IMDb रेटिंग
4.9/10
1.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.An eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.An eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.
फ़ीचर्ड समीक्षाएं
Ok - I have to admit....this movie was painful. Just painful to sit there and take all those mixed metaphors like punches to the head. BUT...I stumbled across this movie on a Sunday afternoon. Never heard of it..no expectations, etc. And actually had a good time watching it. My wife hated it (so she says) but we both laughed and kept rolling our eyes at each other throughout the movie. It was like reading a trashy novel...the characters were total stereotypes (the young, good looking womanizer (trying to have a heart of gold), the drunk, corrupt senator (always grabbing ass, etc) and of course the favorite - the bumbling, almost moronic detective making it all happen -kind of like a female Inspector Clouseau only with less physical humor and more verbal humor. Some of the words that came out of her mouth were really funny - like "I woke up unconscious" and my personal favorite, "Do you think I have a ace up my hole?" I wouldn't go out of your way to see this movie but if you come across it one afternoon....see how long you can stand it :)
One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.
The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.
Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.
This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.
The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.
Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.
This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.
This movie has grown on me immensely. The first time I saw it, it struck me poorly. I didn't like the plot or characters. I've seen it twice since then. I was surprised to find how funny it was a second time. Truth be told, Trixie is the sweetest detective ever written. She's obsessed with the truth and lives by no other code, solving the case almost by accident. There is a sexy all star cast to back her up and they all play magnificently. The real joke of the movie is Trixie's ability to get well known sayings wrong, which is explained by her injury as a child from a bowling ball on the head (mentioned very quickly in a hospital scene). She says things like, "Stop right there where you are in your tracks!" Her timing is perfect and Ms. Watson's performance is endearing. Good show, all around.
Brilliant mixed metaphors, fabulous dialogue. I can see how someone may not like it if they don't get or don't like word play, but if you like a good turn of phrase I highly recommend it! Huzzah for John Binder, whoever he is, not much on his resume, I can't wait for the next script!
There seem to be two major demographics that film audiences fall into. The commercially reliable, and the more risky arthouse, or as Trixie would say, "but I see it the other way". "Trixie" falls into the arthouse, with its star, Emily Watson, fitting in perfectly to its offbeat nature. Watson has proven in her career, from "Breaking the Waves" to "Hilary and Jackie" that she is one of the most underrated and capable actresses in modern film. Following a "noir" mystery tale of murder, and political corruption, "Trixie" takes the cliches of a thriller and combines them skillfully with the creative tongue of the English-slaughtering lead character. For people who enjoy daring, open-minded pictures, "Trixie" is a fun way to spend an evening. For people who enjoy loud, explosion-packed films, go see them.
क्या आपको पता है
- ट्रिवियाStephen Lang enjoyed working with costar Brittany Murphy so much, he later tried out and was cast as Sheriff Brent Marken in Cherry Falls (1999). Scheduling conflicts prevented him from playing the role and the part eventually went to veteran actor Michael Biehn. Lang later admitted the only reason he wanted to be in the film was because he would have gotten to work with Murphy again.
- साउंडट्रैकThe Late Late Show
Written by Jule Styne, Betty Comden and Adolph Green
Performed by Nathan Lane
Published by Chappell & Co. (ASCAP)
o/b/o/ Stratford Music Corporation
टॉप पसंद
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- How long is Trixie?Alexa द्वारा संचालित
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