अपनी भाषा में प्लॉट जोड़ेंAn adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Robert C. Treveiler
- Union Sentry
- (as Rob Treveiler)
फ़ीचर्ड समीक्षाएं
I felt the treatment - being set during the Civil War - was original and refreshing. Peter Fonda was, perhaps, a little bit bland as Prosper/o but still a workmanlike performance.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
Jack Bender's "The Tempest" is an adaption of Shakespeare's play "The Tempest". Bender transports the plot from medieval Italy to Mississippi during the time of the American civil war. He includes the slavery problem and the role of revenge in wartimes.
Prospero, re-named Gideon Prosper is not the Duke of Milan but a landowner in Mississippi. He learns voodoo magic from the female slave Mambo Azaleigh. He saves her son Ariel, who thus accompanies him into his exile. The island is not situated on the sea but in a swamp near the banks of the Mississippi. There lives an Alligator hunter, a so-called "Gator-Man", who later tries to rape Prospero's daughter Miranda. During the time of the civil war, Ariel wants to join the Union troops to help fighting against slavery. Prospero does not care about the war. He is only interested in his personal revenge on his brother Antony. When Antony and his bookkeeper Willi Gonzo (Gonzalo) try to cross the river, Prospero raises a storm. The Union soldier Frederick gets lost in the swamp and finally comes to the island. He and Miranda fall in love with each other but Prospero won't accept that. Meanwhile, Ariel transformed into a raven by Prospero, finds out that Antony has feigned to ally with the Union but plans to betray them. Antony and Gonzo meet Gator Man in the swamp and conspire with him against Prospero. They kidnap Miranda and Ariel but Prospero freeze them and helps the Union defeat the Southern army. In the end Ariel is free, Frederick and Miranda are bound to marry, Prospero returns to the plantation and Gator Man gets back the island.
Peter Fonda represents Gideon Prosper powerfully and convincingly while the character of Antony stays rather flat. It was no bad idea to perform the Tempest before the background of the civil war but perhaps the director has risked too much. In some parts the story seems constructed or comical. Gator Man for example does just appear without any explanation. That it needs a kidnapping to bring Prospero to his mind and that he loses confidence in his power shows that Bender tried to make Prospero more human but only made him a weak old man without his magic. Prospero's original authority and wisdom is not made clear.
-------------End of Part 1----------------------------
Prospero, re-named Gideon Prosper is not the Duke of Milan but a landowner in Mississippi. He learns voodoo magic from the female slave Mambo Azaleigh. He saves her son Ariel, who thus accompanies him into his exile. The island is not situated on the sea but in a swamp near the banks of the Mississippi. There lives an Alligator hunter, a so-called "Gator-Man", who later tries to rape Prospero's daughter Miranda. During the time of the civil war, Ariel wants to join the Union troops to help fighting against slavery. Prospero does not care about the war. He is only interested in his personal revenge on his brother Antony. When Antony and his bookkeeper Willi Gonzo (Gonzalo) try to cross the river, Prospero raises a storm. The Union soldier Frederick gets lost in the swamp and finally comes to the island. He and Miranda fall in love with each other but Prospero won't accept that. Meanwhile, Ariel transformed into a raven by Prospero, finds out that Antony has feigned to ally with the Union but plans to betray them. Antony and Gonzo meet Gator Man in the swamp and conspire with him against Prospero. They kidnap Miranda and Ariel but Prospero freeze them and helps the Union defeat the Southern army. In the end Ariel is free, Frederick and Miranda are bound to marry, Prospero returns to the plantation and Gator Man gets back the island.
Peter Fonda represents Gideon Prosper powerfully and convincingly while the character of Antony stays rather flat. It was no bad idea to perform the Tempest before the background of the civil war but perhaps the director has risked too much. In some parts the story seems constructed or comical. Gator Man for example does just appear without any explanation. That it needs a kidnapping to bring Prospero to his mind and that he loses confidence in his power shows that Bender tried to make Prospero more human but only made him a weak old man without his magic. Prospero's original authority and wisdom is not made clear.
-------------End of Part 1----------------------------
I had just finished struggling through the Shakespeare play, and found the core idea of the whole thing fascinating. Shipwrecks, magic, hallucinations, a beautiful girl, the evil protaganist. When I saw the ad for a tv movie, I knew I was going to like it and I did.
Katherine Heigl is one of my favorite actresses (Miranda) and she carried the role off just right. The special effects were convincing enough to not interfere with the enjoyment of the movie. My favorite part is Ariel morphing as he returns tot he ground. Plus it helped that Ariel was gorgeous.
Nice work...just glad it was a tv movie or it would have gotten mauled by the critics.
Katherine Heigl is one of my favorite actresses (Miranda) and she carried the role off just right. The special effects were convincing enough to not interfere with the enjoyment of the movie. My favorite part is Ariel morphing as he returns tot he ground. Plus it helped that Ariel was gorgeous.
Nice work...just glad it was a tv movie or it would have gotten mauled by the critics.
Shakespeare would have been outraged. The writers mutilated Shakespeare's amazing work. Ariel is the only believable acting performance. The African voodoo, secluded swamp, and "Gator Man" character make the movie a mockery of Shakespeare's true Tempest.
Don't waste your eye-sight on this movie.
Don't waste your eye-sight on this movie.
I tried to watch this adaptation, but it was just so awful I couldn't torture myself like that. The performances were quite sub-par, with the exception of Ariel. Fonda was way over the top in a role that should be handled with some subtlety. I have studied Shakespeare and seen many adaptations, and this is, by far, the worst one I have ever seen. I have to wonder why on Earth someone made this film. Shakespeare can, and has been, beautifully adapted in many cases. This is not one of them. If you must watch this film, may I suggest a drinking game? Take a drink every time they go off book from the original idea and two drinks every time Fonda overacts. You should be quite drunk in a very short time.
क्या आपको पता है
- भाव
Anthony Prosper: [Gideon is aiming his rifle at him] Do your worst, brother.
Gideon Prosper: That is the problem. You are my brother.
- कनेक्शनFeatured in The 56th Annual Golden Globe Awards (1999)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La tempestad
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