The Life Before This

I've just read a few of the comments on this film, and I can't believe how much people hated it. I adored it. I admit that I was bored at first, but then I suddenly found myself deep in it, and enthralled by the characters. I think that's why people didn't like it. If you're looking for a chronological narrative with closure, this isn't for you. But if you're looking for an in-depth and personal look into people's lives, and how lonely, confused, and scared they can be, this is it.

Sarah Polley is incredible as always. She's been one of my favorites for years. And Catherine O'Hara made me remember how much I adore her. She's absolutely wonderful. I could go on... Stephen Rea, Joe Pantoliano, everyone here has a chance to shine, and they do. They show you how people can hurt.

The Life Before This "The Life Before This" is one of those many unconcluded motion pictures events, where there's obviously a lot to say, but there's nothing said at all. It's one of those films with a spectacular premise that shows great promise, but has nothing to give; it is one of those projects where great actors use their talents while we wonder what the hell they are doing there. I remember "All The Rage".

So, as expected, it is unavoidable to watch the film after its introduction. You may think many times later, that there's no content in it, or that nothing's going to happen, but still you stay focused because the ending is something you want to see no matter what. Meanwhile, the music is intriguing, the stories are many, the characters are real and the performances are good.

Joe Pantoliano, always trustful, plays a lawyer with a big debt to pay. He has a brother who, he thinks, sells illegal substances and makes a lot of money for it. They don't speak, but Jake goes asking him for money, and the scene is quite interesting. In fact, many scenes are. Stephen Rea, as a hard working man who lost his daughter and probably himself, plays a part in two scenes that inspire trance.

Catherine O'Hara plays a single woman who was married and dated gay men, and is now looking for a date; but is too worried about what couples live every day and how difficult it is. Leslie Hope, David Hewlett and Joel Keller play a team (sort of) that wants to commit a robbery but have too much on their minds and a lot of preoccupations. A 20-year old Sarah Polley is superb as she moves in with her boyfriend, who wants to be the man of her life.

Emily Hampshire portrays Margaret, a girl with self-confidence issues, whose mother is an actress when she wants to act, but doesn't want her mother to know. Young Alison Pill is a very smart young girl, a prodigy that plays the violin and loves French, but wants to be with other more popular girls and do different stuff.

Believe or not, all of the situations I've explained have a connection. Is not the kind of connection you'd expect of a powerfully moving film where characters are the one with the connection and you can see it along the film. It is the type of film where the connection is determined by an event; an event that shows all of the characters.

There's one scene, of a young couple talking, about a train accident that happened the day before the movie takes place. "If I had been in the train, I wouldn't be with you here", the girl says. "Yeah, but you weren't and you are", the boy says to her. "But one little thing can change everything; If I hadn't chosen Biology class I wouldn't have met you and I wouldn't love you now".

That theory about one thing being able to change everything it is most likely what explains the last scene of the film that wants to be thought provoking and ends instantly. Canadian Director Jerry Ciccoritti hasn't done many things after this and hadn't done much before. Writer Semi Chellas worked his mind off to come up with this.

As I said, it was not a bad idea. But they both missed the emotional connection, and one subject that worked as the main core of their piece. This could have been a great film…It's bad.

The Life Before This is one of those films most producers would be scared of making and most studios would have no idea how to market, which is a shame. Hollywood needs more movies like this. It is by no means a happy-go-lucky, feel-good, quickly forgotten movie like most crap put out today. It actually makes you think(God forbid!) about the importance of seemingly trivial choices that we make everyday and how much ability we have to unknowingly affect the people around us. Sarah Polley is absolutely amazing in this film, which is pretty par for the course with her, but the other actors are all strong enough to not be overshadowed. Credit should go to the director for switching between and connecting multiple story lines with ease and still making you feel like a really know all of the characters. If you're a fan of big budget, action-laden blockbusters or easy to digest fluff, stay away!!! LBT is an intelligent, eloquent, understated, and disturbing(but not unnecessarily or frivolously) film with all the subtlety and nuance of a Sofia Coppola pic. The acting is superb, the script is superb, the cinematograhpy is superb, everything simply works. This movie will leave you questioning, depressed, disturbed, and moved, and yet despite all this, there is something oddly life affirming about it. Rent it and see for yourself.

Through quirky characters and intelligent Altman like set pieces, the film maker explores themes of destiny and fate in a sensitive and engrossing film. The ending makes us all reflect on our own life and on how the smallest actions can have the most dramatic impact on the way our things turns out.

Despite the film starting at the end, the final outcome is completely unpredictable and questions the notion that our future is preordained.

Ultimately this low key film tackles well worn themes with more impact than more publicised films such as Sliding Doors.

I agree with a previous reviewer in saying that this film had good potential. And in some spots, it comes through on this promise. Unfortunately, when all is said and done, this film does feel a bit incomplete with some things left unexplained.

On the plus side, I like how it shows that life can change very drastically with just one seemingly irrelevant incident or event. However, I felt that there were other ironies that were intended or even implied, but the film failed to get them across. If these ironies were explained, and all of the stories connected in more than just the beginning and the ending, this would have been a much better film and I believe it would have fulfilled its potential.

I must say, despite its flaws, I liked it. But I could've liked it better...