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Traffic

  • 2000
  • A
  • 2 घं 27 मि
IMDb रेटिंग
7.5/10
2.3 लाख
आपकी रेटिंग
लोकप्रियता
1,755
31
Michael Douglas, Don Cheadle, Dennis Quaid, Benicio Del Toro, and Catherine Zeta-Jones in Traffic (2000)
Traffic: Drugs
clip प्ले करें1:47
Traffic: Drugs देखें
11 वीडियो
99+ फ़ोटो
Cop DramaDrug CrimeCrimeDramaThriller

ड्रग्स के खिलाफ अमेरिका के बढ़ते युद्ध का नेतृत्व करने के लिए राष्ट्रपति द्वारा एक रूढ़िवादी न्यायाधीश नियुक्त किया जाता है।ड्रग्स के खिलाफ अमेरिका के बढ़ते युद्ध का नेतृत्व करने के लिए राष्ट्रपति द्वारा एक रूढ़िवादी न्यायाधीश नियुक्त किया जाता है।ड्रग्स के खिलाफ अमेरिका के बढ़ते युद्ध का नेतृत्व करने के लिए राष्ट्रपति द्वारा एक रूढ़िवादी न्यायाधीश नियुक्त किया जाता है।

  • निर्देशक
    • Steven Soderbergh
  • लेखक
    • Simon Moore
    • Stephen Gaghan
  • स्टार
    • Michael Douglas
    • Benicio Del Toro
    • Catherine Zeta-Jones
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.5/10
    2.3 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,755
    31
    • निर्देशक
      • Steven Soderbergh
    • लेखक
      • Simon Moore
      • Stephen Gaghan
    • स्टार
      • Michael Douglas
      • Benicio Del Toro
      • Catherine Zeta-Jones
    • 941यूज़र समीक्षाएं
    • 181आलोचक समीक्षाएं
    • 86मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 4 ऑस्कर जीते
      • 73 जीत और कुल 86 नामांकन

    वीडियो11

    Traffic: Drugs
    Clip 1:47
    Traffic: Drugs
    Traffic: Traitor
    Clip 1:21
    Traffic: Traitor
    Traffic: Traitor
    Clip 1:21
    Traffic: Traitor
    Traffic: Got Drugs
    Clip 1:06
    Traffic: Got Drugs
    Traffic: Shoot Him
    Clip 1:16
    Traffic: Shoot Him
    Traffic: Our Life
    Clip 1:27
    Traffic: Our Life
    Traffic: She's Lying
    Clip 1:22
    Traffic: She's Lying

    फ़ोटो244

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 239
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Michael Douglas
    Michael Douglas
    • Robert Wakefield
    Benicio Del Toro
    Benicio Del Toro
    • Javier Rodríguez
    Catherine Zeta-Jones
    Catherine Zeta-Jones
    • Helena Ayala
    Jacob Vargas
    Jacob Vargas
    • Manolo Sanchez
    Andrew Chavez
    • Desert Truck Driver
    Michael Saucedo
    Michael Saucedo
    • Desert Truck Driver
    Tomas Milian
    Tomas Milian
    • General Arturo Salazar
    J.R. Yenque
    J.R. Yenque
    • Salazar Soldier
    • (as Jose Yenque)
    • …
    Emilio Rivera
    Emilio Rivera
    • Salazar Soldier #2
    Michael O'Neill
    Michael O'Neill
    • Lawyer Rodman
    Russell G. Jones
    Russell G. Jones
    • Clerk
    Lorene Hetherington
    • State Capitol Reporter #1
    Eric Collins
    • State Capitol Reporter #2
    Beau Holden
    Beau Holden
    • DEA Agent - CalTrans
    Peter Stader
    • DEA Agent - CalTrans
    James Lew
    James Lew
    • DEA Agent - CalTrans
    Jeremy Fitzgerald
    Jeremy Fitzgerald
    • DEA Agent - CalTrans
    Russell Solberg
    • DEA Agent - CalTrans
    • निर्देशक
      • Steven Soderbergh
    • लेखक
      • Simon Moore
      • Stephen Gaghan
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं941

