Joe the King

I've always been a huge fan of Frank Whaley, and I've always found him to be one of the most under-appreciated, really great actors to have emerged in the 1990s. Here in his directorial debut, Whaley paints a deeply moving portrait of a troubled family floundering at the poverty level. Young Noah Fleiss is absolutely heart-breaking as the morally corrupt child of an abusing father, played by Val Kilmer in his most earnest dramatic role. Whaley's movie, drawn from his own life, is a touching, moving indie that should have gotten better notice.

I remember a kid at my elementary school named Anthony. He was a quiet kid, kind of dumb, or lazy. He wore thrift store clothes and reeked of cigarette smoke. One time this kid stole my jacket and was wearing it a few days later at school. He'd crossed my name and address out of the inside tag. I think he got suspended for it. After watching this movie and thinking back, I'd wished I'd let him keep it. This film is hauntingly realistic of those kids in school who weren't like the rest of us. What we didn't know at the time about these kids, were that they came from lousy homes; their parents weren't much of parents, and they really had no way of knowing right from wrong. The movie was quite thought provoking, bringing me back to my elementary and middle school days, and finally gave me empathy for Anthony. God only knows where he is now.

As I watched this brilliant film by Frank Whaley, I found myself more and more, examining crime in general. Certainly there are more than a few people that think convicts are born bad and should do the max. However, this film shows under what conditions criminals are made and you know what, it is not always their fault. I know this sounds like liberal claptrap, but I believe it true. In this movie, we see a young man that literally has nothing. An abusive, alcoholic father that is rarely around, unless he is there to smack him around. A mother that can't manage her own affairs, much less anybody elses'. An odd brother that generally only thinks of himself. Then we have our main character who strives to make a go of it and bring them together. He is good and caring, but he is too young to provide for everybody. The family is destitute and will never be the uniting force it needs to be for the betterment of our main character's life. . Our character is uneducated and left to fend on his own, inevitably he turns to crime. Gripping movie that I could not break away from. Highly recommended.

At 15 I started working until midnight on school nights. I would catch up on my sleep during Algebra class. Hey, a kid has to prioritize. My parents never asked where I was, never really cared. I think they thought the PTA was the company that helped stranded motorists. I would walk home or take the bus so that my Dad would not show up at school driving his big heap and chain smoking in front of the other kids parents in their BMW's.School dances? no. Football games? no. Dates? no. The only time I would have interaction with the other students was when the jocks where kicking my ass because I had a goofy haircut. My teachers? I went to a public school with a bunch of rich brats. If there was any energy from the teachers I assure you it was not generated towards the poor kid with the fat lip and funny hair. And, so I reminisced on my teenage days while watching Joe the King. A kid who just can not win, no matter where his heart is. Mr. Whaley, you blew me away as an actor, but you have done it as a director and writer also. If Telly Savales were here today he would say, "You've come a long way baby." I have a new idol, I call him Frank.

Whenever I watch a film like Frank Whaley's Joe the King, it reminds me how grateful I am to have the family I have, the opportunities I have, the privileges I have, and the love had for me. After spending one-hundred minutes with a kid who has almost nothing, I think about myself, and how I have so much more than I can ever want, no so much about the tangible things, but the intangibles like unconditional love, incredible academic opportunities, and a whirlwind of support for what I do. Counting these blessings only becomes easier after witnessing a film like Joe the King.

The film stars Noah Fleiss as the titular character, a fourteen-year-old who has spent his life victim to physical and emotional abuse by his violent, alcoholic father Bob (Val Kilmer) and his short-tempered mother Theresa (Karen Young), who doesn't make up for the lack of attention brought on by his father. Joe's brother is rather kind to Joe, never threatening or unnecessarily assertive, but still lacks that kind of warmth and love that Joe desperately needs in his life. Taunted by his classmates because his father works as a janitor, harassed by drug dealers who are threatening his life because his father won't pay his debts, and left to his own devices, Joe takes on a quiet life of crime, conducting petty heists and stealing from local residents in order to obtain the money he needs. Unlike most kids his age, Joe has a job, which is a cook and bus-boy in a sketchy restaurant. Joe works to buy his mother all the vinyls his father trashed in a drunken rage, while also trying to keep his criminal profile as subtle as it can be without him getting caught.

The idea behind Joe the King is incredibly intriguing, focusing on a young boy who, through all the abuse and neglect, still loves and deeply cares for his parents, which is a rarity in these kinds of films. Normally, we see a young boy or girl hating their parents for putting them under these conditions, which is very understandable. However, Joe's desire to help his dad out personally and repay his mother for something he had no involvement in makes Joe the King unique in the department of coming of age films.

Fleiss is great as Joe, clearly possessing the traits of an actor who can show no emotion or a lot of it, depending on what the scene calls for. Assisted by the likes of Kilmer and Young, he can really do no wrong, showing what life is like being a young boy with little to rely on and no one to trust. Even his guidance counselor (Ethan Hawke) bears a frustrating emptiness in Joe's mind, really proving to himself that he can't trust anyone and only has himself to rely on.

The only issue with the writing (done by Whaley himself) is that the film spends too much time on Joe, so much so that the supporting characters in his life are subtly developed and only given vague and rather broad stereotypes to work off of. Because of this, no one besides Joe really receives development in the film and that's an issue for a film looking to develop multiple different characters in multiple different situations.

Despite this, Whaley overcomes the film's largest task, which is make a character who does wrong, morally reprehensible things sympathetic and emotionally honest, a feat that remains consistent throughout the film. Whaley treads a fine line between committing contemptible actions as a poor, loathsome character and having sympathy for the offender nicely, making Joe a surprisingly sympathetic soul throughout the entire film. Consistently we recognize that he is a good soul doing bad things in order to stay moderately afloat, which is what makes the film strong and stable.

With three directorial efforts under his belt, and a fourth one on the way, Whaley proves that he enjoys glaringly flawed characters, who consistently try to do good by doing bad, which immediately makes for an intriguing story. Lifted up by fantastic performances by everyone involved and a biting, almost unshakeable amount of emotional leverage, Joe the King is equal parts upsetting as it is moving, which, for a first time director, is difficult to achieve. However, Whaley handles the challenge like a true directing veteran.

Starring: Noah Fleiss, Val Kilmer, Karen Young, and Ethan Hawke. Directed by: Frank Whaley.