What Lies Beneath

Zemeckis approaches a Hitchcockian style in 'What Lies Beneath'. The film itself is a sort of horror-chiller film. The story certainly is not original but while there is a ghost in the movie, Zemeckis also creates a very tense atmosphere relying purely on silence and simplistic sounds (like the wind blowing the door open etc) and cinematography. The camera-work is stupendous as it follows Michelle Pfeiffer (who is very much in every single shot). I particularly liked the shots in the house when the camera would move slowly (as though tiptoeing) with Pfeiffer's suspicious character.

Of course there are jump moments and twists which are usual in this genre but they're far from ridiculous. Some seem to be bothered with the Miranda Otto track arguing that it had little relevance to the main plot. However, this didn't bother me as much and it actually does make sense that Claire would believe her neighbour to be in trouble...(I'll refrain from giving out more spoilers).

Another high point of 'What Lies Beneath' is indeed Michelle Pfeiffer. I think this was her comeback film after she took a short break to take care of her children. From being a vulnerable housewife, who had been through an accident and is now lonely in the house since her daughter (with whom she was very close) moved to college campus and her husband works long hours, to a stronger woman who follows her instincts and discovers dark secrets that bring her to make difficult decisions, Pfeiffer's understated portrayal is amazing to say the least. I can't say much about Harrison Ford's role without hinting spoilers but he does a commendable job.

I enjoyed 'What Lies Beneath' much more during my second viewing than the first time (which was more than five years ago) but I think the main reason was that I was able to pay more attention to other parts of the movie other than just the story, such as the technical aspects (like camera-work and sound effects), and also see and enjoy the homage to so many classics (mostly Hitchcock's films). That is not to say that the story itself doesn't work. Quite the contrary because even though it's not exactly original, it is suspenseful and the events are well put together. 'What Lies Beneath' is an enjoyable chiller thriller with supernatural elements.

This is the most suspenseful thriller I have seen in the past year. As a refreshing change to more formulaic chillers, WLB takes its time to build the suspense. It is allowed to do this by virtue of Harrison Ford, and, especially, Michelle Pfeiffer, who, I feel, deserved an Oscar nomination for her convincing portrayal of a happy, but suddenly lonely, wife. It is just about as Hitchcockian as you can get, and I rate the bath sequence as gripping (pardon the pun) as taking a shower at the Bates Motel. The plot is thin and the action is played out sedately. Yet it seems perfectly timed in setting the mood of the whole piece. I particularly liked the music,and the supporting actress Diana Scarwid, whose lighthearted attitude during the seance scene made it all the more chilling. A perfect example of good film-making with only a slight plot. I am sure this movie will mature with age until it is rightfully regarded as a modern classic. Count the number of times you jump!

I spent hours last week on the net, reading reviews, and boy, were they rough on this flick. Most reviewers went out of their way to say it was boring, stupid, unoriginal, a waste of time, how Harrison Ford looked so old he should retire (more on that later), and one critic even went so far as to compare it to "Battlefield Earth" for Godssake! Needless to say, I had such low expectations that I went to see it by myself (not wanting to subject friends or family members after hearing how awful it was). I even considered skipping the first half because I heard Harrison Ford wasn't on screen much for the first hour. While WLB was not the scariest or most exciting movie of all time, I left the theater glad I saw it. Unfortunately for me, a careless reviewer gave away 99% of the 'twists' in the story line, and the trailers already gave 75% of it away anyway, so there was only one real surprise.

The surprise turned out to be that I actually had fun. I think everyone already knows the set-up and plot by now, so I won't bother with a sypnosis. I will say that every seat was full (another surprise) and there were more screams from the audience than I've heard during a movie in years. We're talking over a dozen times where half the audience yelped/jumped in shock and a handful of moments where everyone screamed. Loudly. We are talking adults here too, not nervous little kids. In all fairness, many of the jumps are the 'fake' kind that you are all too familiar with if you've seen enough horror/suspense films, i.e. "OH GOD! You almost scared me half to death sneaking up on me like that". The movie also frequently employs the device where a character is in frame, the camera pans along with them out of frame for a second, then we pan back and someone/something has suddenly appeared in the frame behind them-cheap shot, but it works. Many reviewers complained that the score was overdone, with a loud blast of music in the scare scenes to ensure everyone jumped. Honestly, I couldn't tell whether or not this was the case, because the audience's yelling covered it up! There is one *very* big unexpected jump-trust me, you'll know it when you see it-that will probably end up on a lot of 'scariest moments' lists, I am ashamed to say I SCREAMED at the top of my lungs like a little girl, and so did everyone else in the theater, including grown men. (note: if you do decide to see this movie, see it with a group of friends or at least a significant other, because you will have much more fun (I found that it's pretty embarrassing sitting there all by yourself and suddenly yelling and spilling your candy).