    7.5226K
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    फ़ीचर्ड समीक्षाएं

    the_eggman

    Technically great, acting's great, the whole damn thing's great

    It certainly has been a good 12 months for director Stephen Soderbergh, hasn't it? Erin Brockovich, probably the most underrated film of last year, eventually got the recognition Soderbergh, Roberts +Co deserved, as did this film, a chilling account of drug trafficking in North and Central America. As seen in 'Erin Brockovich', Soderbergh often deals with people under immense pressure, and this is quite evident here, telling the story of a new US drug control officer (Michael Douglas) whose daughter is rapidly becoming a drug addict (Erika Christensen). It also shows us the struggles of a drug trafficker's society wife (Catherine Zeta-Jones), whose husband is facing a conviction, and also that of a cop accused of corruption. The direction is superb throughout, speaking in tones, very believable tones, and contrasting atmospheres. The portrayal of Mexico, as a behind-the-scenes nightmare world of seediness, humidity (you can almost FEEL the heat) and as a place where one murder matters not, is handled excellently, Soderbergh quite cleverly using sepiatones to convey the mood. This high standard, which is often difficult to maintain in a movie of its length (2 ½ hours) is maintained, and while at times it borders on arty, it is done thoughtfully, incisively and effectively, the scenes of importance delivered in tense, muted tones. Javier Rodriguez's (Benicio Del Toro) character and personality is both strong and incredibly well-acted - the quiet, thick skinned yet razor-sharp mind suiting his environment perfectly, and his acting is often crucial to the moods set in the film, for example in creating the tense, unearthly atmosphere of Mexico. This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest. Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results. This film also deals with family life, and the movie cliché of 'daddy never being around' is handled exceptionally well. This time the daddy is the newly-instated drugs officer (Michael Douglas) fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow. The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved. Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round. All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out. Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.
    9MadReviewer

    The Real Best Film of 2000

    A dazzlingly complex film, `Traffic' takes a hard, unflinching look at the so-called `war on drugs' that is perfectly clear and uncompromising. Director Steven Soderbergh takes the various viewpoints of the drug culture -- the users, the dealers, the police, and the politicians -- and weaves their differing stories together into a single story that is both deep in its ideas but very simple to understand. In terms of story, direction, and characters, `Traffic' is easily Soderbergh's best film to date, and one of the best films made in recent years, period.

    `Traffic' takes a look at the world of drugs through the stories and lives of different characters. Some are loosely connected to one another; some are not. There is the story of Javier Rodriguez (Benicio Del Toro), a Mexican policeman struggling to keep his distance from the corruption that seems to follow him everywhere; there is the story of Ray Castro (Luis Guzman) and Montel Gordon (Don Cheadle), two DEA agents trying to turn the low-level drug dealer Eduardo Ruiz (Miguel Ferrer) against his drug cartel boss; there's the story of Helena Ayala (Catherine Zeta-Jones), the unsuspecting wife of the drug cartel boss who suddenly learns who her husband really is and what he does for a living; and then there's the new head of the DEA, Robert Wakefield (Michael Douglas), a man so wrapped up in his mission to stop the war on drug, he fails to notice that his own daughter Caroline (Erika Christensen) is becoming addicted to crack. Much like in the real world, the events of each story directly or indirectly affect the events of the others, leaving all the characters to consider their roles in the drug culture . . . and what, if anything, they can do to change those roles.

    In terms of story, `Traffic' is absolutely brilliant. I'm still amazed that the film could cover so many plotlines and dozens of characters so effortlessly. Each story -- whether it's Helena assuming the role of her drug-dealing husband, or Robert canceling DEA meetings so he can deal with his drug-addicted daughter -- is powerful and brutally honest. `Traffic' isn't afraid to look at tough or uncomfortable issues. `Traffic', somewhat surprisingly, never preaches, either -- while it's safe to say that the message of the film is essentially anti-drug, it never comes out and outright says that message. A lesser film would've had some grandiose speech imbedded somewhere in the film denouncing the use of drugs -- not `Traffic'. It's wise enough to let the viewer take what messages they want from the film, without ever preaching. (A minor quibble -- did Michael Douglas' character really have to be the new drug czar of the United States? The fact that he was the top law enforcement drug official in the U.S., and that his daughter was addicted to drug . . . well, it seemed a little too far-fetched, and a little too movie-like. If Mr. Douglas had been playing ONE of the top drug officials in the federal government, instead of THE top official, I would've found his character to be infinitely more believable.)

    Soderbergh's also at the top of his game with his direction of `Traffic'. The film is virtually filmed entirely with hand-held camera, giving each and every scene an up-close-and-personal feel. There's also a distinct lack of background music, which lets the viewer feel like they're eavesdropping on real-life scenes, and not just watching a movie. These techniques make for a very personal, intense experience. Soderbergh also uses a technique he's used in some of his other films (Out of Sight, Erin Brockovich) -- certain scenes are filtered a specific color, to heighten a mood or a sense of awareness of what's about to happen. The scenes in Mexico featuring the Mexican detective Javier, for example, are all filmed in a very bright, almost disorienting yellow. It's a technique that can be irritating at times, but for the most part, it serves a bold purpose that truly adds to the film.

