अपनी भाषा में प्लॉट जोड़ेंAs he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.
- पुरस्कार
- 1 जीत और कुल 6 नामांकन
- Server #1
- (as Robert Clendenin)
- Photographer
- (as Ed Lachman)
फ़ीचर्ड समीक्षाएं
Like I said the subject is handled in a very good way. May be the movie makes some easy choices, especially near the end, but the acting is so good and real here that the movie is easily forgiven. Gyllenhaal plays the same kind of part as he did in 'Donnie Darko' and 'The Good Girl', not the most happy one. He has the best single scene, although overall veterans Hoffman and Sarandon are as good as he is. The best thing though is Ellen Pompeo. Her character has a certain sweetness and nice way of dealing with things and Pompeo finds the perfect note for playing this part. See it for the acting and you will find a lot more.
Jake Gyllenhaal is quietly brilliant, inhabiting the space of his grieving and frustrated character with an assurance and maturity that wasn't guaranteed from his earlier performances--a big step forward for him as an actor. And Susan Sarandon is sharp as hell in her best role in years--Hoffman has the most difficult task, portraying a man who is completely submerged in denial, but he serves the film well and handles the inevitable Big Moments late in the narrative with the class and skill you'd expect.
This movie has some genuinely original points of view about the reality of losing a loved one, and the complexity of human emotion: especially how that complexity is usually at odds with how we're expected to behave in such situations.
There is a tortured romance with Gyllenhaal's character that is cliched to begin with, and nearly altogether bungled by the writing. Unfortunately, this part is central to the story, so you're stuck with scenes that seem like a cross between Adrian Lyne sex-drama and an episode of The Wonder Years. This story string also leads > to an ending that will likely be far too neatly tied for many discerning filmgoers, as it was for me.
But when the movie sticks to the messy yet electric triangle of the dead girl's parents and her fiancee, it's really something. Unless you simply can't abide by a movie that's unapologetic about its mainstream Hollywood nature, excellent performances, consistently interesting touches in the writing, striking photography, and more than a few original ideas make this movie worth a look.
Anyway, "Moonlight Mile" is highly enjoyable. What exactly makes this movie so great? It's the acting. The cast is outstanding. Susan Sarandon and Dustin Hoffman are truly amazing as always. Jake Gyllenhaal, who we know from "Donnie Darko", was excellent as well. But, like I already said, Hoffman and Sarandon are the true stars in this one. They were both so funny from time to time! "Moonlight Mile" is definitely worth watching! A true indie with great performances!
8/10
When the story begins, you might find it confusing. Joe's girlfriend had been killed....though this isn't obvious and when you find out, exactly how seems pretty vague as well. What is clear is that Joe (Gyllenhaal) is living with her parents (Dustin Hoffman and Susan Sarandon) and he seems like he's simply going about his life in order to make them happy...sort of like a substitute for his dead fiancee. What's next? See the film.
Considering the film is about a family and boyfriend responding to the the brutal murder of a girl, it obviously is NOT a fun movie to watch. But the performances are very good and the film is unique....reasons to possibly watch it. Well made...and rather unpleasant...though fortunately the film is NOT violent and doesn't show any violence.
It's a movie about a lot of suffering but mostly done quietly. Everybody is getting crushed but nobody is particularly interested to admit it. It has the air of truth. However it isn't able to squeeze emotions out of the audience. We get to witness their suffering without really feeling it. Most of the performances are great. Gyllenhaal does a terrific job bringing life to the emotional dialog which could have gone another way.
क्या आपको पता है
- ट्रिवियाLoosely inspired by writer and director Brad Silberling's own experience. He was dating Rebecca Schaeffer at the time she was killed by an obsessed fan in 1989.
- गूफ़Massachusetts did not have the death penalty in the early '70s.
- भाव
Joe Nast: I'm sorry, I can't, I can't do this. It didn't happen. We loved each other, we broke it off. If I don't-Jesus, if I don't say this now, it'll never-she'll never be a part of this. What are we-what are we doing here? I don't even-I don't even know this guy. She-she didn't even know this guy. What's he got to do with her? I don't-look, you asked me to bring her in the room, and she's not here-she's not. And whatever happens here, whatever happens to this guy, she's not here. And the only way that you're gonna bring her in here is with the truth. I don't know-I don't know what else to say. You just tell me what to say, and I swear, I'll try, but if you want her, you got to keep it honest. You have to understand that Diana had this thing, this way of bringing out the real in people, not just the best, you know-their honesty. And I guess she's doing it again now cause there's no way I'd be sitting here saying these things I can't believe are coming out of my mouth. It was Diana who finally had the courage. *She* was the one who told *me* that I didn't want to go through with it. And I guess she's-she's doing it again, cause all of this-all of this is everything that she wouldn't want. She wasn't a bride-to-be. She wasn't a victim. She was strong and real and messed up and wickedly honest, just like her mother. And if I sit here trying to paint it any other way, I... Oh, I'm sorry, I'm sorry. I just-I thought-I thought that if I could just... paint the pictures that you needed, you know, that... that somehow... that somehow you'd bring these people some peace, finally, and they'd have their daughter back, or... But, uh... that's not how she'd wanna be. The truth is hard. Sometimes it looks so wrong, you know-the color's off, the style's wrong, but I guess it-I guess it's where the good one's live.
- क्रेज़ी क्रेडिटThe credits end with "For all our loves...departed, or yet to arrive..."
- कनेक्शनFeatured in Moonlight Mile: A Journey to Screen (2002)
- साउंडट्रैकI Want to Take You Higher
Written by Sly Stone (as Sylvester Stewart)
Published by Warner-Tamerlane Publishing Corp. o/b/o Mijac Music (BMI)
Performed by Sly and the Family Stone
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
टॉप पसंद
- How long is Moonlight Mile?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- La vida continúa
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $68,35,856
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,29,771
- 29 सित॰ 2002
- दुनिया भर में सकल
- $1,00,11,050
- चलने की अवधि1 घंटा 57 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1