The Secret Adventures of Jules Verne

There are 22 episodes at the moment, making the first season. How many more seasons there will/may be depends on ratings here and elsewhere. SF Channel started with episode #2- "Queen Victoria & the Giant Mole." The first episode is called "In The Beginning." I hope we get to see it. I am enjoying the show a lot. It's not the greatest, but it's getting better each week. It's sort of "Wild, Wild West" plus "The Avengers" with a little "Dr. Who" thrown in. There are four very engaging characters here, all doing fine work. Michael Praed is terrific as Phileas Fogg. Cris Demetral is good as Verne. Michel Courtemanche is funny and clever as Passepartout. However, the real standout in the cast is Francesca Hunt as Rebecca Fogg, Phileas' cousin. She has to be the most interesting woman on television since Mrs. Emma Peel. Sorry, Xena. Rebecca Fogg has all the class, sex appeal and moves of Mrs. Peel, but is a bit less aristocratic. This is not a knock on Emma, but it does make Rebecca a bit more earthy and enticing. I look forward to Miss Hunt having a long career. All in all, this show is better than just about everything currently on the big 3 networks. Let's just hope that it can build an audience and stick around for 5-6 seasons.

If you have given up on series television (I know I had), The Secret Adventures of Jules Verne has the power to draw you back to the small screen. It builds a Victorian Era universe that is a delight to the eye and populates it with characters that interact with each other and the world on many interesting levels. You must be prepared to suspend your disbelief upon entry as some of the gadgetry and plot devices will put a strain on it, but it is so much fun inside that you won't miss that silly old reality anyway.

The series is currently broadcast on the SciFi channel at the very peculiar time of 1:00 AM Eastern on Sunday mornings, but come this fall, it can be seen on the WB100+ group of stations, as well as many other syndicated stations. Watch for it. Watch it with your kids. Watch it with your friends. Drag strangers in off the street to show it to them. They will thank you for it.

This is a show I really wanted to succeed. I've been a fan of shows like The Wild Wild West, The Avengers and Doctor Who all my life. And since this show is, in essence, an amalgam of all three, I eagerly looked forward to seeing it. I really wanted it to work.

And most of it does.

The production design, photography and visual effects are very good, especially for a rather modestly budgeted production. And although Chris Demetral is a little wan as Jules Verne, the rest of the cast is top-notch, particularly Francesca Hunt as British secret agent Rebecca Fogg. Hunt's is one of the best-realized performances I have ever seen, an absolutely perfect match of actor and role. As good as they are, though, it's hard for them to get past the cliché-ridden, haphazardly plotted, predictable scripting (particularly by series creator Gavin Scott, who was, as I understand it, deposed halfway through the series' 22 episode run).

This is a show that would probably benefit from getting a few more episodes under its belt. But I wouldn't hold my breath. Despite initially getting a great timeslot on the Sci-Fi channel (right after their most popular show, Farscape) the show failed to garner much of an audience and is now banished to the middle of the night graveyard shift , where no one will see it.

The Secret Adventures of Jules Verne was a fine series that suffered from a lack of network support and a lack of budget. Despite those flaws, it was quite entertaining. Using a favorite steampunk premise, it imagined a world where Phileas Fogg and Passepartout are as real as their creator Jules Verne. In fact, they, along with Fogg's cousin Rebecca, are friends and companions. Together they work to stop the League of Darkness and other foul villains.

Michael Praed was outstanding as Fogg, now a retired secret agent and gentlemen. He is joined by valet and comic relief Passepartout, played with great aplomb by Michael Courtemanche. Courtemanche was adept with both physical and verbal comedy and made a decent adventurer. He gets a chance to shine in "Royalty" where he gets to perform a dual role as King Carl, ala the Prisoner of Zenda. Christopher Demetral is passable as Verne, but he lacks emotional depth and his performance could be wooden. The real standout was Fancesca Hunt as Rebecca Fogg. She was a sort of Victorian Emma Peel, and carried the role off with style and grace.

