The Jack Bull

I liked the film and thought the story was solid, with strong, believable perfomances throughout, but I have to agree with another reader who questioned the black man's role at the dinner table.

Don't get me wrong, I bought the Indian as an integral part of Cusack's character's homestead, because the character lent himself to a fair and equitable role through his life. The Character "Ballard" however, was basically a rotten @#&^%! though, and in that day and age, would a black man have found reliable and somehow trusted place among other scoundrels let alone at this land "Baron's" table? Had the guy's race been white, it would have been totally believable, but at least for historical accuracy, I had to question this plausibility.

It probably might not have distracted from the film at all had I not read it here first, but I have to agree with the observation. Otherwise I liked the work.

Fifteen minutes into almost any movie I find myself saying, `Well, I don't care what happens to Any of these characters.' With this film, I found myself caring about Every character. Even the bad guys. Even the characters walking by in the background. The acting in this film is uniformly excellent. Like an ensemble theatre piece. Much has been written here about the men, but Miranda Otto as Cusack's wife is luminescent. She clearly is the light of his life, and she lights up the screen for every second of every scene she is in--who wouldn't love this woman? The actress with only one scene begging she not be burned out of her house. The actress with only one scene who comes to the aid after a carriage accident in Cheyenne. The character landscape is rich and deep. You'll recognize many venerable character actors, like the always reliable Ken Pogue as the bad judge. In the leads, John Cusack, John Goodman, and John C. McGinley invest a depth of feeling that anchors the story. L.Q. Jones and John Savage are a pair of richly textured villains. This film is a feast of fine performances, from the briefest day players to the many layered leads.

This film does a decent job of creating the feel of the late 1800s in the Wyoming territory and there are some decent performances. Having said that, I have to disagree with the posts that suggest this had some sort of redeeming message. What was it? The "bad guys" won-Cusack's character managed to get his wife killed (very predictable but the whole scenario was not even close to being consistent with the "Old West", or with Cusack's character up to that point) and to get himself hung for a crime he didn't commit, making his young son an orphan. The villain in the movie gets off with only two years in prison. How is that a good message? There were other problems as well. Cusack has a Crow Indian working for him, (eating at the same table with the family in one scene) and is not ostracized by the other people in town. Highly unlikely, given the treatment of Indians by white settlers everywhere (but very PC). There is a black man who is treated as an equal by a powerful rancher and a judge, even more unlikely in 19th century America. All in all, a film to miss.

To those of us who follow any of HBO's original programming, it should come as no surprise that a film on the level of THE JACK BULL premieres on HBO. While the folks out in Hollywood are busy heaping money on so-called films such as AMERICAN OUTLAWS and TEXAS RANGERS, leave it to HBO and John Cusak to come up with the good stuff. Though the big screen fare is far glossier (and no doubt costlier), Cusak's gritty western is simply far superior. Boasting a cast including Cusak, John C. McGinley, John Goodman, and L. Q. Jones, the film out-acts its big screen competitors by a mile and a half. Combine it with a cold, smart, gritty screenplay by Cusak's dad and strong direction by John Badham and you have a film worthy of inclusion among really good Westerns.

f you want to see Ashton Kutcher, James Van Der Beek, Colin Farrell, or Usher Raymond, you'll have to rent the other two. But if you want to see something more on par with Clint Eastwood's UNFORGIVEN, well then, THE JACK BULL is calling your name!

I haven't been impressed with a western in along time as I have with JACK BULL. Terrific acting, great script and tremendous cinematography. The setting is 19th-century, wide open pre-statehood Wyoming. A powerful tale of a horse trader(John Cusack) seeking justice for a rival rancher(L.Q.Jones) abusing two of his horses. Before finding a judge(John Goodman)to hear his complaint, Cusack gives notice he wants restitution within seven days. This inturn causes some havoc at the same time the justice system is trying to make a good impression as the territory is awaiting statehood. You will not like the ending, but you will agree that this is a great HBO project.

Cusack really proves to be an all around actor with JACK BULL. His acting abilities seems to be improving movie by movie. What I like about this role is that he wears his hat like Elvis Presley did in CHARRO!(1969). Needless to recognize the similar beginnings of a beard. Was John impressed with Elvis or what? L.Q. Jones has always been one of my favorites even if he does play a dirty s.o.b. in this movie. Jones of course as you might remember had small parts in numerous Elvis flicks. John Goodman is tight and in control of his role as Judge Tolliver. Also in the cast are:Rodney A. Grant, John C. McGinley and John Savage.

Note:Script was written by Dick Cusack, John's father.