Ajans-E Shisheh-I

What happens when the heroes of a nation are ignored? The content of this movie is a painful narrator about a person who was left with a shrapnel wound during the Iran-Iraq war and his old comrade-in-arms tries to take him to London for treatment. Although in a number of scenes the movie is theatrically filmed and even in the face of the military, people are used who do not play a natural role, but the content of the film is reminiscent of commitments between people, old friendships, empathy and self-sacrifice. Is.

This movie is one of the most successful (domestically), and controversial, Iranian films of the recent years. It is also a prime example of movies which do very well in Iran but cannot find an audience abroad. Its director, Hatami Kia, makes movies which deal exlusively with the issue of war and its after effects. The glass agency's theme and structure closely resember that of Sidney Lumet's Dog Day Afternoon. A Gulf war veteran, frustrated in his attempts to convince the government agencies to send another veteran from his former unit to London for urgent surgery, takes the people in a travel agency as hostages and demands a plane to take his former comrade to UK. The issues tackled in this film are almost unique to Iran unlike films by say, Kiarostami whose films deal with universal issues. The Glass Agency is, however, brilliantly directed, boasting several outstanding performances and a haunting music score (which closely resembles that of Kielowski's Blue). Worth watching