Frivolous Lola

i saw a trailer for monella on the cult epics DVD Bettie page dark angel and it made me watch the actual movie.the star;Anna Ammirati is so beautiful sexy and mischievous as Lola.you will love this Italian made comedy directed by the great tinto bass.its a very adult movie that does'nt hold back.its not a porno movie but a sexy comedy about a virginal bride to be who wants her fiancé to make love to her.i first saw a Korean cut of the movie which is censored and dubbed into English,then later the Italian uncensored version with Italian language that was great.i really have to say Anna Ammirati is so beautiful and sexy she should do more movies.she will give Angelina Jolie and Megan fox a run for their money.i only seen one Tinto Bass movie and really did'nt like it,it was the infamous Caligula,which was so different from monella.the beginning scenes of Lola(Anna)riding her bike are truly memorable.if you are a fan of Italian cinema like myself then you will enjoy monella.need i mention again beautiful sexy Anna Ammirati.amour monella.10 out of 10.a sexy movie,Anna also sings the song monella in the movie.shes multi talented.OK I'm done this movie rocks.

Typical soft-core Brass film has a plot as flimsy as the clothing worn by the leading lady but then plots are inconsequential in films like these. Although her acting is limited to giggles and pouts, Ammirati is an attractive and alluring presence as a vixen in heat whose boyfriend won't do the deed until they're married, causing her to throw herself at every man she meets. The central plot device is to create situations for Ammirati to remove her skivvies (to use them as emergency bandage for her bleeding beau, because they itch, just because...). Grandi, the well-endowed star of one of Brass's earlier films, plays Ammirati's mother, who also has a tendency to drop her knickers.

I was drawn to this film by the movie poster. I expected a comedy but did not find much to laugh about. Anna Ammirati is Lola, a young woman who is seen at the opening riding a bicycle while bent over and flashing her panties at the mostly appreciative bystanders. She is engaged to be married within a few days and wishes to lose her virginity before the wedding. Her partner refuses to engage in premarital coitus, leading to a few scenes of attempts by Lola to seduce the man. Anna is frequently nude and has an undeniable allure, but the film is just not funny. The sex scenes are surprisingly graphic for a supposedly mainstream movie. The acting is not at a high level and the only saving grace is an excellent soundtrack.

The scoring, of course, reflects my own personal taste but I do feel that the film almost completely successful in what it sets out to achieve. It's a mischievous, amusing, jolly sexy romp that doesn't miss out on taking a few sideswipes at Italian society (affectionately of course!). If there were a poll to find the ten best female bum shots in cinema, I am pretty certain this film would occupy all ten slots, and half of them probably just in the swirling, joyful, abandoned opening cycling sequence. Lola grins and squeaks with delight as she races along bum in the air to the astonishment, amusement and enjoyment of all. The older man (father?) with Lola scenes, made one a little uncomfortable and similarly the peeping tom and the lost virginity but these seemed to fit within the whole and probably say as much about Catholicism in Italy than Mr Brass in particular. A super sunny sexy delight!

The older Brass become, the easier its films. It seems, as if it has the dark sides of the life completely beside, which it so urgently produced still with CALIGULA and SALON KITTY. Since SNACKBAR BUDAPEST he praises himself besides, completely on a connection of sexuality and brutality was to do without. MONELLA used up itself and leaves completely the summer-resorts comedy anyhow us curious view sharing at the life-merry plots, which the girl leads around its prudent engaged one. As in MIRANDA Brass catches here the Italian land life affectionately and looks again and again for original and bizarre perspectives, in order to regard its heroine in flagrant. Its occasional mix between 70's Softporno and contemporary hard core's what rends the Brass style fantastic, and it is amazing that its films beside the tide of purely porn productions can maintain ground still. But Brass goes around the production from eroticism, not around flesh banality. In addition he thinks out the most amazing situations. If the master should throw the towel, will somewhat be missing: Nobody can produce so loosely and at the same time as sensual as he can... And MONELLA is reliably one of the most beautiful examples to appreciate this style.