The Wood

The most refreshing aspect of this movie is the mere fact that the three main African American characters are not : drug dealers, wise cracking officers of the law, pimps, womanizing alcoholics, bums, etc.

However, they are also not annoyingly wholesome. These three guys are real people with real problems. I'm not saying that the previously mentioned stereotypes don't exist, but I'm sick of being beat over the head with stereotypes while at the same time being told how evil stereotyping is.

This is the coming of age story of three black kids growing up in a suburb of Southern California. I don't know if Rick Famuyiwa is black or not, but he can write excellent black dialogue. Contrary to popular belief, most black people do not say f*** seven times in every sentence and this film acknowledges and respects that fact. The film does drag at points, but there are definitely big laughs and the flashbacks taking place in the mid 1980's are beautifully done. One almost feels that the film should have been shot as one long flashback sequence.

All in all, I feel that this is a great movie for people of any color to see. The movie is rated R, but it's very light hearted and aside from some language that any child over the age of ten has been exposed to, and one very funny and non-graphic sex scene, there's nothing offensive. I am inclined to think that African Americans have come to expect nudity, explicit sex, and violence in movies aimed at them, and some might ironically be disappointed by the cheerful mood of the movie. I hope that I'm wrong.

This is an American Pie-ish movie that you won't be ashamed to show your kids (or your parents) and a Soul Food-ish movie that your kids will actually enjoy. An excellent first movie for Rick Famuyiwa and a nice change of pace in black cinema.

It is nice to see movies that deal with the African-American experience outside of gangsters and violence. However, this movie fails to take off and manifest itself as a really good coming of age story. The leads are well cast and do good in their parts, but the script and the way it is handled is pedestrian at best. 6/10.

I really liked this movie, and I think many teens and adults, particularily African-Americans will like this movie. All those young adults who grew up will really like this movie, too.

I thought it was excellent, and many parts made me laugh so hard I cried. All the actors did a very good job, too.

When I saw this I thought "I hope this movie can relate to me and not insult me at all!", and I was clearly wrong. This movie related to me a whole lot! Just because I'm white doesn't mean I can't relate to this. I did in more ways then one! I know how it feels to be left out like some of the characters and growing up is a fact of life and I liked the way they show their friendship growing by day. Taye Diggs was wonderful as the groom who was having doubts, I liked his character a lot. I also loved the flashbacks throughout most of the movie, it was interesting and I also loved the way you knew a flashback was about to occur was when the record player would start with a different record each time. I think everyone will relate to this movie~ white, black, asian, or pink! Everyone needs to see this!

Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.

Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.

The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.

The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie – his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story – Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.

Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.