Harem Suare

Harem Suare is the best film I saw in the year 2000. Bravo Ferzan Ozpetek. Sensually shot and stunningly portrayed, Harem Suare is a bold film that tackles interracial romance, which is such a taboo in Hollywood. Women of all shapes, sizes, and color, populate the film. Cut off from the outside world, the women entertain each other by telling stories about intrigue, rivalry and jealousies within their ranks.

I appreciated the photography, the textures, the colours and often, unlike one comment, the lighting. What was lacking for me was a coherent storyline.I found it often disjointed, badly edited and at times difficult to follow. My version was 110 minutes, IMDb shows one at 125m. Possibly the cuts and subtitles didn't help. I applaud any films that escape from the Hollywood mould but this left me disappointed. Miss Gillain was luminous and the performances were all fine, I just wanted a little more dialogue. If anyone would like to see another film that has some affinity with this one, try 'Hideous Kinky'with Kate Winslet.

Viewing the film Harem, makes one feel as if one were an actual voyeur peering into an actual Harem. Doorways and mirrors reflect to the eye what appears to be reality rather than an illusion created by a camera. As the Ottoman Empire comes to an end, the women in the Harem are frightened for their future. An old servant spins a tale to entertain and keep the women in the Sultan's harem distracted from what is going on. The story revolves around the Italian woman Safiye, who with the help of the black eunuch, Nadir rises to become the Sultan's favorite wife. The old servant's tale is interwoven with Safiye who weaves her own story to another Italian woman at a train station.

Do we always retell our stories as they happen to others? Stories are interwoven within stories, not only of what happens, but also what it is we would liked to have happened and wished we had done differently. As the Empire finally falls and the Sultan escapes to Europe, leaving all the concubines behind, the stories will unfold. What will happen to the ladies of the Harem, to Safiye, and to Nadir who deeply loved Safiye? The story is intelligent. The film is beautifully photographed. The costumes and interiors are sumptuous and colorful. However, the film is at times a bit hard to follow and there is a certain lack of warmth in the characters.

Strange film. The story of a historical "Fall", the fall of the Ottoman Empire. It makes you immediately think of movies by the gigantic Luchino Visconti such as "Ludwig" and "The Damned" (the original title translates as "The Fall of the Gods"). Dark colors, morbid atmospheres, perturbations, homosexuality open or veiled. And so on. And the story is good, well thought of. But unfortunately narrated too quickly and in a too confused way. To understand it (and again not completely) one must know well history and traditions of the Ottoman Empire, or at least of its last decades. What is really a Harem, which are the relationships of power between one woman and the others, why a very few of them become powerful and others remain behind, what's the position of the Valide, what it means for a woman to bear a male child to the Sultan, why exactly the small child of the main character is poisoned, why near the end the possible poisoner, the favorite of the Sultan, has to go with her son to Salonika? Because she must follow Abdul Hamit 2 in his exile, but one must know it by himself, the movie does not give any explanation whatsoever. All in all a good film, but could have been much better

This story is a complex and wonderful tale of the last Harem of the Ottoman empire, well told and provoking we see the inner workings of a world now gone, and learn about the people who lived there.

I enjoyed the story, characters, acting and scenes. A few scenes suffered from quick editing and the sub titles sometimes disappeared too quickly, otherwise a wonderful piece.

The main character Safiya is played wonderfully by Marie Gillain who I am pleased to say did a fantastic job without over doing it. The scenes with her and Alex Descas (Nadir) are charming and lovely.

I recommend this film for anybody looking to watch something less Hollywood and more authentic to the world they are emulating.