एक युवा लेखन कौतुक एक एकांतवादी लेखक में एक संरक्षक पाता है।एक युवा लेखन कौतुक एक एकांतवादी लेखक में एक संरक्षक पाता है।एक युवा लेखन कौतुक एक एकांतवादी लेखक में एक संरक्षक पाता है।
- पुरस्कार
- 5 जीत और कुल 13 नामांकन
फ़ीचर्ड समीक्षाएं
The mechanics of the movie have been well-reviewed by others. Yes, it could definitely have been a better movie, but then again what movie can't you say that about? In terms of plot and character development what it needed most was another 30 minutes, but at two and a quarter hours already most studios would never allow that. (Note that the movie did not seem nearly that long to me.) Perhaps the plot and story could have been tighter, but it's really a remarkable job for first-time screenwriter Mike Rich.
The acting, while not always remarkable, was quite good. Connery brilliantly underplayed Forrester, yielding a less dramatic but much more realistic portrayal of the writer. Rob Brown's portrayal of Jamal was equally reserved yet forceful. The directing held the two characters in balance well. The other characters were well-acted though not generally well-developed (hence much criticism of this movie).
Others have compared Finding Forrester to Goodwill Hunting (also directed by Gus Van Sant) and to Scent of a Woman, suggesting that it is just a ripoff of the plot in those two. If so (which I doubt), those are two pretty good movies to plagiarize. The basic concept of Forrester's story (first novel wins Pulitzer -- what do you do for an encore?) has also been done before, but I've never seen it done so well (and without resorting to The Bottle as an excuse for a wasted life).
What's been missed in the reviews I checked was a discussion of who found whom. When you boil it down, Jamal found Jamal and Forrester found Forrester (just in time), though they found themselves by reaching out to each other and forming a bond of friendship across a gulf of age, suspicion, and race. The way they do this, without the usual twists of self-destruction and miraculous salvation, is both touching and refreshingly real. And finding oneself, in its essence, is what EVERY good drama is about, so, yes, there is a similarity to Goodwill and Scent and every other good movie ever made.
Included in the movie is a very brief first course in writing. Though the movie doesn't dwell on it, the way it presents the process of writing (and of the criticism of writing) is refreshingly realistic.
Speculation about the "real" identity of Forrester is interesting. Salinger has been mentioned, but the similarities are only superficial. Harper Lee (To Kill a Mockingbird) is a much better fit (first novel wins Pulitzer, nothing else ever written, lived as a recluse), but I almost favor the enigmatic Gardner McKay (though Forrester is certainly different in many ways from McKay). However, it's just as likely that Rich had no particular person in mind when he crafted Forrester (since, after all, the First Novel Syndrome is a well known plot theme).
All in all, while not The Great American Movie, it's a very good movie and well worth watching.
The acting, while not always remarkable, was quite good. Connery brilliantly underplayed Forrester, yielding a less dramatic but much more realistic portrayal of the writer. Rob Brown's portrayal of Jamal was equally reserved yet forceful. The directing held the two characters in balance well. The other characters were well-acted though not generally well-developed (hence much criticism of this movie).
Others have compared Finding Forrester to Goodwill Hunting (also directed by Gus Van Sant) and to Scent of a Woman, suggesting that it is just a ripoff of the plot in those two. If so (which I doubt), those are two pretty good movies to plagiarize. The basic concept of Forrester's story (first novel wins Pulitzer -- what do you do for an encore?) has also been done before, but I've never seen it done so well (and without resorting to The Bottle as an excuse for a wasted life).
What's been missed in the reviews I checked was a discussion of who found whom. When you boil it down, Jamal found Jamal and Forrester found Forrester (just in time), though they found themselves by reaching out to each other and forming a bond of friendship across a gulf of age, suspicion, and race. The way they do this, without the usual twists of self-destruction and miraculous salvation, is both touching and refreshingly real. And finding oneself, in its essence, is what EVERY good drama is about, so, yes, there is a similarity to Goodwill and Scent and every other good movie ever made.
