But I'm a Cheerleader

As gays and lesbians have achieved more and more acceptance in our society, a countervailing force – led mostly by conservative religious organizations - has been rearing its head in recent years. The movement is often referred to as `reparative therapy,' the rather absurd notion that, with just a little grit, determination and behavior modification, homosexuals can be `cured' of their `illness' and groomed to take their place as fine, upstanding members of the heterosexual community. Certain `treatment centers' dedicated to this dubious cause have even begun to spring up in areas around the country, modeling themselves after 12-step programs like Alcoholics Anonymous.

The makers of `But I'm a Cheerleader' have chosen to have a little fun with the concept, imagining one of these centers in almost surrealistic terms. Sweet-faced Natasha Lyonne stars as Megan, a regular teenager happily content to give her all to her cheerleading squad and only mildly confused as to why she can't seem to get quite as excited by her boyfriend as by thoughts of her buxom cheerleader buddies. Suspecting her of being a lesbian – long before Megan herself does, actually – her `concerned' parents, friends and boyfriend cart her off to True Directions, a treatment center tucked safely away in the country. In this bucolic setting, Megan and a group of other `deviants' are put through the rigors of a 5-step therapy program which includes admitting their homosexuality, undergoing gender role playing and even `practicing' man/woman sexual behavior under the stern tutelage of the mistress of the place. In keeping with the near-surrealism of the subject matter, the center is done up in an almost Montessori school motif, with bold colored walls and furniture somehow emphasizing the cold, inhuman sterility of the setting.

`But I'm a Cheerleader' is, by no means, a great or entirely successful comedy. Its attempts at humor, particularly in its opening scenes, seem a bit forced and heavy-handed at times. Moreover, the tone shifts a bit uneasily every so often, running the gamut from stylized absurdity to heartbreaking seriousness. Still, the undisciplined messiness is really part of the film's overall charm. It removes the work from the same category as all those ultra-slick bubble-headed comedies about teens that major studios seem to release with frightening regularity. And the movie does have many laugh-out-loud moments of inspired lunacy, showing to what preposterous lengths many straights and even some pressured gays will go in order to `correct' the uncorrectable. We see the girls being given instructions on how to use a vacuum cleaner, wear makeup and change diapers. The boys are instructed in the fine arts of wood chopping, throwing a football and fixing cars. These scenes work, in particular, not only for their comic effectiveness but their underlying poignancy, as these scared youngsters – many threatened with disownment by their parents if they don't `straighten up' – give it their all, against all hope, to truly change, to deny the very person their raging hormones are screaming at them to be.

The movie also manages to make the gay characters seem real and believable. Thanks to a superb cast, many of the teens emerge as touching, three-dimensional people rather than the cartoon characters that they might have become in a similar film of this kind - particularly when it would be so easy for them to become so in the face of the caricatures of parents and camp counselors who swirl around them in this highly stylized setting. Prime among these is Cathy Moriarty, brilliant as Mary, the prim and proper leader of the establishment, a woman whose righteous wrong-headedness the actress captures to a comic tee. In contrast, Rue Paul, out of drag for once, gives a superbly understated performance as an `ex-gay' now working for the enemy. Among the teens, Lyonne and Clea DuVall, as the girl Megan falls in love with, are the obvious standouts. They turn these potentially cardboard comic characters into full-sized, instantly recognizable young women filled with yearning, confusion and a desire to both please others and be true to themselves.

And that is the ultimate message of this film. Though done in an absurd way, the movie strives to point out that all of us must be allowed to be who we are and to live the life that best suits us. Whether we are gay, straight or whatever, that's a philosophy of life we all need to be reminded of from time to time.

Rating: 3/4 stars.

Heres a movie that depicts a softcore John Waters like style. It's a brave movie, discussing the topic many feel either uncomfortable talking about or just is an awkward topic many don't understand. It's homosexuality. This movie is for homosexually, but many people in the film treat it as a cancer to a person. Its unnatural, unwanted, and not understanding in this world. My view on homosexuality is that people can be however they want. If you find someone you love that loves you back you're the luckiest person in the world. It doesn't matter the sex as long as you're happy with what you have. Period.

