The Adventures of Pluto Nash

There's maybe one laugh (if you're lucky) in this universally-panned disaster, but that doesn't mean THE ADVENTURES OF PLUTO NASH is a complete loss. Eddie Murphy is the title character, a reformed felon operating the most successful club in the "Little America" part of the Moon. But after he turns down an offer to sell to a shyster for $10 million, the laser bullets begin flying in his direction. Now he and gal pal Rosario Dawson, along with robot bodyguard Randy Quaid, are on the run.

Murphy is generally appealing, but his comic touch just doesn't jive with the sci-fi environment. The plot is at times incoherent and suffers from trying to roll comedy, action and excitement all into one. It's kind of amazing this clunker ever made it beyond the idea phase, particularly with talents such as Murphy and director Ron Underwood (CITY SLICKERS) involved.

What does PLUTO NASH have going for it? Though it's supposed to be a comedy, it actually works to some degree as a sci-fi adventure. The massive $100 million budget and futuristic setting make for some interesting visuals. And the picture moves along at a fair pace, with a tidy running time of 95 minutes.

For all its flaws, I would not use the term "boring" to describe PLUTO NASH. Hollywood has done much better, but it's also done far worse.

3.7. A 3.7 out of 10. As I sit here, writing this review, this film has a user-average rating of 3.7 out of 10. I'm going out on a limb here, and assume that there are many people who blindly voted low scores to bring down the rating, based solely on the negative publicity. Because, I honestly can't believe that they all witnessed the same film I did. (Not to mention, mass negative voting from people who haven't seen the film is a problem here for movies with hype or notoriety.)

I knew the story, I heard about it all. The film was shelved for two years, didn't get much publicity, and was released August of 2002. Releasing a major comedy with a huge budget 2 years after completion, with little publicity on almost the exact date of the 1-year anniversary of one of the biggest tragedies to ever hit the US... Seriously, did the studio even think when they tried to push this film out? I can only assume not. Critics crucified it. Audiences ignored it. It was a flop.

I went along, blindly following the notion that because it flopped, it sucked. (Although, I have found out that many great films flopped, among them "It's a Wonderful Life.") Finally a few months ago, a friend of mine said: "Hey Adam, let's watch 'Pluto Nash'! It's on NetFlix!" I scoffed, but after he persisted, I agreed.

I'm glad I did.

"Pluto Nash" was refreshingly entertaining, and in no way was it the abysmal slight against cinema I had been told it was.

The film centers on Pluto Nash (Eddie Murphy in a fun performance), his sidekick robot Bruno (Randy Quaid in perhaps my favorite performance in the film) and Dina Lake (the astonishingly beautiful Rosario Dawson), with numerous other actors in supporting roles. Nash is the owner the nightclub "Club Nash", on the moon, some time in the future. He bought the club to save the life of a friend (Jay Mohr), who has since become a famous "singer" in a snazzy upscale part of the moon, leaving Nash behind. Dina arrives, hoping to work for Nash in order to earn money to buy her way back to Earth.

Soon, henchmen sent by the mysterious Rex Crater arrive, interested in buying Nash's club. When Nash turns them down, they destroy the place. Nash, Dina and Bruno vow to discover who this Rex Carter is, and stop him.

And so begins this fun action/comedy/sci-fi feature. In all honesty, the story is cliché, but it actually works quite well. This isn't supposed to be a revolutionary masterpiece, it's meant to be a fun good-guys-VS-bad-guys-buddy-movie type film, only set on the moon in the future. The characters are quite endearing and likable as well. They feel like people you'd want to hang out with.

The special effects (which were unfairly criticized at the time) are surprisingly good, considering they were from 2000 (remember, the film was finished but shelved for two years), and the direction of Ron Underwood is quite nice. Visually, the film is a treat.

The cast works. Murphy, Dawson and Quaid are all great in their roles, and supporting characters are played very well by some big names, such as Peter Boyle, Pam Greir, Burt Young and even a cameo by Alec Baldwin.

The music is fun, the editing is great, the set design is exquisite, the acting is generally very good, the direction is fantastic, the story is decent enough. I really can't say much. The craftsmanship is very competent. It's not a bad film by any stretch of the imagination from any conceivable way you look at it. Is it a particularly strong film? No. But is it a halfway decent film with some laughs and some heart? Yes, it is most definitely. I also admire the fact that this film isn't ashamed of being light-hearted and positive. A lot of films (especially these days) try to be dark and gritty. It's nice to see just a positive, fun film.

I honestly can't understand how this was so hated by critics upon release, and so ignored by the general public. It's a very fun movie, and I had a blast watching it. I will gladly be buying this flick sometime soon, and sharing it with others, so they can finally see this treat they missed out on.

I give "The Adventures of Pluto Nash" a good 7 out of 10. It's lighthearted fun.

Kids( 11, 9, 7 ) and I enjoyed this this afternoon and must agree with others that tghe critics have this all wrong. The special effects are top class and the CGI workers deserve kudos. Sure the plot was holywood boiler plate but it really surpassed Total Recall and Mr. Murphy was still able to project his exceptional talent and gift for dramatic comedy. Why didn't Warner Bros. plug this better? Why the release delay? Obviously putting it on DVD/VHS there was somebody with brains, sense, and guts to know it had quality. Bad rap and poor business judgement are it's only shortcomings. (7/10)

This was a really cool movie considering no one makes cool sci-fi movies much. It had a pretty good story, like a remake of a 1950's nightclub noir film. It really had an early R. Heinlein or Phillip K. Dick feel to it, sort of. The effects were neat if not ground breaking and Eddie Murphy did a credible job. Randy Quaid was funny and annoying at the same time. Also had a really funny cameo of Pam Greir as Eddie's mom. A nice, solid movie. Not perfect by any means with lots of science mistakes but then Hollywood does that a lot anyway. This movie reminds me of Total Recall if I had to put a name on it.

The humor was much more sophisticated than I expected and there were no Uranus jokes, contrary to other reviews. If you are going to lie, try a little harder.

I happen to think that this movie is entertaining. Sure the jokes are juvenile, but if Austin Powers can do $millions of business with recycled jokes and bathroom humor, I can't see why Eddie Murphy, who's in great form here, can't score with this one (millions, after all, went and see the awful Nutty Professor II). I heard a lot of bad reviews, but I was pleasantly surprised that I totally enjoyed the movie.

It's basically a gangster comedy wrapped in a Sci-fi treatment. There are some genuinely eye-catching set pieces and amusing exchanges. The visuals are great. And Rosario Dawson and Eddie Murphy have genuine chemistry -- much more convincing than that between her and Will Smith in MIB2. Randy Quaid steals the show as the robot bodyguard though. After the disappointing MIB2 and Gold Member, Nash is quite a refreshing change of pace.