    As for the characters, and the acting . . . jeez, `Traffic' is without a doubt one of the best-cast films of all time. I mean it. There are no weak links, no poorly written characters, and no badly played characters. Each and every character adds something significant to the story in `Traffic', and each and every actor is outstanding. Kudos must go to possibly one of the best ensemble casts of all time. Three actors in particular stand out, though -- Benicio Del Toro (who won the Best Supporting Actor Oscar for his performance), Don Cheadle (who was actually slightly better than the brilliant performance of Mr. Del Toro, IMHO), and Catherine Zeta-Jones. I'm normally loathe to use the word `flawless' when describing a film, but the casting of `Traffic' was indeed flawless.

    `Traffic', with its unflinching look at drug use in America today, can be uncomfortable at times to watch. It certainly can't be termed a `happy' or a `feel-good' film. That doesn't change the fact that it is an amazing, thought-provoking, powerful film -- and without a doubt the best film released in the year 2000. I can't recommend this film enough. Grade: A
    Michiel Waaijer

    Great film-making, acted out brilliantly.

    Traffic is a fantastic movie. Let's start with saying that.

    I just got back from seeing it, and it certainly rates as one of the best story-based drama's I've ever seen. Being a big fan of movies with different storylines overlapping (as Magnolia) I was highly anticipating this movie. And of course the big oscar nominations and the prizes it already won made it even more desirable.

    It didn't let me down one bit. The different story's were all excellent. Being that the mexican one was in my opinion the best one. Especially Benicio Del Toro (remember him in Fear and Loathing in Las vegas, the BEST drugs movie ever) being absolutely brilliant. But also the storyline involving Michael Douglas with his problems dealing with a daughter on drugs (well acted out by newcomer Erika Christensen) is remarkable. The topic drugs is clearly highly talked about especially in the United States, and this is actually the first movie which shows all aspects of it. The dealing and smuggling, the addiction, the risks of being a narcotics agent and the political point of view. It's hard to find a film that's so complete, everyone will feel connected to one of the storylines because everyone deals with or has dealt with drugs before, even if it's just a one time mariuhana use. That's why this movie will appeal to a very large crowd.

    Anyway when you look at the flaws then maybe some will say that it takes too long, or that some of the scenes are a bit slow. But does everything go fastpaced in real life? It just tries to sketch a realistic view of handling with drugs. And maybe there isn't a lot of action going on, but that's not the goal of the movie.

    The only thing I found when watching the movie was that the switching between movielines happened a little too often. I'd preferred if it stayed with one story a little longer. Just a tiny flaw that I personally noted.

    Traffic is a film that has to sink in, when you start to think about it it just gets better and better. I can't wait for the official release here in Holland, so that I can see it again.

    Oscar for Del Toro in any case !!!!!! And throw in an oscar for best film too. It deserves it.
    javaman-7

    Soderbergh splashes colors with the dash and power of a Jackson Pollock

    Traffic (2000)

    Like an abstract expressionist master, Steven Soderbergh stands in the center of a canvas that stretches from Cincinnati to Tijuana. He mixes materials and splashes colors with the dash and power of a Jackson Pollock. His materials are skillful acting, lively editing, a dynamic music score, and an unflinching camera. (He did his own lensing, under a pseudonym). The artist's aim? To paint a picture of our country's drug problem.

    Scripted by Stephen Gaghan, "Traffic" has its roots in a 1989 British television mini-series, "Traffik," which followed the drug trade from Pakistan to Britain. There are three loosely related stories, each with its own color coding--and as with Pollock, there is nothing random about where the paint splashes upon the canvas.

    Blue hues bathe blue bloods in Cincinnati where an Ohio Supreme Court Justice (Michael Douglas) is flattered into taking a job as national drug czar, just as his bright young daughter (Erika Christensen) is seduced into addiction by her prep-school friends.

    A rich golden-yellow surrounds San Diego where a comely couple (Catherine Zeta-Jones and Steven Bauer) occupy the upper links of the drug chain and spend ill-gotten cash on clothes, cars and country clubs. They are pursued by two undercover cops (Don Cheadle and Luis Guzman) who spend most of their screen time cooped up in a surveillance van.

