Summer's Lease

"Summer's Lease" was the first John Mortimer book that I ever read and it transported me to Tuscany then- and it does so every time that I've read it since. The film version manages to capture much of the magic of the book in a story about a slightly dysfunctional family vacationing in a somehow sinister, rental villa in Tuscany. While the family dynamics appear to be the main purpose of the plot, this is in fact, a mystery as wife Molly searches for details about the mysterious owner of the rented villa; asking questions of the quirky residents of the local `ex-pat' community and following the `della Francesca' trail in search of the art works of Peiro della Francesca, and ultimately `The Flagellation", `undoubtedly the greatest small painting in the world.' The scenery of Tuscany is enhanced by the background music (by a group called Chameleon) in a way the mere pictures could never do - an acceptable compromise for the book's descriptive prose. There are lots of laughs from the antics of the various characters, especially those of Molly's randy father, played to perfection by John Gielgud, but the underlying sense of intrigue is never lost. A very enjoyable mini series that, sadly, is not available on VHS or DVD. Well worth watching it ever appears again.

Scenes from this series have remained with me years after seeing it. On the surface, it's a fairly slow-paced detective story, as the wife of a family summering in Tuscany uncovers a series of disturbing facts about a death that occurred before her arrival. The mystery is well handled, but what is really wonderful is the evocation of the atmosphere of the Italian countryside and its picturesque hill towns. It's also memorable for its over-the-top portraits of the seedy English aristocrats who live or are visiting in the region, especially Sir John Gielgud's portrayal of an unscrupulous octogenarian would-be Lothario. You'll feel you've visited Italy after seeing this, and the memories will be as vivid as those of places you've actually visited. I don't know why this series hasn't been rerun more often.

When Molly Pargeter rents a villa in the Italian Tuscan hills, what should be a carefree holiday isn't quite as expected. Her raffish father finagles his way along for the ride, her priggish husband is sending secret postcards to his mistress, and when Molly finds a cryptic note hidden in the villa, she begins to question the whereabouts and well-being of the villa's owners. Nothing is quite what it seems amongst the locals and ex-pat's... and then a body is found.

Wonderful adaptation of John Mortimer's novel, full of brilliantly captured performances by a host of British and Italian character actors (Treves and Leach are outstanding) and a star turn by an apparently ailing Gielgud, all mischievous twinkle and cunning. Against this backdrop, Fleetwood cleverly underplays throughout as Molly, a delightful study in self-effacement and quiet tenacity that will eventually lead to catharsis.

Although perhaps not for some, the leisurely pacing really adds to the overall atmosphere. A minor British TV classic!

I can only reiterate the plea of a previous reviewer: This wonderful little mini-series, faithfully rendering one of John Mortimer's quirkier novels, ought to be available on video! It has atmosphere, landscapes, art, history, politics, intrigue, character development, a sympathetic protagonist, comedy, pathos, tragedy... what more could you want? It's a regular little Tuscan antipasto of a mystery story! Well-filmed, well-acted, delightful. The only caveat is that the viewer needs to devote careful attention to the plot development, or you may miss it altogether.

John Mortimer has a slightly wicked sense of humour, well demonstrated in this superbly written and acted work. Not likely to be enjoyed by the non-literate or younger adult, but a treasure for the middle-aged parent. Humor, conflict, sex and mystery are all here in pleasing proportion.

Gielgud plays a randy, pseudo-socialist grandfather. His character and lines allow him to steal the show. Susan Fleetwood as mother and grandaughter gives a standout performance as well, overshadowed only by Gielgud's wonderful material and skills.

Great television is alive and doing well in Britain. It is sad that so few people have had a chance to see this work. It appears to be unavailable for purchase. Those fortunate enough to have made a copy when it ran on PBS, please share it with your friends.