अपनी भाषा में प्लॉट जोड़ेंAn adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Robert C. Treveiler
- Union Sentry
- (as Rob Treveiler)
फ़ीचर्ड समीक्षाएं
I felt the treatment - being set during the Civil War - was original and refreshing. Peter Fonda was, perhaps, a little bit bland as Prosper/o but still a workmanlike performance.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
I had just finished struggling through the Shakespeare play, and found the core idea of the whole thing fascinating. Shipwrecks, magic, hallucinations, a beautiful girl, the evil protaganist. When I saw the ad for a tv movie, I knew I was going to like it and I did.
Katherine Heigl is one of my favorite actresses (Miranda) and she carried the role off just right. The special effects were convincing enough to not interfere with the enjoyment of the movie. My favorite part is Ariel morphing as he returns tot he ground. Plus it helped that Ariel was gorgeous.
Nice work...just glad it was a tv movie or it would have gotten mauled by the critics.
Katherine Heigl is one of my favorite actresses (Miranda) and she carried the role off just right. The special effects were convincing enough to not interfere with the enjoyment of the movie. My favorite part is Ariel morphing as he returns tot he ground. Plus it helped that Ariel was gorgeous.
Nice work...just glad it was a tv movie or it would have gotten mauled by the critics.
The (DVD)movie "The Tempest", directed by Jack Bender, was published in 2001. It didn't make its way to German cinemas and neither the director or an actor were able to receive an important award for this movie. The movie refers to the Shakespearean play "The Tempest" which was published at the end of the 16th century. The director tried to create an modern version of this play, but failed. At the beginning of the movie the plantation owner Prosper gets in a conflict with his brother Antonio about the treatment of their slaves. Antonio sets his brother a trip and tries to kill him but with the help of a witch, Prosper is able to escape and flees with his daughter and a slave called Ariel to a small island nearby the Mississippi river. For over twelve years he has lived isolated on this island, till a lucky chance enables him to take revenge on his brother....If Prosper will be lucky you have to find out by yourself.
In my opinion this film is really a bad try to create a modern version of the original play by William Shakespeare. The story of the movie is confusing as well as the characters. Prosper doesn't have the same powers as in the tempest..... END OF PART I
In my opinion this film is really a bad try to create a modern version of the original play by William Shakespeare. The story of the movie is confusing as well as the characters. Prosper doesn't have the same powers as in the tempest..... END OF PART I
Holy Cow! Don't watch this unless you collect creative travesties.
Superficially, this is a stew of the same persiflage usually served up on family TV: kindly voodoo projected as Luke Skywalker's Force; a protective father who goes through painful doubt; innocent pubescence; racial justice; magical help for the North during the Civil War (no lie); leavened with all sorts of minor platitudes.
Probably, this is no worse than thousands of slapdash dramas. What makes this interesting, almost hypnotizing, is how it rests on the rough skeleton of Shakespeare's play. It blindly tramples, it innocently debases arguably the best play of arguably the greatest writer in English.
Gosh, I cannot even describe the arbitrary transmutations used to fit this simple diorama: Arial a slave, Frederick a Union officer, Prosper a planter who learned voodoo from his slaves... it all hardly matters. One interesting thing: The Tempest was the first great work of literature about the American experience. Almost 400 years later, it still has some of the most profound and complex visions of dealing with non-Europeans, slaves and the forces of nature in the New World. All of that rich content is waiting to be leveraged, dummied down if need be. All is ignored here.
It is as if the Hardy Boys were named Tom and Huck and the plot was about petty racial dramas in painting a fence. Wonderous.
And Peter Fonda? This was right after the interesting Ulee's Gold, where he actually acted. No sign of that here.
Superficially, this is a stew of the same persiflage usually served up on family TV: kindly voodoo projected as Luke Skywalker's Force; a protective father who goes through painful doubt; innocent pubescence; racial justice; magical help for the North during the Civil War (no lie); leavened with all sorts of minor platitudes.
Probably, this is no worse than thousands of slapdash dramas. What makes this interesting, almost hypnotizing, is how it rests on the rough skeleton of Shakespeare's play. It blindly tramples, it innocently debases arguably the best play of arguably the greatest writer in English.
Gosh, I cannot even describe the arbitrary transmutations used to fit this simple diorama: Arial a slave, Frederick a Union officer, Prosper a planter who learned voodoo from his slaves... it all hardly matters. One interesting thing: The Tempest was the first great work of literature about the American experience. Almost 400 years later, it still has some of the most profound and complex visions of dealing with non-Europeans, slaves and the forces of nature in the New World. All of that rich content is waiting to be leveraged, dummied down if need be. All is ignored here.
It is as if the Hardy Boys were named Tom and Huck and the plot was about petty racial dramas in painting a fence. Wonderous.
And Peter Fonda? This was right after the interesting Ulee's Gold, where he actually acted. No sign of that here.
I tried to watch this adaptation, but it was just so awful I couldn't torture myself like that. The performances were quite sub-par, with the exception of Ariel. Fonda was way over the top in a role that should be handled with some subtlety. I have studied Shakespeare and seen many adaptations, and this is, by far, the worst one I have ever seen. I have to wonder why on Earth someone made this film. Shakespeare can, and has been, beautifully adapted in many cases. This is not one of them. If you must watch this film, may I suggest a drinking game? Take a drink every time they go off book from the original idea and two drinks every time Fonda overacts. You should be quite drunk in a very short time.
क्या आपको पता है
- भाव
Anthony Prosper: [Gideon is aiming his rifle at him] Do your worst, brother.
Gideon Prosper: That is the problem. You are my brother.
- कनेक्शनFeatured in The 56th Annual Golden Globe Awards (1999)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La tempestad
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें