Solomon and Gaenor

Solomon And Gaenor never lets you forget for an instant that this is a doomed romance. Unlike Shakespeare's version, there is no sympathetic character to offer a glimmer of hope to the young lovers. Rather the story takes its cue from its bleak setting in a Welsh mining town in 1911.

This is not to say, however, that the film is maudlin - it isn't. Rather the horrifying reality of Solomon and Gaenor's situation adds poignancy to their love. A delicate and intricately detailed dress that Solomon makes for Gaenor serves as a reminder that, like the dress, their relationship is too beautiful and fragile to last in such hostile surrounds. On a more technical note, the blend of languages (Yiddish, Gaelic, and English) works well, adding an air of authenticity without being self-conscious or knowing. The two leads, Gruffudd and Roberts bring a freshness and vitality to their roles that sidesteps any stereotypes. These are not Byronic figures, stalking moodily across a barren landscape. They are two people made happy by love in a dismal place.

I definitely recommend this film.

Solomon and Gaenor is a film that sincerely captures the magic of the discovery of pure love, and also depicts so painfully what happens when ethnicism and hate work against it. I found so much of the film to be right on target with what people will do to make the "impossible" possible. There are so many forces at war in this movie: Truth versus deception; love versus hate; joy versus pain; sin versus virtue; ecstacy versus agony; and that's just a glimpse! I felt that I was not watching actors, but rather that I was part of the air surrounding the goings-on in these characters' lives. I was completely immersed in the story. Not only was the acting so on the mark, but the dialog was superb, the emotional struggle was palpable, and the lessons learned are as pertinent today as they were portrayed in this story set in Wales long ago. The story itself is truly a tragedy. The film, however, is magnificent.

I watched this poignant film after a week of slogging through the Lord of the Rings Trilogy, and was happy to relax with a quiet simple story. Instead I found a riveting tragedy of a young couple in falling in love, and by doing so, breaking the rigid rules that held their different social orders together. The setting was South Wales in 1911, a turbulent time of changing social order. These was not the happy singing miners of "How Green Was my Valley", you knew that these miners had a desperately hard life.

Gaenor belonged to a proud chapel-going Welsh mining family holding together through hard times and strikes. Sundays were spent in the chapel where they accepted being publicly chastised for their transgressions.

Solomon was a Russian Jewish peddler whose family had fled persecution in Europe. When things got tough for the miners they would take it out on the small Jewish shopkeepers. The misalliance threatened and was unacceptable to both groups, who depended on sticking together for their survival. What was seen by the families as fleeting young love, was actually something much deeper and lasting, which ultimately led to tragedy.

Everyone in the film was well cast, especially Ioan Gruffudd who was excellent in the role of Solomon.

It is an useful film for remind what is the true nature of romance. It represents a good opportunity to discover, again, the potential of Ioan Gruffudd art. And to see a version of Romeo and Juliet proposing the emotion of the original as basic thrill defining us. A beautiful film, reflecting high care for each detail and a real touching way to define a lost world.

"S&G" is the story of a pair of young adults, a Jewish man and a Welsh woman, who come together in 1911 Wales when times were tough, families ties were necessarily strong, and intense antisemetic feelings existed among the Welsh population. At issue is whether the star-crossed lovers are the victims of youthful infatuation and libido or so deeply in love they can persevere against all odds. "S&G", a well crafted film shot in Wales, spoken in three languages, with fine performances by the leads, is not likely to be a popular film owing to the many negative, foreign, or esoteric issues involved. However, its integrity cannot be denied.