Megan Bloomfield (Natasha Lyone) is considered gay by her family, friends, and classmates. She's a cheerleading captain, has a picture of Melissa Etheridge, she fantasizes about cheerleaders when kissing her boyfriend, and she is a vegetarian. Oh yeah, she's gay! Better get her looked at. Just by the mild things she is accused of you can tell being homosexual is really frowned upon in this world. Her parents ship her to Teen Directions, a place run by a strict leader, Mary Brown (Cathy Moriarty) and where they teach kids to stay in the closet and be the way "God meant".

In Teen Directions, Megan meets Graham Eaton (Clea DuVall), a girl who comes from wealthy parents who threaten to disown her is she doesn't become straight. She refuses to change at the same time afraid to live a life as a lesbian without any trouble. So naturally, Megan and Graham become attached to each other and the rest can be picked out.

This film is more about homosexuality, it too teaches gender roles of both male and female. In the four step program in the film, Step 2 is "Step 2: Rediscovering Your Gender Identity" where both sides take on tasks of being a male or female to try and focus on their job reminding them what their role is in life. Though this only makes Graham and Megan hang out and get more and more attached. So it just helps matter rather than solves.

This movie is a hard one to explain because of the unusual plot and so much there needs to be said. I can go on for an hour to describe what morals and themes are found within But I'm a Cheerleader!, but some are major than others. I believe I covered the major points in this film and figure that I picked the key points of the film. All in all, it's a great movie, and Natasha Lyone plays a perfect protagonist, being not to bright, but kind hearted which is enough to expect out of the lead female role. Also, perfect musical soundtrack here as well. Excellent, catchy music that fits well to not only the tone, but the vibe and feel of the story as well. Just by the opening credit song (my favorite, April March's "Chick Habit") I knew it would be a great film.

Starring: Natasha Lyonne, Cathy Moriarty, RuPaul, and Clea DuVall. Directed by: Jamie Babbit.

So many people do not like this movie simply because they do not understand it. First of all, yes the movie is full of stereotypes, but that's the point. They're there to show how ridiculous these stereotypes really are and to show that in the end, you cannot change who you are, you just have to learn to accept it and get the people around you to accept you. Second, some stereotypes that I've heard people notice really weren't there. I don't think anywhere in the movie did they try to make Christians look stupid (hey, the homophobic Christians are pretty good at making themselves look stupid WITHOUT help). Okay maybe Megan's comment about "God is good, God is straight - hey that's pretty good," but still, I think sometimes people LOOK for something to be offended by. I think this movie does make fun of many straight people, who claim that gays are recruiting, when it is actually the other way around (as one can see by the existence of True Directions, and in the fact that when Megan asks them to teach her to be a lesbian, they tell her that they can't do that). All in all, this is a great movie and I really enjoyed it! As for people who didn't, hey, you're allowed to not like it, but if it is for reasons that really don't seem warranted, maybe you should give But I'm a Cheerleader another look.

I was fortunate enough to catch "But I'm a Cheerleader" last night, and I must say the only thing that bothered me was the fact that I hadn't stumbled upon it sooner.

Megan Bloomfield is a beautiful blonde, who seems to have the life that every girl has once dreampt of. She is a popular cheerleader, dating the captain of the football team. All seems well until she arrives home from school one day. Megan's family and friends confront her, and in classic Intervention fashion proceed to tell her what they KNOW to be the truth: That she is a repressed lesbian. She is sent into a "Rehab" program ran by "Reformed" gays and lesbians. What could possibly go wrong?

I believe it is worth mentioning that this film has an early John Waters feel to it. Mink Stole, who has been in every John Waters movie beginning in 1966, plays the role of Megan's Mother Nancy.

If campy humor and love catch your eye, check it out. It might make you think a little, and it's sure to give you a few laughs.

For anyone who grew up or is growing up gay in middle-America or just about all of America, get ready to return to the most twisted version of your high school years and laugh till you're pink in the face. But, I'm a Cheerleader is one of the best gay themed movies to date. It is certainly one of the best comedies. Sort of a Jeffrey turned female high school cheerleader meets John Waters with only the best qualities of each.

I only wish this film had been available when I was a high school senior nearly fifteen years ago. It could have saved me thousands of dollars a year in therapy! If you are gay, and especially young or dealing with coming out at any age either to yourself and/or to others please go rent this movie. This is one of the only films I've seen which shows you can have a wonderful life and be happy and be loved and be gay.