Ginî piggu: Manhôru no naka no ningyo

I saw this in the middle of the night, and it wasn't subtitled. Still, I figured out what it was about, despite the fact that I don't speak it's language. It's about what appears to be a painter who rescues an injured woman who begins to rot and spew pus. As she dies, he uses her goop as paint. The film's ending is depressing as it appears that he wasn't playing with a full deck.

The overall tone of the film is bad enough without the bizarre situation, but the fact that the film literally doesn't race makes the outcome more of an effective idea that could be better implemented with a little less patience. Still, when the screen isn't drenched with guts and pus, it's pretty to look at. This is, i guess, a part of some strange series of films in Japan that deal with special effects gore and realism. This works in both areas, but also happens to have a little more to offer.

It is hard to describe the viewing experience for this movie. Even if you have seen the other Guinea Pig series movies, this one is on another level of disturbing. Where the first three are gory, they are also just straightforward dismemberment stories. They are simple and shocking, but no really new ground from hundreds of other horror movies. Mermaid in a Manhole is a different story. It focuses on disease and decay. It captures the lead character's descent into insanity. Then, once the viewer has gone through all this for the first two-thirds of the movie, we move to the dismemberment.

I like the psychological angle of this story and I think it makes this installment much better than the first two, but it is hard to watch and appreciate. To some degree, it reminds me of Nekromantik in that the story is intriguing and pushes the viewer to think about what is happening, but the images are so terrible that it is hard to want to.

A painter named Hayashi(Shigeru Saiki)finds a wounded mermaid(Mari Somei)and saves her.He takes her home and puts her into his bathtub where she keeps decomposing,the spreading disease spurting blood and pus.Hideshi Hino's "Guinea Pig 4:Mermaid in the Manhole" is easily one of the most disgusting horror movies I have ever seen.The make-up effects made by Nobuaki Koga are incredibly revolting.The character of Hayashi is pretty sympathetic and the film has a mood of a very sad romance.The mermaid represents painter's wife and "all the beautiful things" he has lost,so she is bound to rot and vanish too."Mermaid in the Manhole" works as a piece of extreme art,so anyone who loves Japanese horror should give it a look.However if you're easily offended avoid this one like the plague.

This is a sick movie. A young painter finds a dying mermaid in the sewer and he takes her home. Then the mayhem begins... This is actually a real movie compared to the previous "Guinea Pig"-movies. It´s not so sick an it got a certain cinematic style. Still I wouldn´t recommend it to anyone but hardcore-Japanese-splatter-movie-fans. I give it 5 out of 10.

Director Hideshi Hino brings his manga to screen as an installment in the notorious GUINEA PIG series, about a recently widowered painter who finds artistic inspiration in an unlikely location from an unlikely creature. For gorehounds and ONLY gorehounds. The special effects—albeit twisted—are undeniably impressive. Probably one of the only films that could make the viewer want to run to the bathroom and vomit—not counting hand-held-styled movies that causes motion sickness. Aside from the shameless nastiness, the story's originality should also be recognized because of how difficult it can be to pull off this type of horror without involving serial killers or monsters in the mix.

*** (out of four)