Included in the movie is a very brief first course in writing. Though the movie doesn't dwell on it, the way it presents the process of writing (and of the criticism of writing) is refreshingly realistic.
Speculation about the "real" identity of Forrester is interesting. Salinger has been mentioned, but the similarities are only superficial. Harper Lee (To Kill a Mockingbird) is a much better fit (first novel wins Pulitzer, nothing else ever written, lived as a recluse), but I almost favor the enigmatic Gardner McKay (though Forrester is certainly different in many ways from McKay). However, it's just as likely that Rich had no particular person in mind when he crafted Forrester (since, after all, the First Novel Syndrome is a well known plot theme).
All in all, while not The Great American Movie, it's a very good movie and well worth watching.
As a person who enjoys good movies, as well as reading and writing, I loved this film, and would see it again. Some may accuse it of being formulaic, but I feel that there is just enough unexpected-ness in it to keep the audience interested. I would hope that the apparent similarities to the director, Gus Van Sant's earlier work, Good Will Hunting, do not dissuade anyone from seeing the film. Any similarities are unimportant and do not take away from the fact that this is a good movie which stands alone as a deep film with an good plot. The script is very well written and all of the dialog appears real and natural. It is a thought provoking drama, but it is not depressing or sappy, as all too many dramas are. At the same time, it does not give the impression of simply being a feel-good movie. Also, although there are several humorous lines in the movie, they do not rely on cheap puns or slap stick humor.
William Forester once wrote a Pulitzer Prize winning book, but now is a recluse, hiding from his fame, who never leaves his book-filled apartment in the Bronx, but spends his time reading and bird watching, as well as watching the teenagers of the neighborhood play basketball in the park outside his window. Jamal Wallace is one of these teenagers. He hides his love of reading, and his brilliant writing skills, and chooses instead to gain the acceptance of his peers through his skill at basketball. A prep school has offered Jamal a scholarship because of his high test scores, and their need to win a basketball championship. The two characters meet, and Forester becomes a sort of teacher/mentor, but both learn many things from each other. Symbolism is important in this film, and it makes many good points about people, how we relate to each other, and how we deal with the difficulties of life.
The movie stays away from any violence and sex. It is rated PG-13 because of brief strong language and sexual references, but even these are few, and not over done, using only what is necessary to create real characters and setting -- a refreshing difference from many films that are now being made. The message of the film is good and moral, but it was wonderful to see a serious film staring a young black person that does not hit you over the head with messages of racial tolerance.
One of the surprises in the film is the great soundtrack. It is mostly Jazz songs from Miles Davis and others, which seems well suited to the mood of the movie and to the setting, another well done part of the film. The final song, a medley of "Somewhere Over the Rainbow" and "What a Wonderful World" is great. I was happy that this movie had refused to do what many recent movies have done in capitalizing on a soundtrack and trying to use or create hit pop songs in a movie. It also stays away from sappy and unnecessary orchestra music that is often used to try to create emotion in the audience. This movie does not need to resort to tricks like this in order to make you feel for the characters. Another happy surprise is a cameo from Matt Damon.
The acting is wonderful, particularly from the experienced Sean Connery, playing the title character, and from newcomer Robert Brown, as Jamal. Even the more minor parts in the film, such as Jamal's older brother, played by Busta Rhymes, and Jamal's friends and teachers are well-acted. Anna Paquin is well suited for her role as Claire, a rich girl from the prep school that Jamal transfers to. The two seem to make a connection, but a romantic subplot is not pursued very far in the film. I found this a refreshing change, and one of the factors that kept the movie from being too predictable, as well as much more realistic. Real life romances do not usually happen the way they often do in films. A disappointment was the character played by F. Murray Abraham. Although well acted, there is a complete lack of character development, and the teacher-that-gives-the-brilliant-student-a-hard-time stereotype is hard to ignore. Despite this one shortcoming, this is an excellent film.
As the film ended and the credits began to roll, I noticed that no one in the theater got up to leave, as is usually the case in theaters. The audience remained seated until the credits and music had finished, and the lights came back on. It is just that kind of a movie. I would defiantly recommend it to anyone wishing to see a mature and thought-provoking film that is entertaining and enjoyable to watch, and will leave you feeling inspired.
