Youngblood

Lawrence Hilton-Jacobs was the box office draw, but the focus of Youngblood is actually the title character, played with reasonable conviction by What's Happening! semi-regular Bryan O'Dell. He's a not so street smart kid who wants to run with the Kingsmen, a local gang headed by Hilton-Jacobs, a returned Vietnam vet. The Kingsmen spend a lot of time drinking, beating up rival gang members, and abusing each other, but that doesn't mean they don't have a social conscience: when they lose a member to smack, the hunt is on for the dope pushers peddling junk in the 'hood. The story is familiar but is helped along by a uniformly good cast. War's score is excellent, especially the title track and Galaxy, featured in a disco scene heavily reminiscent of Soooooouuullllll Train. Watch for Ron Neal (Superfly) in a brief cameo as a high school gym teacher.

I saw this movie when it first appeared. I was very impressed with the script, action and flow of movie then. All the actors were perfect for their parts, even though some were just starting out in their careers. WAR does the awesome sound track (especially the reprise)!!! I would love to purchase video, if I could ever find it! I'm still looking! >

I recently watched Youngblood (1978) on Tubi. The storyline follows a 15-year-old boy in Los Angeles who has a successful older brother trying to pull his family out of the ghetto, but the younger brother is unsure if he wants to leave. When one of his friends dies of a drug overdose, he joins a gang and wants to help them get revenge. Can the older brother save the young man before he gets too deep and can't get out?

This film is directed by Noel Nosseck (Best Friends) and stars Lawrence Hilton-Jacobs (LA Heat), Renn Woods (Return to Green Acres), Bryan O'Dell (Street Wars), and Art Evans (Die Hard 2).

This is an underrated addition to the blaxploitation genre. The settings, attire, hairstyles, and dialogue all fit the premise perfectly. This is a well-written and well-cast film. The situations feel authentic and depict real family struggles. The storyline unfolds well, and the concluding shootout is perfect. The soundtrack is also excellent.

In conclusion, Youngblood is a worthy and underrated addition to the blaxploitation genre that's worth viewing. I'd score this a 6.5/10 and recommend seeing for fans of the genre.

A solid movie from the late '70s. It had the heart and human element of Boyz in the Hood and better than most of the stuff that came to be in the mid & late '80s. I'm not in the know of black culture but I took this as an accurate slice of South Los Angeles made by black filmmakers and it did exactly what a movie is supposed to do which is introduced me to things I'm not familiar with. Great cast, likable / acted really well. Nothing hokey about it. In fact, I was really surprised with the quality of the action scenes.... The accompanying score was awesome and never spiraled into cliche '70s Starsky and Hutch background music. The soundtrack by War elevated the peace all that much. The filmmakers really made the most of the low budget by joining forces with some really talented people, all around, from the acting to fight choreography to the authentic sets. Some really great dialogue too. I have nothing bad to say about such a heartfelt effort.

The admitedly great soundtrack by War is probably the official reason why YOUNGBLOOD has never been released on video or DVD (licensing issues.) However, I'm pretty sure the movie's current owners (MGM) see that there probably wouldn't be that much call for the movie if they were able to iron out the music rights. It certainly has its moments - some great fight choreography, for one thing, and the cast is pretty decent - but at the end you have to wonder what the point was, especially since that ending happens at a point when it seems that there is still a substantial part of the story yet to go! It's also pretty slow-going at times, and your impatience just increases by some unbelievably stupid decisions by the characters. All in all, it's just one more piece of evidence to prove that American-International was much better at making in-house product than contracting outside production companies to make product for them.