फ़ोटो24

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 18
    पोस्टर देखें

    टॉप कलाकार42

    बदलाव करें
    Caroline Ducey
    Caroline Ducey
    • Marie
    Sagamore Stévenin
    Sagamore Stévenin
    • Paul
    François Berléand
    François Berléand
    • Robert
    Rocco Siffredi
    Rocco Siffredi
    • Paolo
    Reza Habouhossein
    • Homme escaliers
    Ashley Wanninger
    Ashley Wanninger
    • Ashley
    Emma Colberti
    Emma Colberti
    • Charlotte
    Fabien de Jomaron
    • Claude
    Carla
    Carla
    • Mannequin
    Pierre Maufront
    Pierre Maufront
    • Photographe
    Antoine Amador
    • Coiffeur
    Roman Rouzier
    • L'échographiste
    Oliver Buchette
    • Le médecin-Chef
    • (as Olivier Buchette)
    Emmanuelle N'Guyen
    • La sage femme
    • (as Emmanuelle N'guyen)
    Nadia Latoui
    • L'infirmière
    Sylvie Drieu
    • L'aide soignante
    Samuel Charter
    • Interne
    • (as Samuel Chartier)
    Alexis Gignoux
    • Interne
    • निर्देशक
      • Catherine Breillat
    • लेखक
      • Catherine Breillat
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं130

    5.212.8K
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    फ़ीचर्ड समीक्षाएं

    Infofreak

    Why all the fuss?

    Romance achieved a lot of attention in Australia as it was initially banned. Now it's available from any decent video store so every adult can see what the fuss was all about. I think few of them will be able understand why the censors had so much problem with it. Basically you have several hard-ons and a bit of bondage in the middle of a talky French art-house movie. The fundamental problem with Romance is we can never understand what Marie sees in Paul. It's as simple as that. If we COULD understand then perhaps we'd have a provocative and thought-provoking examination of love, sex, loyalty and betrayal. But we don't. It's not to say the movie isn't worth watching, just don't expect too much. Last Tango In Paris was much braver and confronting (albeit less explicit) nearly thirty years ago. Closer to home, Breaking The Waves shares some similar themes and situations, and is a much more successful and emotionally involving experience.
    SanDiego

    Skip the R-rated version and go for the NC-17 version.

    Though I have a comprehensive review below I wanted to add that some comments here are from people who saw a severely edited version of the film (the sex scenes removed or cropped off). This would be similar to removing the battle scenes from Star Wars.
    DJ Inferno

    A misunderstood masterpiece..?

    Same as the likewise French exploitationer "Baise-moi", which was released almost at the same time as this movie, there are some scenes of hardcore pornography added. But as "Baise-moi" only concentrates on surface visuals the message of "Romance" is to explain the emotional conflict of love and sexuality between men and women - told from a female point of view.

    A strange film at all, but also very fascinating and interesting executed - as long as you can put up its long dialogue-sequences, the sometimes metaphoric style and the fact that "Romance" is quite difficult to watch... Not the kind of stuff you´re normally used to enjoy as pure entertainment, because you´ll need time and nerves to sit this through..!

    8/10
    4alice liddell

    Not as dreadful as you've read, but too much TALK.

    Men hate it. Probably because it's not quite the pornography its detractors accuse it of. Women love it. Because it restores a woman's voice to the erotic? It also offers insultingly implausible solutions to genuine traumas; lacks the empathetic courage to embrace the dreamlike possibilities of its heroine's quest; and suggests motherhood as a woman's most fulfilling role. The film only becomes dull in the second half, and is more amusing than you might think, but the dreary visuals, trite metaphors, unimaginative use of voiceover and dialogue, and self-pitying acting soon become enervating.
    7bbhlthph

    Not a Harlequin style romance.

    Before I comment on this film two introductory remarks are necessary. (1) I recommend anyone who is aware of the way in which it was panned by the critics ("puerile self conscious euro-trash", etc) to forget these reviews. I believe it is an unusually rewarding work to see. (2) The title is very misleading, just reading it one cannot be aware of the irony with which it must have been chosen, and anyone expecting to see the film equivalent of a Harlequin novel needs to be warned in advance.

