ग्लैडियेटर

Gladiator is the best bread and circus. A moving and very entertaining action epic with Russel Crowe and Joaquin Phoenix at the top of their game.

I absolutely love Joaquin Phoenix in this movie. He's the kind of villain you love to hate. So pathetic and childish. So ruthless and creepy. Just right amount of cartoonish. I wanted to punch him in the face.

It can be corny and it drags a bit during the escape plan part of the plot, but it has enough emotion and brutal violence to keep the audience entertained, and that's what a good gladiator match should be.

20 years on, the first DVD I bought is still a barnstorming, thrilling ride. There's so much to recommend this - Lisa Gerrard & Hans Zimmer's iconic score, the canny casting of Joaquin Phoenix as a foil for Crowe; the realisation that I quote this film in everyday conversation far more than I thought I did. If it should have won the Oscars is a moot point - this is another of Ridley Scott's superb worldbuilding - one of his primary film-making skills, giving us a Rome that feels recognisable yet still a break from the cliché's that had seeped in to popular culture before this. That the film's status was boosted by the DVD boom as it made its way to home release is undeniable, but this remains a film that thrills, absorbs and grips.

Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.

In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity.

So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel - overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny; with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things.

Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10

One of the best films of a generation, it's a bold claim, but Gladiator truly is that good. Every single element is perfect, the story is phenomenal, one to absorb you for the full running time. The visuals are incredible, an epic masterpiece for the eyes as well as the soul. The acting first rate, surely the aim of any film is to move you, this does just that and then some.

The best of Russell Crow are far as I'm concerned, he really does command the screen throughout, Joaquin Phoenix is just as good, it makes me so sad that this was the last film of the late great Oliver Reed, and of course he's awesome.

I must also comment on the incredible soundtrack, the sublime music of Has Zimmer coupled with the ancient, enchanting voice of Lisa Gerrard, the music is the same glorious standard as the film, Now we are free still gives me chills, and takes me back to the film.

One of my top ten films of all time, a masterpiece, 10/10.

Seriously the best fantasy film of the modern area with great acting and emotional rollercoastering all the way through. The soundtrack by Zimmer really propels this film