On the negative side, there are many cliched horror movie moments, and the dialogue wasn't exactly brilliant. There were also parts where they over-did the foreshadowing to the point of insulting my intelligence. Example: "Call on the cell phone, we're running late" "Oh, the cell phone doesn't work" "That's right, the cell phone won't work in the middle part of this bridge." "Yes, I forgot about the fact that the cell ph--" OKAY! WE'VE GOT IT NOW! THANK YOU! So, the script could have used a polish, but not enough to ruin the movie. Another complaint I've heard is that the movie "rips off" Hitchcock's films (a collapsing character pulls a shower curtain down off the hooks with her, a character is named Norman, etc) but I do know the difference between a ripoff and a loving tribute, and Zemeckis knows what he's doing, I highly doubt he was trying to trick the audience into thinking these were his original ideas. For the record, Harrison Ford still looks great with his shirt off, better than some actors in their 30's. He has recently reached the point where he can not pass for a man in his early 40's, but compared with other actors in their late 50's, he still looks mighty fine, especially without that unflattering "angry brush" spiky hair style he's had in his last couple of films. Let's just say there were plenty of women there with biiig smiles on their faces during the love scenes. When he gives that sexy crooked boyish grin, about 20 years instantly drop from his face.

OK, enough rhapsodizing about Harrison Ford, back to the movie. Diana Scarwind as Claire's best friend is funny and lightens up the tone. Michelle Pfieffer is wonderful, making some of the corny dialogue sound genuine. Many less talented actresses would simply go into "woman in peril" mode, but her acting is very impressive, and even the critics who really hated the movie gave her credit for that. Oh, and speaking of aging well, there were plenty of males in the audience looking pretty happy during the love scenes too. So guys, if your date or wife votes to see this "chick flick", don't make her drag you- you'll have a much better time than you think. Sure, this movie is no all-time horror classic, but it is a fairly intelligent, entertaining, thrill ride of a movie that deserves a much better chance than the critics are giving it.

I sat down to watch this film with basically no pre-conceived notions concerning its plotline (or quality, for that matter.) A little over two hours later, I was still shivering and shaking. Robert Zemeckis has taken what is undoubtedly a good (though maybe somewhat predictable) screenplay, and has lifted it to the level of Hitchcockian genius. My eyes bugged out, my skin crawled, my breath got short, and I couldn't have torn myself away even if the Publisher's Clearing House Prize Patrol was at my door.

Along with a great story and masterful directing, this movie features the superb performance of Michelle Pfeiffer. Ambivalent about her acting skills in the past, I am now a full-fledged Pfeiffer fan. Harrison Ford is certainly adequate, and this role is a refreshing change for him, but Michelle steals the show.

Good ghost stories are few and far between. Even "Stir Of Echoes" and "The Sixth Sense", fine films that they are, don't compare to the perfect blend of soundtrack, plot twists, camerawork and performance that make up "What Lies Beneath". If goosebumps are your thing, don't miss this one.

A good old-fashioned scary movie, avoiding irony and self-referentialism at every turn, this film relies on a nice premise and some well-executed creepy atmosphere for its impact. Pfeiffer and Ford work well together as a middle-aged couple, with Pfeiffer particularly effective as the homey (though obviously ridiculously beautiful) mother left alone when her daughter heads off to college, working herself up into a panic at various, vaguely spooky goings-on around the place. The film plays its cards close to its chest throughout, working the old game of keeping the audience guessing for a good while ? is there really something supernatural going on, is it some kind of creepy but human plot, or is it all in her head? Of course it's all revealed in the end, in a solidly scary, thrilling and well-executed finale. A classic it ain't, but it has a kind of workmanlike, reliable quality oozing out of every scene.