    In Mexico, a washed-out, burnished brown bespatters a desert of desperation as two Baja policemen (Benicio Del Toro and Jacob Vargas) pull off a major drug bust only to be themselves busted, by a sinister general (Tomas Milian) who notifies them that 'I will take over from here.' Each color signifies its own impenetrable culture, and when Douglas crosses into Mexico to meet his counterpart, we know (but he doesn't) that his fellow drug czar is really a drug lord.

    The performances were exceptional, especially considering that no one was given star treatment. Much of the film was shot with existing light and Soderbergh kept the composition wide, letting the actors create their own space. Douglas was surprisingly believable as the would-be czar and bookends an Oscar-worthy year with his scruffy professor in the earlier "Wonder Boys." His real-life wife, Zeta-Jones (carrying their child), gave a quite credible performance as a society snob who turns ruthless when her status is threatened.

    Other stand-outs include Christensen's drugged-out daughter, Del Toro's street smart Mexican cop and Cheadle's dedicated drug buster. In fact, there was not a weak performance in the bunch, including crucial cameos by veterans Peter Riegert and Albert Finney. Real people even play roles: Douglas's fictional drug czar confers with real-life senator Orrin Hatch, while actual customs officials relate their day-to-day drug enforcement dilemmas.

    Each of the three stories ends with a glimmer of hope. But despite small battles being won, the film's verdict is that the larger war is plainly being lost. As if on cue, White House Director of Drug Policy, Barry McCaffrey, has resigned effective January 6, 2001. The real-life outgoing czar, a former general, has become a vocal supporter of increased funding for treatment programs.

    Like Pollock, Soderbergh continues to stretch the boundaries of his art, as he did a dozen years ago with "sex, lies, and videotape," and more recently with the undervalued "The Limey." "Erin Brockovich" though fairly conventional by his standards, nevertheless completes a year any director would envy.

    Rating: 3 1/2 stars out of 4
    8Movie-12

    One of the best movies of the year, but not worthy of ALL of its praise. ***1/2 (out of four)

    TRAFFIC / (2000) ***1/2 (out of four)

    "Traffic" caught some of the most gratifying praise in the year 2000. Does the production live up to its expectations? To some extent. It is not a movie to take the family to on a Sunday afternoon, nor is it an "entertaining" popcorn extravaganza. "Traffic" is one of the best films of the year, but it is not a movie for everyone. I had my fair share of disappointments, and I think many audiences will walk away unsatisfied by its documentary-like style and unusual structure. "Traffic" is still a great achievement in filmmaking and visual style-worthy of some, but not quite all, of its great acclamation.

    The movie's director, Steven Soderbergh, won Oscar nominations for both of his movies last year: "Erin Brockovich" starring Julia Roberts, and this epic about the never ending war on drugs. That first film is entertaining and charming, but this is far more complex in its story. There are actually three separate plots here, the first detailing two Tijuana cops (Benicio Del Toro and Jacob Vargas) who find themselves in the middle of a corrupt police force, working for Gereal Arturo Salazar (Thomas Milian), Mexico's top drug aggressor who wants to shut down the Tijuana drug cartel by capturing a notorious assassin (Clifton Collins Jr.).

    The second story has Michael Douglas as a conservative Ohio State Supreme Court Judge turned nation's new drug czar. He has a savage job, as we can see, but it is even more difficult being the father of a 16-year-old daughter (Erika Christensen), who gets straight A's in school, but uses heavy drugs and eventually prostitutes herself for them when the supply runs low. Amy Irving plays her mother whom herself tried every kind of drug in the market when she was young and thinks her daughter should be given more freedom in this area of maturing. Her husband strongly disagrees.

    The third story is a bit more complicated, dealing with the reactions of a typical pregnant homemaker, Helena (Catherine Zeta-Jones), when she finds out her husband, Carlos Ayala (Steven Bauer), is not an executive, but a high-powered drug lord. He is taken into custody when undercover DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luiz Guzman) crack a disreputable drug cartel led by Juan Orbergon (Benjamin Bratt). Helena, with the help from her attorney (Dennis Quaid), must deal with the pressures by her husband's demanding enemies, as well as the DEA. Miguel Ferrer plays the middle-run drug dealer who is captured by the DEA agents and wants immunity for testifying against the high-powered bosses for whom he works.

    "Traffic" does not have the harrowing, compassionate, hard-to-watch tone that "Requiem for a Dream" had earlier last year, which also contained three different although parallel stories. That film depicted drug use as personal success followed by desolation and punishment. "Traffic" doesn't really make drugs personal, although the plot featuring Michael Douglas' drug addicted daughter touches on the idea, and the actors do a good job of making the character's attitudes hit home, but the film is more about the war on drugs within America as a country, and how it is a battle not likely to be won anytime soon. The picture does not capture the feeling of the characters like "Requiem for a Dream" did with its highly elaborate styles and camera effects. "Traffic" just isn't as emotionally profound as the much more worthy "Requiem for a Dream."

