dinnerladies

A whimsical observational comedy from Victoria Wood. As another contributor said, not a million miles away from the works of Allan Bennett. It featured a mixture of Wood's 'repertory company', familiar from her other shows such as Duncan Preston and Celia Imrie and talented Northern English character actors such as Sue Devaney and Thelma Barlow (both veterans of the long-running soap 'Coronation Street') The main characters were richly detailed, the lesser ones caricatures, but very recognisable types. The one false note, I feel, was struck by the character of the heroine Bren's alcoholic, fantasist mother who made occasional raucous appearances. She was a grotesque figure, out of the wilder reaches of Charles Dickens, and seemed to have been included merely to give an opportunity for Wood's old pal Julie Walters to overact shamelessly. Victoria Wood bravely decided to end this popular show after only two series while it was still fresh (like the dinnerladies' bacon butties).

It might not sound like an amusing premise, but believe me, it's funny. This is a great show from Victoria Wood, with a wonderful ensemble cast, including Celia Imrie and Julie Walters, which has got to lead to some laughs. As well as humour it's got its more serious moments, making it all-round great entertainment. Definitely one to watch.

Dinnerladies is uniquely british and unsurprisingly does not travel well beyond these shores. There is little physical humour and the references are primarily based on UK culture and the north of England in particular. However, it is also the best example of its type I've ever seen. Victoria Wood's dialogue is fantastic, (Alan Bennett is the only other writer in her league in this regard). The staging is restricted (effectively one set, two rooms) the plots are secondary and contrived because they are of no real significance. It is all merely backdrop for the characters Ms Wood creates and the way they speak to, across and around each other.

A superb example of intelligent writing managing to survive in a world of slapstick

Brilliant stuff, I've always loved Victoria Wood and everything she's ever done. After watching her TV shows there's some of her repertory company, co-star Julie Walters, Celia Imrie, and Duncan Preston. I've never watched Coronation Street as I am not a fan of soaps, but I recognised two of its regulars (Anne Reed and Thelma Barlow) though I didn't know the actresses names. It was good to be introduced to actresses who were new to me, Shobna Gulati and Maxine Peake, as well as to Andrew Dunn.

I've since enjoyed seeing Anne Reed in several TV programmes. And Andrew Dunn in one or two occasional shows. I absolutely love Julie Walters in everything I've ever seen her in. She is a consummate actress who plays every part to perfection. I can't disagree more with the comments about her character. She is extremely eccentric but that's no bad thing, I think she is wonderfully weird. No one else could have possibly played that part, she is Petula.

This is one of my favourite comedy shows with a great selection of colourful characters, each brilliantly performed by an incredibly talented team of artists. They formed such a perfect partnership, that I could certainly imagine them working together. Anyone used to working in what I consider to be a normal environment, such as a factory will be able to to relate to the show. The natural badinage that exists between workmates used to each others company, is wonderfully encapsulated.

'dinnerladies' (sic) was a short lived but concise series which was a delight to watch. The scripts were quite simply charming. Victoria Wood's attention to character detail is so well refined, there is little like it elsewhere in the land of situation comedy. Even series which clock up over a hundred episodes do not have the brilliance or depth of character as can be seen here.

A lot of the credit also goes to the performers. Particularly Anne Reid and Thelma Barlow as the bickering friends Jean and Dolly respectively. We had seen aspects of Thelma Barlow's comic timing when she was in Coronation Street but it is brought to great fruition here.

It may not be as 'in your face' or as loud and bumptious as a lot of nineties comedies and I feel it is sad that 'dinnerladies' is often compared to these others. This is a series of pure classic comedy writing - showing off a great knowledge of idiolect and pathos.

Victoria Wood kept the series short to leave on a high note, and she certainly did. The second series proved just how brilliant a writer she is. I certainly hope she pens another sitcom of an equal standard sometime in the future.