My Mother Frank

The Australian public and the Australian film industry are often heard to complain that there are not enough great Aussie films around, or that they are all the same.

Well in this case this film is not a carbon copy of other Australian films. It is unique - it will make you laugh out-loud, it will make you cry and it will make you feel really good about yourself.

The casting of this film is superb and the acting is second to none. The script and the photography (colour/light etc) is wonderful. But more important this is a great film. I don't want to talk about the plot as I think it is always best to see a film knowing as little about it as possible. Suffice to say this film will appeal to a wide range of audiences. Take your girlfriend, take your Mum, take your friends - for a great evening out.

10/10!!!!

I can't see how a film of this quality only gets an average of 5.7 from IMDb voters. It's a classic Australian production that resembles recent efforts such as LOVE AND OTHER CATASTROPHES, THE SUGAR FACTORY, OCCASIONAL COARSE LANGUAGE, RUSSIAN DOLL, SAMPLE PEOPLE, THE SECRET LIFE OF US, LA SPAGNOLA, STRANGE PLANET, FRESH AIR, DUST OFF THE WINGS, DOING TIME FOR PATSY CLINE, etc..., as a 19-year-old uni student (Newton, in perhaps his best role yet, on par with CHANGI at least) with a bored, over-religious mother gets the shock of his life when she decides to enrol in the same course as him - and before you go thinking ANOTHER GOOFY MOVIE, it's not, there's some real substance here. Sure, it's a simplistic view of life in general and arts students in particular (but then they are rather simplistic under all that philosophical mumbo-jumbo aren't they?), and maybe the study of Sinead Cusack's character is a little muddled at times, but the film is bright, funny, and has some important messages. The principle cast is terrific: Cusack and Newton are wonderful, and Rose Byrne (see her also in THE GODDESS OF 1967) is so underrated it's not funny. She's a beautiful, fresh, confident actor who deserves every accolade she receives. I gave MY MOTHER FRANK 8/10.

Not particularly original or engaging. About half an hour in I'd written the ending in my head. The only surprise I got was that it was worse and more cliched than I'd imagined.

The lead actors are not particularly likeable either. That makes our journey through their world a hard slog.

My Mother Frank begins as a warm, amiable comedy about a middle-aged Catholic woman (Frank, short for Francis, played by Sinead Cusack) who shakes herself out of the doldrums by enrolling as a student in her son's university. Most of her friends and family are horrified, not least her son (Matthew Newton), who is busy falling in love with his best mate's girlfriend (Rose Byrne). Meanwhile Frank has raised the ire of her disapproving English tutor (Sam Neill).

Matthew Newton is utterly disarming as David; relaxed and natural in the role, even when the character's uptight. He generates valuable goodwill, steering the audience through some of the film's more awkward, broad comedy moments. Not long after the half-way point, first-time writer-director Mark Lamprell expertly steers his film into darker emotional territory and gives Cusack a real chance to shine.

The supporting cast is full of familiar and welcome faces (Lynette Curran, Sacha Horler, Nicholas Bishop) and all the principals (including a more animated than usual Sam Neill) are excellent. While it meanders a little towards the end, My Mother Frank delivers more than it promises and is a genuine Australian crowd-pleaser.

Since the death of his father, David Kennedy has lived with his mother Frances (Frank) and has suffered with her suffocating "care" for him and inability to move past her loss. After embarrassing him one too many times, David snaps and rants at her about getting a life and getting out of his. However when Frances takes this to heart, we decides to enrol at an University to take a degree in BA with a major in poetry. Thing is though, she enrols at the same Uni as David.

The plot summary makes it sound like a straightforward comedy and for a while that does appear to be what it is trying to do. However gradually the film moves into more of a character drama were the dynamics within Frances' family changes a bit. Both approaches work reasonably well but neither one is actually that good. The comedy side doesn't really work as it isn't that funny but the bigger falling down comes in the dramatic side of the narrative. The thread with Professor Mortlock doesn't really go anywhere and it is the same with the major of the character interactions; I didn't feel convinced or touched by them or what was happening to them.

What makes the film better than it deserves to be is a passionate performance from Cusack. The script and direction may leave her without the support structure but she gives her all in a difficult character. Newton does reasonably well alongside her and rises to the challenge when the material gives it to him – which sadly isn't that often. Neill drifts around in the background with a simple performance but not really adding much value.

Overall then an average comedy drama that doesn't really work that well in either regard. The comedy is light but never actually that funny while the drama offers things happening but not in a manner that engaged my head or heart. A couple of good performances carry it along more than it deserves but the final impression is to shrug one's shoulders and say it was "OK".