William Forester once wrote a Pulitzer Prize winning book, but now is a recluse, hiding from his fame, who never leaves his book-filled apartment in the Bronx, but spends his time reading and bird watching, as well as watching the teenagers of the neighborhood play basketball in the park outside his window. Jamal Wallace is one of these teenagers. He hides his love of reading, and his brilliant writing skills, and chooses instead to gain the acceptance of his peers through his skill at basketball. A prep school has offered Jamal a scholarship because of his high test scores, and their need to win a basketball championship. The two characters meet, and Forester becomes a sort of teacher/mentor, but both learn many things from each other. Symbolism is important in this film, and it makes many good points about people, how we relate to each other, and how we deal with the difficulties of life.
The movie stays away from any violence and sex. It is rated PG-13 because of brief strong language and sexual references, but even these are few, and not over done, using only what is necessary to create real characters and setting -- a refreshing difference from many films that are now being made. The message of the film is good and moral, but it was wonderful to see a serious film staring a young black person that does not hit you over the head with messages of racial tolerance.
One of the surprises in the film is the great soundtrack. It is mostly Jazz songs from Miles Davis and others, which seems well suited to the mood of the movie and to the setting, another well done part of the film. The final song, a medley of "Somewhere Over the Rainbow" and "What a Wonderful World" is great. I was happy that this movie had refused to do what many recent movies have done in capitalizing on a soundtrack and trying to use or create hit pop songs in a movie. It also stays away from sappy and unnecessary orchestra music that is often used to try to create emotion in the audience. This movie does not need to resort to tricks like this in order to make you feel for the characters. Another happy surprise is a cameo from Matt Damon.
The acting is wonderful, particularly from the experienced Sean Connery, playing the title character, and from newcomer Robert Brown, as Jamal. Even the more minor parts in the film, such as Jamal's older brother, played by Busta Rhymes, and Jamal's friends and teachers are well-acted. Anna Paquin is well suited for her role as Claire, a rich girl from the prep school that Jamal transfers to. The two seem to make a connection, but a romantic subplot is not pursued very far in the film. I found this a refreshing change, and one of the factors that kept the movie from being too predictable, as well as much more realistic. Real life romances do not usually happen the way they often do in films. A disappointment was the character played by F. Murray Abraham. Although well acted, there is a complete lack of character development, and the teacher-that-gives-the-brilliant-student-a-hard-time stereotype is hard to ignore. Despite this one shortcoming, this is an excellent film.
As the film ended and the credits began to roll, I noticed that no one in the theater got up to leave, as is usually the case in theaters. The audience remained seated until the credits and music had finished, and the lights came back on. It is just that kind of a movie. I would defiantly recommend it to anyone wishing to see a mature and thought-provoking film that is entertaining and enjoyable to watch, and will leave you feeling inspired.
Director Gus Van Sant also directed `Good Will Hunting' and this film has essentially the same plot. An underprivileged youth is discovered by a reclusive genius and is shepherded to his full potential. What GWH was to math, this film is to literature. They are such close cousins that Van Sant felt compelled to bring in Matt Damon for a cameo.
Regardless of the familiar plot, `Finding Forrester' succeeds because of an excellent screenplay and outstanding acting performances by Sean Connery, Rob Brown and F. Murray Abraham. This kind of story can't help grabbing the audience at a human level. Genius, suppressed by societal class, struggles to emerge and it beats the odds. The story is transcendent for both the main characters. Forrester (Sean Connery) helps Jamal (Rob Wallace) transcend his societal constraints to realize his potential as a writer, and Jamal helps Forrester to transcend the constraints of his emotional traumas to free him as a human being. It is a triumphant story, very uplifting.
Van Sant does a good job of presenting the human element and developing the characters while keeping the photography effective but in the background. The photography is very straightforward, allowing the characters to tell the story without the intrusive use of stylish shots that are all to prevalent lately. Van Sant gives Forrester's apartment a dark and dreary look from a color and lighting perspective, which is particularly effective.