    Steven Soderbergh does manage to capture an inciting style with grainy, high contrast photography exploring the atmosphere of Mexico. He pays attention to even the smallest scenes. Take a scene where the Benicio De Toro character encounters a young married couple who complain about their stolen car. Many directors would have left this scene on the editing tables, or paid less courtesy to it because it is not as important as many other scenes. He gets the right mood, confusion of the characters, all while furthering the development of De Toro's character. Each individual scene here is interesting on its own merit.

    A top notch cast contributes superb performances in "Traffic." We expect and receive good performances from actors like Michael Douglas, Amy Irving, Dennis Quaid, Benicio Del Toro, and Albert Finney, but there are also some newcomers who shine with their material, including Erika Christensen and Topher Gracer. The actors really hold our attention, and with a running time of nearly 150 minutes, that is imperative. This film is greatly constructed and perfectly cast-it is the kind of movie in which you walk out of the theater wanting to discuss your opinions about it.

    इस तरह के और

    21 Grams
    7.6
    21 Grams
    एरिन ब्रोकोविच
    7.5
    एरिन ब्रोकोविच
    बैबल
    7.5
    बैबल
    Crash
    7.7
    Crash
    Sex, Lies, and Videotape
    7.2
    Sex, Lies, and Videotape
    Traffik
    8.4
    Traffik
    Out of Sight
    7.0
    Out of Sight
    वॉल स्ट्रीट
    7.3
    वॉल स्ट्रीट
    Road to Perdition
    7.7
    Road to Perdition
    थ्री किंग्स
    7.1
    थ्री किंग्स
    Behind the Candelabra
    7.0
    Behind the Candelabra
    ज़हरीला वाइरस
    6.8
    ज़हरीला वाइरस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The scene in which Michael Douglas takes his trip to the California border crossing to discuss drug interdiction was actually shot at the Tijuana crossing. The video and sound quality are so low in part because it wasn't intended to be part of the movie. Douglas, out of character, started asking Rudy M. Camacho about drug trafficking on the border. At the time, Camacho was the real-life Customs chief in charge of the California border crossings. Steven Soderbergh began filming it with a hand-held camera, praying that Camacho wouldn't address the actor as "Mr. Douglas".
    • गूफ़
      Francisco Flores has distinctive wounds on his left cheek and forehead when first shown in surveillance photos, but those wounds are only visible after he is tortured by General Salazar's men, long after the photos were taken.
    • भाव

      General Ralph Landry: You know, when Khruschev was forced out, he sat down and wrote two letters and gave them to his successor. He said - "When you get yourself into a situation you can't get out of, open the first letter, and you'll be safe. When you get yourself into another situation you can't get out of, open the second letter". Well, soon enough, this guy found himself into a tight place, so he opened the first letter. Which said - "Blame everything on me". So he blames the old man, it worked like a charm. He got himself into a second situation he couldn't get out of, he opened the second letter. It said - "Sit down, and write two letters".

      Robert Wakefield: [laughs] Yep.

    • क्रेज़ी क्रेडिट
      There are no opening credits except for the film's title in the lower left corner.
    • इसके अलावा अन्य वर्जन
      The Criterion Collection DVD is presented in 1.85:1, whilst the Criterion Blu-ray is presented in 1.78:1. According to the Blu-ray insert, the latter is the director's preferred ratio.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Cast Away/What Women Want/Finding Forrester/Traffic/All the Pretty Horses/Before Night Falls (2000)
    • साउंडट्रैक
      Give The Po' Man A Break
      Written by Fatboy Slim (as Norman Cook)

      Performed by Fatboy Slim

      Courtesy of Astralwerks Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Traffic?
      Alexa द्वारा संचालित
    • Who was Arnie Metzger?
    • What is the mixture sprayed into Frankie Flowers face while he's held captive?
    • What is it that Gordon attaches to the table in Ayala's house towards the end of the film?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 जनवरी 2001 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • जर्मनी
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • Tráfico
    • फ़िल्माने की जगहें
      • सिनसिनाटी, ओहायो, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • The Bedford Falls Company
      • Initial Entertainment Group (IEG)
      • USA Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,80,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $12,41,15,725
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,84,725
      • 31 दिस॰ 2000
    • दुनिया भर में सकल
      • $20,75,15,725
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 27 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • Dolby Digital
      • SDDS
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

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