Crosstrap

Gary Cockrell and Jill Adams have rented an isolated house so he can finish his latest book. They find a corpse, and then an entire gang, led by psychopathic Laurence Payne. They're waiting for a plane to take them and the takings from their most recent job out of the country. Payne doesn't want to leave any witnesses, so he plans to kill Cockrell and take Miss Adams with them for fun and games. His current mistress, the sultry Zena Marshall doesn't like this plan at all. They've got other problems: another gang has them trapped in the house, taking pot shots at anyone who sticks a head out.

It's a nicely complicated bit of thriller from a story by John Newton Chance, even if the characters are just sketches, and the day-for-night photography of Eric Cross is a bit too obvious for comfort.

Miss Marshall was born in Nairobi to French and Anglo-Irish parents. After her father's death, she and her mother moved to Leicestershire. She made her film debut as a handmaid in 1945's CAESA AND CLEOPATRA. Her career languished, but she played a Bond Girl int he first film in the franchise. She died in 2009 at the age of 84.

A young couple have a nasty surprize to find the isolated cottage they have rented to be occupied by a murdered man and a violent gang of jewel thieves led by woman chasing psycho Duke, ably played by talented actor and author Laurence Payne. His first critically acclaimed crime novel, The Nose On My Face was published in the same year as this film was made. Jill Adams, brunette rather than her usual blonde, is the hostage he lusts after, despite having a moll in the form of glamorous Zena Marshall. Crude though it is in both characterisation and direction, Crosstrap in some ways prefigures the kind of Brit gangster movie of later decades especially when a rival gang lays siege to the cottage with ensuing mass shootout.

Based on a novel by John Newton Chance a now forgotten author who churned out dozens of crime potboilers over decades, it is at least never dull. Enjoyed most of all the driving jazz score, which couldn't get out of my head, from Steve Race, a once familiar figure on BBC television and radio.

This crime thriller is one of many that the British film industry churned out quickly and cheaply in the late 1950s and early 1960s. Some titles managed to overcome their limitations and emerge as taut pieces of superb character drama that remain powerful some fifty years later. Alas, Crosstrap is not one of them.

Briefly, it's plot concerns a young married couple celebrating their anniversary with a return to a remote romantic haven only to find that is now being utilised by a gang of jewel thieves who take them prisoner. This gang in turn are soon under siege from a rival gang of crooks, which makes their captors more desperate and limits the chances of the husband and wife escaping with their lives even further.

Sadly, the film frequently gives the impression that it has been thrown together with little thought. Many shots just don't match up, with jarring changes between studio work and location filming, and lighting levels are inconsistent, with a character appearing in twilight, then broad daylight, then twilight again in a single sequence.

The incidental music seldom reflects the events that are unfolding on screen.

The plot seems hopelessly confused at times and largely centers on the lead villain allowing an instant and unlikely infatuation with the young woman to risk the success of the whole operation. The gang are waiting for an aircraft to arrive for them, so naturally they have chosen a densely wooded area to facilitate this move. Hmmm....

The characters themselves range from the bland to the mildly interesting, and that's about as good as this one gets, unfortunately. It might help you pass an hour, but there are much better examples of the genre out there to be found.

Gary Cockrell ("Geoff") and his wife Jill Adams ("Sally") retreat to an isolated rural house so he can concentrate on finishing his magnum opus. Once there, however, peace and quiet is the last thing they get. The discover a corpse in the bathtub and are soon inundated by Laurence Payne ("Duke") and his gang of hoodlums who have been using the remoteness of the house as an ideal base to fence their stolen goods. It's got quite an irritating jazz-style soundtrack, the ambitious attempt to film outdoors makes the lighting dingy and the over-complicated plot is far too clunkily scripted to keep your attention from straying elsewhere. Payne and Adams - alongside Zena Marshall "Rina" try their best, but it's all just too feeble and the ending is daft.

This is not the best or worst of British B movies.It tries too hard to include too many plot strands in too little time with,consequently,too little explanation.Why does Laurence Paume étant to take Jill Adams away with him rather than Zena Marshall.It is good that this film has been rescued from oblivion