Joe Gould's Secret

What a beautifully crafted cinematic experience this is. Joe Gould, as played by the inimitable Ian Holm; is at once sweet, crass, full of rage, and teetering on the edge of madness. While Gould stands front and center,his "secret" is much, much more than we are led to believe. While wandering the city in quest of an "oral history" from thousands of New Yorkers, Joe Gould meets Joe Mitchell, a writer with the New Yorker magazine. Mitchell is drawn to this strange man who strides through Greenwich Village demanding donations to his "Joe Gould Fund". While we have to wait until the very end of the movie to find out Joe Gould's Secret, it's worth the wait. Director and Star, Stanley Tucci(Joe Mitchell),has evoked pre-WW2 New York as we would want it to be. His actors are first rate and fill out their characters to perfection. As the movie progresses, we become aware of the sadness and anguish that leads to the final understanding, and the clues we didn't see along the way.

This is one of those marvelous movies where almost nothing happens. Noone dies, noone gets blasted by aliens, noone get mushed by Bruce Willis or Harrison Ford. Just a quiet movie about an interesting guy (damn, Ian Holm is good) who doesn't do much. The scenography is awesome, and the details of the surroundings are pretty good. Anyone with an understanding of the pre-beat scene in NYC (or curiosity, ferchristssake) will love this quiet, interesting movie. Some of the characters could have been painted with a little more color. One becomes curious about the photographer-wife, the beat-artist (Saranden), and the sleazy publisher (Steve Martin, ferchristssake), but our questions remain questions.

If you like quiet movies, thoughtful movies, you'll thoroughly enjoy this one. Rent it.

It's no accident that the opening scene of "Joe Gould's Secret" is an all-American family having a normal conversation over breakfast. The head of this household, author Joseph (Joe) Mitchell (director Stanley Tucci) is about to have his world turned upside-down by a person whom he's at first merely intrigued by, but then finds himself friends with: Joe Gould, a homeless beggar who "speaks seagull." Gould (Ian Holm) is himself an author, claiming to have recorded a staggering volume recounting the conversations of strangers he calls the 'Oral History' or simply 'O.H.' One portion of the OH is his own thoughts on these conversations, which he keeps with different people he knows all over New York City. The other is the actual conversations, which he claims to have hidden away under lock and key. Gould won't let anyone read it because it's too personal to him. Over the course of the story, Mitchell starts to suspect that these writings don't even exist. He also finds that he's got a lot more in common with this mentally ill tramp than he'd care to admit.

The heart of the story is the friendship between Gould and Mitchell. Both men are well portrayed and given great depth by the actors who play them. That the script is the best of any produced this year doesn't hurt either. Mitchell treats Gould as a story he's writing, as merely an interesting character for people to read about, and not a human being. Mitchell thinks he's done Gould a great service, but finds that all he's done is take away even more of Gould's humanity. Most of his `friends' treat him in a similar fashion: they love how he entertains them with his craziness, but when it comes to helping him, the most they're willing to do is make a contribution to the "Joe Gould fund." Holm's performance is mesmerizing. Behind all of Gould's ravings is a sadness that he always manages to keep just below the surface. Holm brings across several levels of a man's personality, sometimes in no more than a glance. His work here is a perfect, once-in-a-lifetime achievement I hope he is remembered for.

There is much more to Joe Gould's Secret than a message about how we treat the homeless in America. It has so many levels, you could watch it several times and find a different story in it each time. Tucci has several points to make, but doesn't do it at the expense of storytelling. His love and understanding of the story and characters shines through, like a kid finding a stray puppy, running home with it, and announcing, "look what I found!"

Grade: A

With all the garbage that's been coming out in the theaters recently, I've taken to staying home and renting movies that never made a big splash at the box office. With Joe Gould's Secret, I lucked out and enjoyed a movie that was better than I could have imagined.

All the performances, most notably Ian Holm's, are stellar. The scenes of 1940's New York will fill you with nostalgia, even if (like me) you were born well after that time. Occasional appearances by the always wonderful Susan Sarandon and Steve Martin only heighten the pleasure of a perfectly-acted, -filmed, and -directed gem of a movie.

But, in the end, it is the character of Joe Gould -- brilliant, mad, heartbreaking -- that makes Joe Gould's Secret so perfect. He is the farthest thing imaginable from the "cute homeless guy" stock character of your typical insulting Hollywood script.

Do yourself a big favor and see this movie.

This is a well made and acted adaption of Joseph Mitchell's two pieces on Joseph Ferdinand Gould,a New York character from the 20's into the early 50's who claimed to be writing the "longest book in the English language,Joe Gould's Oral history." He haunted Village bars and coffee houses cadging drinks and handouts to sustain his existence.He says "We all suffer from delusions,his is the delusion that he is Joseph Ferdinand Gould.Tucci is excellent as Joseph Mitchell,but Ian Holm steals the show as Joe Gould,although he looks a little too well fed.Trivia:early in the film when Tucci is in the Minnetta Tavern,we see a painting of the REAL Joe Gould! What a shame this movie didn't get a wider audience,which it richly deserves.