Trixie

Ok - I have to admit....this movie was painful. Just painful to sit there and take all those mixed metaphors like punches to the head. BUT...I stumbled across this movie on a Sunday afternoon. Never heard of it..no expectations, etc. And actually had a good time watching it. My wife hated it (so she says) but we both laughed and kept rolling our eyes at each other throughout the movie. It was like reading a trashy novel...the characters were total stereotypes (the young, good looking womanizer (trying to have a heart of gold), the drunk, corrupt senator (always grabbing ass, etc) and of course the favorite - the bumbling, almost moronic detective making it all happen -kind of like a female Inspector Clouseau only with less physical humor and more verbal humor. Some of the words that came out of her mouth were really funny - like "I woke up unconscious" and my personal favorite, "Do you think I have a ace up my hole?" I wouldn't go out of your way to see this movie but if you come across it one afternoon....see how long you can stand it :)

One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.

The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.

Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.

This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.

Emily Watson is a charmer: she's completely naive and innocent, but then again she's not so naive, and maybe not so innocent. She seems to understand nothing, but then she's the only one who understands it all.

Watson's tour-de-force is in playing Trixie completely straight, malapropisms and all. Yeah, the twisted idioms get tired after a while, at least until a funnier one shows up.

Definitely for art house movie lovers and not the megaplex.

Good movie. Odd, off balance, imaginative, agitating - everything that an ultra-passive braincell-hybernating spoonfed-explosion stale-cool critics-approved movie pencil-envies. My opinion.

While the movie was flawed in some ways (never quite believed the connection between Trixie & Dex, for example), I found it engaging in many ways. Ms. Watson is certainly a versatile actress, and her Trixie is a marked departure from her other movie portrayals--especially her most recent in "Angela's Ashes". One can't help but admire a performer who takes such risks.

I don't think I've sat with such wrapt attention to the next utterance of a character since Groucho did "Day at the Races"! Not only does Trixie raise malapropism to a new art form ("We'll all go to Hell in a handbag"; and as she grabs the bottle away from Leslie Ann Warren, she admonishes her with, "I'm not going to let you drink yourself into Bolivia!"), Ms. Watson rattles off these lines without a trace of affectation or laugh calculation, which makes them work so beautifully.

The aforementioned Ms. Warren turns in her usual strong performance. Nick Nolte's surly senator was rather over the top, but it did make him a likely suspect which added more interest to the plot. And Nathan Lane, while probably overqualified for his role, is always worth seeing (his NBC sitcom notwithstanding).

I'm not sure Mr. Abramsen and I saw the same movie, although it's clear only one of us saw the WHOLE movie! Sometimes I believe people walk out of plays or films just to brag to their friends that they've done it. This movie, I believe is worth an entire look; even a second one to recall all of Trixie's fractured English!