Despite the limited budget, the series matched the imagination of Verne. Many of the fantastic ideas from Verne's stories found themselves recreated; from the airship Aurora to the League of Darkness' aerial battleship Prometheus, inspired by Robur's Albatross, no doubt. The designs were inventive, while maintaining the Victorian feel.

Although I preferred the scientific plots to the supernatural; both were carried out quite well. Some of the history is a bit incorrect, such as Jesse and Frank James carrying Colt Peacemakers during the Civil War, but it is a fantasy series.

This is a series I wold have liked to have seen continued; but, I fear it was not commercial enough to be successful. It's a shame really, as the series would appeal to fans of the Wild, Wild West and lovers of the works of Jules Verne. Considering that Verne gave birth to speculative fiction (i.e. science fiction) I would think that the audience would be quite large. Definitely worth seeking out.

Some personal favorites from among the episodes: "In the Beginning", "The Cardinal's Design" and "The Cardinal's Revenge", "Lord of Air and Darkness", "Southern Comfort", "Let There Be Light" and "The Ballad of Steely Joe".

Meet Phileas Fogg, the owner of the Aruora a fantastic flying ship and employer to a mechanical genius and sometimes vocabulary confused valet named Passpartout. Fogg was Great Britian's best secret service agent. A bitter parting of ways with the organization has him wanting nothing more than the opportunity of gambling in Europe's finest casinos. Instead, he keeps on getting dragged into adventures due to the missions of his cousin Rebecca (England's first female secret service agent) and his friendship with (and mentorship of) the young idealistic writer Jules Verne.

Set in the middle of the 19th century `The Secret Adventures of Jules Verne' operates on the assumption that the events Mr. Verne wrote about in his 50 plus works were actually experienced by him. This is quite a fantastic notion if you think about it. It is also quite a daunting task for anyone who attempts to translate this type of Science Fiction tale on screen. Fortunately, the right people are involved and they give the viewer a unique and different take on the genre.

`Jules Verne' is part Western with a European slant, a historical drama with an undercurrent of Science Fiction, and an adventurous journey into the realm of imagination with some comedic elements as well. This is also a world devoid of computers and modern technology. Even though fantastic machines are present the characters still have to rely on themselves and each other to get out of the situations they find themselves in.

The characters are very well developed and three-dimensional. It is exciting to watch how well they interact with each other. At the core of the show is the meaning of friendship. These people truly care about each other. When one of their members gets into a tight corner the others come to their aid. They are also comfortable enough in each other's company to confide and enjoy a bit of humor at a member's expense.

As for the actors themselves, their display of friendship is genuine. You actually believe that they are friends. One also gets to see how the parts are well played and well thought out. There is such attention to detail from Phileas Fogg's immaculate appearing gentleman, to Passpartout's devoted servant, to Rebecca Fogg's espionage tactics to Jules Verne's sometimes-headstrong hopeful optimism. Each displays their own view on the tales that they participate in.

And what tales they are. There is some genuine storytelling going on here, which is rare in this particular era of television. The viewer finds himself or herself caught up in the episode wondering what is coming up next. Each story is different. Some of the episodes are a bit darker in tone, others a bit lighter and others use a combination of both.

There is also the pleasure of watching the characters interact with real life figures of the times. We get to see Queen Victoria (who is Rebecca Fogg's unofficial godmother), `Three Musketeers' author Alexandre Dumas (a personal friend of the real life Jules Verne) and burgeoning outlaw Jesse James during an adventure out West. This is great for those who like history and enjoy historical novels. It also creates a lot of what ifs and is a great opportunity to create an enthusiasm for history during the adventure that is taking place.

Along with the history aspect we are treated to other elements and some fine action. Phileas Fogg, when necessary, uses a sword and his fists (sometimes his head as well). Rebecca Fogg has a nice arsenal hidden about her petticoats and isn't above hand to hand combat either. Jules Verne doesn't participate in the action as much. He tries to use his intellect to solve the problems. Passpartout, on the other hand, provides some comic relief and gets to invent/create machines that help our heroes out in certain situations.

There is a lot to see and hear with each episode and many layers to unfold. A second viewing allows a person to see the show from another vantage. It is quite a treat to watch.