Joan of Arc

A lot of films have been made about this person, but none of them seems to be as powerful as this one. The reason is not only the fact that few films of such topics include such a great cast (most of the characters are played by great stars of cinema). It is, I think, the way that Mr Duguay portrayed Joan of Arc, really as she most probably was like: a young, sweet maiden who dared say the British: "I will lead my nation to victory through God's help!" She turns out to be a saint rather than, like in some other movies, a religious fanatic.

The portrayal of Joan is created perfectly by a young, beautiful actress, with Polish ancestry, Leelee Sobieski. Throughout the movie, she beautifully stresses her innocence and gentleness going in pairs with the capability of leadership. In my opinion, no matter if Leelee will appear in other 50 films in her life career, this role will always be UNFORGETTABLE!

Others who shine in their roles are, of course, Peter O'Toole as bishop Cauchon. On the one hand, he judges Joan and accuses her of pride and vanity; but on the other hand, fights for her "eternal soul". Maximilian Schell also gives a fine performance as a cruel and double faced representative of inquisition. But I particularly like Peter Strauss as La Hire, a commander of the French army. This role is typical for him: someone hesitating and doubting, but in the long run, opening his eyes and totally setting his heart on the values.

"I stopped to believe in others and started to believe myself only. At Orleans, I stopped to believe myself, I started to believe in you," as he says once to Joan - REALLY POWERFUL!

The mini series about Joan of Arc is a must in my film gallery. Without hesitation, I give it 9/10. GREAT STORY, WONDERFUL CAST, EXCELLENT MUSIC, MEMORABLE QUOTES, GREAT LOCATIONS (old castles in the Czech Republic)! This movie is really visually stunning. Do see it! Having seen once, you will feel a need to see this at least for the second time.

Joan is perhaps the most female difficult role to cast. The actress must be attractive but not conventionally alluring; magnetic but not intellectual; a towering figure but physically slight. You must understand why people would die for her. Above all, the performer must convey an authentic sense of religious piety, a virtual impossibility for young actors today. Sandrine Bonnaire--a wonderful star in every other respect--tried her hand in the recent French version but was too sexy for the part.

As Joan, Sobieski juggles the disparate requirements astonishingly well. This is emphatically not the kind of movie in which the actress can merely show up and look decorative; you have to work at it, but as Sobieski revealed in Uprising, she has the capacity for challenging period roles. And that also means that in contrast to her female peers in the business, she has a long professional future.

Watch out for O'Toole in an astonishing performance as a Cardinal who gradually realizes that Joan is the real thing.

The culminating scene--no details provided, you must see it yourself--is curiously uplifting and properly theological rather than merely unpleasant.

In a stroke of good fortune for those of us who like a good historical religious story, this film and "Messenger" both came out in 1999. They are both excellent, both relate the same story, but in quite different ways. Here, Joan is depicted in the more traditional manner, a young girl who is both humble and headstrong in her wanting to follow God's will, and help set France free of the English. As I did for "Messenger", I rate this one a strong "8" of 10.

I own the DVD, and it is a very nice one. No extras, but the picture and sound, in ProLogic, are both excellent. The movie was originally broadcast as a "mini-series", as I recall, but the DVD is one continuous presentation 3 hours and 5 minutes long. However, there are no wasted scenes here, and the entire story is captivating.

To add a great touch of realism, much of the filming was obviously done in unheated churches and castles. As a result you can see the breath of the characters in the cold as they speak. It probably was really like that during the 1400s. Also, the colors chosen for the costuming remind me of the colors in old masters' paintings. The deep rose, muted royal blue, the earth tones, all added to the realism.

Leelee Sobieski really became Joan for this role. Plus, all the other veteran actors were in top form. There isn't any flaw in the film version of the story of Joan of Arc.

It's not often that television movies compete with big screen productions, but this one does.

Leelee Sobieski's performance is one of the best I've seen by a young actress. She really looked like someone who had seen a vision of divine power, and yet she also looked like a young girl, driven beyond her personal strength by the force of the visions. Many of the other performances were good also, but hers was so outstanding that the others paled next to hers.

The script writers took some creative license with the history. In some cases they did it for length and clarity, improving the storytelling at the expense of the history. In other cases, I didn't see how the story as written improved on the story as understood by history (although they didn't weaken the story either). But overall, the story was excellent storytelling and still good history. And since Leelee's performance was so spectacular, it was good that the script kept her on screen through most of the story.

The battle scenes show how medieval warfare was often more a matter of morale than casualties or tactics. They manage to capture the mood and chaos of battle, without the unnecessary gore that would make the movie inappropriate for children (or television). Most important, the battles feel like they're decided by the morale of the soldiers, and that those soldiers' morale depends on the presence of Joan.

This movie far outclasses almost all television movie-making. Even by the tougher standards of big screen movies, it's still an excellent movie. It makes me want to see more about the Joan of Arc story.

I had to write a comment after reading the previous one. I found this to be a very refreshingly straightforward rendition of the Joan of Arc story that taught me, as one who only knows the story from movies, a great deal about the political and social realities at the time, including the hunger for real leadership and real spiritual authority. Not too different from our own times now.

Apparently a great deal of research was done, including a thorough reading of the transcripts of Joan's actual trial in the original French, to get both the setting and Joan's personality right. And I think it shows. It certainly held my interest, and nothing about its budget distracted me.

Plus they did not make her a complete victim - she knew enough to go willingly to the stake. And that's a courageous move on the part of the film's creators which adds that final necessary element of spiritual integrity. Enough so I willingly cried many times through it without feeling manipulated... these matters of soul and spirit felt real to me, and for a skeptical Scorpio like me that's high praise for work well done.