Almost Famous

William has an overprotective mother, and his sister has already been driven away by her refusal to accept her children's ambitions and interests. William finds solace in his sister's music collection and begins to dream of a life as a rock journalist. At 15 William manages to land a assignment with Rolling Stone Magazine to interview an up and coming band called Stillwater, and he quickly finds himself immersed in the life his mother so desperately wanted to protect him from.

And so the story begins, as William tours with the band, we are taken on a journey of mistrust, discovery, deceit and disappointment; interlaced with the hard truths about the bands lifestyle of drugs, alcohol, sex and music.

Almost Famous pulls no punches, and is a deep insight into the dream that became an ambition, that became a harsh reality.

Packed with top class performances all round and great music score Almost Famous delivers, and delivers with attitude and realism that is rarely captured on film.

A must see for Fans of the genre, but there's certainly enough here for everyone.

9/10

On a rating scale of 0 to 100; I gave Almost Famous a score of 95.

One of the most critically acclaimed movie experiences of the year 2000, Almost Famous is the second feature film to come out Cameron Crowe, and he beats his first effort, Jerry Maguire by a mile. Almost Famous is a stunning, thought-provoking film that comes at you directly from the eye of the camera and hits you with a hard bang. It's a movie not only for people who love 70's rock bands, but for all movie-goer's who really love the feeling of coming out of the cinema feeling totally fulfilled.

A 15 year old boy named William Miller (Patrick Fugit) gets an opportunity to travel with a rock band, Stillwater on a 1973 tour. As a younger boy, his sister (Zooey Deschanel) and his widowed mother Elaine (Frances McDormand) had fought about the mother's control over the family and her denial of rock music. The sister leaves home and leaves the young boy her record collection, which immediately seizes his attention. As a teen, he makes record reviews for an underground newspaper. He submits those to Creem magazine writer Lester Bangs (Phillip Seymour Hoffman) and gets his attention. The two become fast friends and Bangs acts as his mentor as Rolling Stone magazine comes calling. Slipping into an inner group connected with Stillwater, Rolling Stone agrees to bankroll him on a trip with the group. There he meets the "Band Aids", a group of girls that refuse to be called groupies because they are dedicated only to specific bands. "Penny Lane" (Kate Hudson), the Band Aid's leader is enamored with the group leader (Billy Crudup), but befriends the teen. He responds with complete infatuation with her, but he is equally enamored with the charismatic guitarist. While accepted by the band (other members are Jason Lee, John Fedevich and Mark Kozeleck), they nonetheless refer to him as "the enemy - a rock critic".

The film is classically cool and endlessly enjoyable, making it by far one of the top 5 movies of last year. The film boasts absolutely incredible performances, Patrick Fugit is a newcomer and has terrific potential, Frances McDormand is emotionally stunning as an over-protective mother and Billy Crudup, who I underrated at first, gives a performance of believability and power. However, it comes as no surprise that the film's acting star is Kate Hudson, daughter of Goldie Hawn. Hudson gives a masterful performance as Penny Lane, she pulls off all Lane's facial expressions effortlessly brilliantly, and God knows she is one of the most stunning young performers of her current time, and she gives one of the most memorably exciting performances of 2000. Cameron Crowe gets a big pat on the back too for arranging the movie delicately and with absolute dedication.

Cameron Crowe's instant classic is a hard one to beat, and is surely the closest thing we have to a perfect `rock movie' these days. Absolutely unmissable.

There was a time in the US rock circuit before music videos and online marketing. That was the time when several little-known bands toured all over the country... accompanied mostly by drugs and groupies. Writer-director Cameron Crowe takes us to that infamous scene of sex, drugs and rock n' roll in the 1970's with this semi-autobiographical work, which is not only equipped with his brilliant direction and screenplay, but also by decent performances by some relatively lesser-known actors.

Here the introduction of a not-too-famous band, an imaginary one called Stillwater, was important. In that sense, Stillwater is a perfect work by Crowe... with a volatile relationship between the vocalist and the guitarist, with a noncompetent manager and everything that comes with. There were also the groupies, who became a matter of substance in Crowe's point of view. But the most extraordinary thing that Crowe did is the image of himself as a 15-year-old writing prodigy, rock journalist William Miller. The viewers watch the movie through Miller's eyes. The character is extremely well-designed and reserved by Crowe. Miller's the one who becomes able to attach all the parts into a complete movie alone.

Billy Crudup was probably the best among the actors as guitarist Russell Hammond. It's true his role was not a tough one, but he's the one who made it look so easy. Young Kate Hudson, as Penny Lane, is perfect and very adorable. She showed her potentials in this movie which seemed even better than her mother, Goldie Hawn. All she needs are decent roles in future. The other actors, namely Jason Lee as vocalist Jeff, Frances McDormand as Williams's over-protective mother and the other band-aids (with Oscar-winner Anna Paquin) performed also quite well. And newcomer Patrick Fugit, as Miller himself, is really brilliant. Gaining more screen time than anyone else, it was a tough test for Fugit and it is all praises for him.

The soundtrack was very good with some fine original songs. There may be some minor flaws in the movie, like some unnecessary sequences, but all over this is a quite masterful work... a feast for the mind and soul, both for a hard rock n' roll fan and for casual viewers.

Elaine (Frances McDormand) is an all-controlling weirdness mother in San Diego, and her daughter Anita (Zooey Deschanel) rebels running away. Elaine even lies to her son William Miller (Patrick Fugit) about his age skipping grades. Anita leaves behind her collection of records for him. Then forward to 1973, William is a 15 year old high school music geek who has written a few things for magazines. Lester Bangs (Philip Seymour Hoffman) is his all-talk mentor. While trying to interview Black Sabbath, he befriends Band-aid Penny Lane (Kate Hudson). Then he meets Russell Hammond (Billy Crudup) and the band Stillwater. A few praises and he's in with the band. Then Rolling Stone magazine calls.

This is based on director Cameron Crowe's life as a young Rolling Stone reporter. As such, it has an air of truth in this fictional account. It hits all the correct notes. It is fun, poignant, and heart warming in all the right places. Kate Hudson is an instant star. The music is wonderful. It won the Oscar for best writing, but I would pick this over any of the best picture nominees. It is simply better than the best of that year.

Young Patrick Fugit, a talented juvenile writer, gets a once in a lifetime opportunity, to travel with a mid level rock band as a journalist. If the piece is good, Rolling Stone may pick it up and his career is made. Trying to pin the band down for an interview, especially the deliberately elusive leader, Billy Crudup is harder than you would think. These guys in the band Stillwater are Almost Famous, they're just a step away, but it's hard step to take.

Billy Crudup is one of the best players around today and it's his portrayal of Russell Hammond, lead singer of Stillwater on which the film pivots. It's a very complex role and we see all sides of Russell Hammond, talented, charismatic, loyal, self indulgent, hedonistic, it's all there and whole lot more. Just how honest can young Mr. Fugit be and where does being a fan stop and being a journalist start. Fugit may not know, but the band members keep asking the question.

Kate Hudson is around and does very well as the girl 'Penny Lane' who follows Stillwater. She's not a groupie, the term she prefers is Band Aide. And Frances McDormand is around as Fugit's mom who is constantly checking in on her son to see that he doesn't enjoy too much of the good life on the rock scene.

Almost Famous is a very graphic picture of the rock scene of the mid Seventies. Director Cameron Crowe did a great job capturing the mood of the times as well as good performances from the cast. Still it's Billy Crudup's picture and this is a must for his fans.