    The story is of a young women who loves her very unresponsive husband, but finds the dissatisfaction she feels from her rare and unfulfilling copulation with him drives her into a series of increasingly destructive extra-marital relationships. These are very graphically portrayed, although she struggles to keep her marriage intact. To me this is perhaps the most unsatisfying aspect of the film - today I would have expected that such a marriage would have broken up very quickly and the woman involved would have felt free to look for a more fulfilling relationship. However many films and novels are based on the theme of women who accept either indifference or a great deal of both physical and mental abuse from partners that they love, and I must accept that this is an important theme for a film.

    Although the story is far from new, it is handled here with unusual sensitivity and understanding. Some of the sex scenes would normally only be seen in a hardcore porn film and this appears to be what has upset most of the critics, but I cannot go along with this as a valid criticism. Why should films exploiting torture, death and destruction be accepted as mainstream, whilst those dealing with the personal relationships so vital to living a fulfilling life become subject to censorship? However it is important to warn anyone considering viewing this film that although it contains a great deal of graphic sexual activity it is never erotic.These scenes (even those between the young woman and her husband with whom she is certainly in love) uniformly show cold mechanical and meaningless relationships which are ultimately self destructive. They concentrate on the emotions of the woman concerned and, since she is largely passive in most of them, and can often only convey the story through her facial expressions, such scenes require both a very fine actress and a very sensitive director in order to succeed. In my opinion this film provides both. It could probably only have been directed by a woman, and one can sense the determination of both the director and the lead actress to draw viewers of both sex into the story so that they are not merely voyeurs, but are forced to consider its relevance both to their own lives and to those of their friends.

    Ultimately the ending of a film of this type can make or mar it. Both a happy and a totally tragic ending for what is intended to be a look at the lives of quiet desperation lived by many women would be inappropriate. Instead the director has taken our understanding of her main character further forward by showing us that for many such women their ultimate satisfaction comes from their children rather than from their life partner.

    It is a mark of a successful film when graphic images from it keep coming back to mind long afterwards, particularly when these images force one to consider whether there are lessons in it applicable to ones own life. I believe this would be the experience of most of those who see this film Although I would NOT recommended it as either a skin flick or an erotic film for a couple to watch together in the bedroom, I have no hesitation in recommending it strongly to all those who adequately appreciate what they can expect from it.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film is dedicated to actress and director Christine Pascal, who committed suicide in 1996.
    • गूफ़
      At the end of the movie, Marie feels she'll give birth soon, so she tries to wake up Paul. During this scene she moves in a way which is impossible for a woman in her state of pregnancy.
    • भाव

      Marie: They say a man who fucks a woman honours her.

    • इसके अलावा अन्य वर्जन
      The R-rated video version runs 87 min.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Superstar/Random Hearts/Boys Don't Cry/The Limey/Romance (1999)
    • साउंडट्रैक
      Spanish Storme
      Written by Sean Spencer, Jonathan Lesane, Carolyn Donovan

      Performed by D'Shadeauxmen

      Produced, arranged and mixed by Sean Spencer (as DJ Spen) and Jonathan Lesane (as Josane) for Spensane Productions

      © Copyright Defender Music/Westbury Music Ltd

      Avec l'aimable autorisation de Defender Music Ltd (p) 1997

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Romance?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 14 अप्रैल 1999 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
    • भाषाएं
      • फ्रेंच
      • अंग्रेज़ी
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    • फ़िल्माने की जगहें
      • फ़्रांस(location)
    • उत्पादन कंपनियां
      • Flach Film
      • CB Films
      • Arte France Cinéma
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $15,85,642
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $44,829
      • 19 सित॰ 1999
    • दुनिया भर में सकल
      • $15,85,642
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 24 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Caroline Ducey in Romance (1999)
    टॉप गैप
    What is the streaming release date of Romance (1999) in Canada?
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