Sean Connery is in top form and continues to make the case for being one of our best and most treasured actors. He gives a virtuoso performance in this film with a complex and ornery character. It is a powerful and moving portrayal. Rob Brown is phenomenal in his first feature film. He was found in a talent search and made an impressive debut with an extremely mature performance. With the right scripts, he has a good chance of having a bright future. F. Murray Abraham is fantastic as the haughty English teacher, who gets his just deserts.
This is a highly intelligent film with a strong story, steady direction and marvelous acting. I rated it a 9/10. Despite an all too familiar storyline, it differentiates itself by its wide-ranging excellence. For those who enjoy good dramatic performances and intriguing character studies, this film is not to be missed.
Regardless of the familiar plot, `Finding Forrester' succeeds because of an excellent screenplay and outstanding acting performances by Sean Connery, Rob Brown and F. Murray Abraham. This kind of story can't help grabbing the audience at a human level. Genius, suppressed by societal class, struggles to emerge and it beats the odds. The story is transcendent for both the main characters. Forrester (Sean Connery) helps Jamal (Rob Wallace) transcend his societal constraints to realize his potential as a writer, and Jamal helps Forrester to transcend the constraints of his emotional traumas to free him as a human being. It is a triumphant story, very uplifting.
Van Sant does a good job of presenting the human element and developing the characters while keeping the photography effective but in the background. The photography is very straightforward, allowing the characters to tell the story without the intrusive use of stylish shots that are all to prevalent lately. Van Sant gives Forrester's apartment a dark and dreary look from a color and lighting perspective, which is particularly effective.
Sean Connery is in top form and continues to make the case for being one of our best and most treasured actors. He gives a virtuoso performance in this film with a complex and ornery character. It is a powerful and moving portrayal. Rob Brown is phenomenal in his first feature film. He was found in a talent search and made an impressive debut with an extremely mature performance. With the right scripts, he has a good chance of having a bright future. F. Murray Abraham is fantastic as the haughty English teacher, who gets his just deserts.
This is a highly intelligent film with a strong story, steady direction and marvelous acting. I rated it a 9/10. Despite an all too familiar storyline, it differentiates itself by its wide-ranging excellence. For those who enjoy good dramatic performances and intriguing character studies, this film is not to be missed.
This is not the movie I'm used to watching, and I didn't know what to expect. The amazing story that resulted is definitely one I'll be watching again. And again. And again. I laughed when I should've laughed, and I was intrigued when it was intriguing. This movie will probably be considered a classic in the future because of how special and inspiring it is. I'm proud that I got the chance to watch this movie and I'm excited for the next time I do.
September 2004.... While walking through the aisles of Blockbuster in search of films my wife and I may have missed through the years, we stumbled on "Finding Forrester". I had a slight recollection of a recommendation from a friend some time ago. In a nutshell, we really enjoyed this film. Both main characters are charming and convincing. The story makes you think and is clever. If you liked "Good Will Hunting" you will probably like this movie too, since it has a similar flavor to it. Though the film is 4 years old, the story is timeless and worth watching. Enjoy, Jimmy
क्या आपको पता है
- ट्रिवियाRob Brown got the role after initially auditioning as an extra. Brown had no aspirations of being an actor, and was only hoping to make some money to pay his $300 cell phone bill. But director Gus Van Sant invited him to audition for the role of Jamal, and liked his natural ability.
- गूफ़At one point in the film Jamal mentions to Claire that, "It was Stamford... At the bar in London... He was the one who introduced Watson to Holmes", alluding to the Sherlock Holmes novels and stories. However, it wasn't at a bar in London where Stamford introduced Watson to Holmes but at a hospital's chemical laboratory near the bar.
- क्रेज़ी क्रेडिटJamal and friends play basketball through the end credits, viewed from the window of Forrester's apartment.
- साउंडट्रैकVerse Flow
Written and Performed by Jimmy Bobbitt
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Finding Forrester?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Finding Forrester
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,30,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,18,04,714
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $7,01,207
- 25 दिस॰ 2000
- दुनिया भर में सकल
- $8,00,49,764
- चलने की अवधि2 घंटे 16 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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