Cleopatra

The sets, costumes and backdrops are kaleidoscopic with meticulous attention to detail. Timothy Dalton brought his years of stage work to the part and Caesar seemed bigger than life. He has seasoned well in the years since playing 007 and his strong masculine presence, rich baritone and passion carried part 1. He is convincing in his love for Cleopatra and their son. Leonor did her best to educate us to Cleopatra's fierce Patriotism. Her curvy figure in the filmy costumes came to life with a feline fluidity. Billy Zane makes a good choice for the young brash Antony, a loyal soldier/playful child. His huge smile and coltish antics would be difficult not to like. His intense shame at comrades and battles lost, is moving and heartfelt. So what is not to like in this film? Leonor's lack of acting experience drained life from this story. She managed playing the spoiled rich girl well enough. But her many temper tantrums and pouting ways lacked depth. Dalton carried their love scenes. But alas, the sophomoric grappling of Leonor and Zane in part 2 was anything but passionate. It is hard to believe that scene wasn't reshot. They looked like they were playing Twister in drag. Zane did well playing the good soldier, but a man not suited for leadership. For all this, renting this video is well worth the time. Its adherence to history far outdoes the Taylor/Burton film.

And watching the 'love scene' between Leonor and Zane in fast forward mode will always good for a laugh.

This Halmi extravaganza actually has a very promising start with a terrific entrance by Timothy Dalton as Caesar, followed up by a memorable first meeting between him and lovely Leonor Varela as Cleo. Unfortunately it soon goes downhill from there and by the time Cleopatra has consolidated her hold on Egypt we're getting dialogue like

Caesar: "I'm sorry about your library."

Cleo, (sighing like she's just scratched off a losing $1 lottery ticket): "Half of it is gone... half the world's knowledge."

However if you enjoy cheesy movies with beautiful people declaiming and narrowing their eyes at each other, you could do a lot worse than Billy Zane and Timothy Dalton, who are very much "into it" and who both look breathtakingly manly draped in togas and other bedsheets. (Dalton in particular looks amazingly fit and sexy for a 53-year-old, and it's hard to imagine another actor working today who could be a more commanding Caesar.) Unfortunately Varela's acting is just terrible and, well, the script is just hopeless. It gets slightly better when the plot goes from Egypt to Rome, where everyone speaks in English accents. But none of the acting in this is exactly Oscar caliber, shall we say. Take it for what it is and dig for the guilty pleasures.

This movie was terrible. The reason I give it such a high score is because the two leads, Timothy Dalton and Billy Zane, were fantastic. Unfortunately, this movie did not keep up with them. Leonor Varela did not deserve to be in this movie. She was acting as if it were a high school play, pouting and stamping her way through the movie. She was extremely uncharismatic and did not have a sixteenth of the depth and class Taylor and Colbert did. I won't criticize the movie too much for its historical inaccuracies. One thing that did put me off was the portrayal of Octavian. He was the main antagonistic force, which he also was in the two previous versions, but in this one history is altered. Octavian was not part of the plot to assassinate Caesar and was not even in Rome when Caesar was killed. The actor who played Octavian in this version of Cleopatra, Rupert Graves, was obviously trying to copy the characterizations that Roddy McDowall, in the 1963 version of Cleopatra, gave to Octavian. He failed miserably. I've read quite a number of reviews saying that the sets and coloring were good. I personally thought that the colors were too lurid and the sets too small. However, for a TV movie budget, it did okay. My final word is that this movie is fun to watch, but don't take it too seriously.

What can I say? I love watching these Egyptian movies! Although this Cleopatra did not surpass the one made in 1963 with Elizabeth Taylor, it is well worth seeing. The acting is very good, especially Billy Zane! The thing I like better about this movie than the old one is that it focuses a lot more on Cleopatra's son, Ptomely Ceasar, also know as Caesarion. The old one said nothing about Octavian trying to kill Caesarion. There are some very,...how should I put this..."revealing" scenes in it. (If you know what I mean.) The antagonist, Octavian, makes a wonderful villain and you just can't help but hate him! The special effects in the movie sometimes go un-noticed, but they are very good as well. There are a few scenes where someone is be-headed that are very good. The movie is not very gory, but there is a lot of fighting. The ending, as in the old one, leaves you hanging. (If someone knows what happens to Cleopatra's son please tell me!) I hope this movie is available to buy sometime soon, because I will definitely add it to my collection!

Based on the novel The Memoirs of Cleopatra by Margaret George, this mini-series is an okay adaption of a truly fascinating piece of literature. I think that it gives a fairer portrayal of Cleopatra is important, though Leonor Varela isn't that good an actress. I found her acting so amateurish next to that of Timothy Dalton and Billy Zane; at least she was better than Kassandra Voyagis was as Arsinoe. Also she made Cleopatra seem very childish and whiny at times, which was annoying.

Otherwise I liked this story, Timothy Dalton as Julius Caesar was fine in the role, though too dark and good looking (someone tell Daniel Craig please play Caesar sometime in his career!) and Billy Zane did a good job as Marc Antony. The sets lived up to what Alexandria probably looked like, except there was little sign of the Greek influence on the city. The costumes were lovely and the supporting cast were some of the best (though I could have changed some of their lines for them), and I was able to overlook historical inaccuracies, such as Arsinoe being murdered in the dungeons of the palace of Alexandria under Cleopatra's orders. Arsinoe appeared as a prisoner in Caesar's Triumph, and since the public showed sympathy for her, Caesar allowed her to be released. They also didn't explain at the end that Caesarion was executed under Octavian's orders, but I guess they wanted to leave the audience with a bit of hope. Fine to watch on a wet or snowy afternoon.