Luckytown

This movie is so dumb. The James Caan parts of it are a lame excuse for soft-core porn and pseudo-gangster antics. The Kirsten Dunst/Vincent Kartheiser parts have the potential to be really, really good -- good dialogue building a truly interesting relationship. BUT. Kirsten's acting sucks -- it just sucks in every way possible. They have no chemistry.

The character of Lidda (Dunst) wasn't "bad" enough for me -- she wasn't much of anything, it was like she was reading her lines and had no clue what was going on. Vincent Kartheiser's Colonel was just about the only believable character -- I liked Colonel a lot. But it didn't help the film much.

I didn't appreciate the none-too-subtly cloaked symbolism (i.e. the "Second Chance Motel," the whole movie happening on and around Valentine's Day). The ending was also stupid -- it's supposed to be optimistic, a "fresh start," but PLEASE. You know she's going to keep smoking, and he's going to keep gambling, and they'll get sick of each other really fast and break up again. It didn't convince me.

Lidda (Kirsten Dunst) leaves Tulsa, Oklahoma and her mother to find her father Charlie Doyles (James Caan), a professional gambler in Vegas. She carries around a check from him. She takes store clerk Colonel (Vincent Kartheiser) along for the ride when somebody comes collecting his debt. Colonel considers himself to be a poker player. Charlie faces old nemesis Tony in high stakes poker. Charlie is in love with stripper Sugar working in Tony's club. Jimmy works for Tony to rob and then kill gamblers. Tony's nephew Frankie arrives from Italy to be the new member of the crew.

This movie is very clunky. Nobody is particularly compelling. Kirsten is grumpy and Vincent is no leading man. They don't have any chemistry. James Caan is coasting on his reputation in this movie. Luis Guzmán is a passable hit-man but he's capable of much more. This is trying to be a hard-boiled crime drama and personal drama. It doesn't have the style or any good writing. It doesn't have any thrills or tension. It stumbles on and on as the audience waits for Lidda to finally meet up with Charlie.

Kirsten Dunst usually makes good choices, but this one ranks with her Crow movie as the worst. Absolutely dreadful drama about 18 year old girl who leaves home to meet her professional poker playing father (James Caan) who sends her birthday cards but was otherwise never a part of her life. There isn't a single moment in this disaster that rings true. Avoid at all costs.

This moive was the biggest piece of trash and I LOVED EVERY MINUTE OF IT

I loved it in that guilty pleasure sort of way... in that 2 AM in the morning and you're looking for an excuse to stay awake kind of way... hoping against hope that Kirsten will finally take off her clothes, glory in her newfound abilities with the pole and dump her wussy boyfriend.

I am disappointed to report, none of these things happen

However, Luis Guzman kicks some ass. A surly Robert Miano (Donnie Brasco) nails the hell out of some MAXIM covergirl. Kirsten does make a pretty decent stripper.

On the other hand, the direction in this movie is awful. The writer, Brenden Beseth, stumbles between Bukowski and illiteracy. The punk who plays the lead should never be allowed to act (yeah right) again.

However, I liked the movie. So many films are unintentionally terrible, that this film is almost satisfying. It's not trying to elevate above the shoddy source material. It's not pretending to be anything that it's not...

Luckytwn is just A BLOODY VEGAS ROMP. A little film outclassed by its heavyweight movie stars...

a guilty pleasure to say the least....

Indeed, dumb. But don't blame the writer--he had written a kick ass script before this clumsy director got involved and made him re-write it 2-3 times and sucked all the life out of it. The original script was great and had Martin Sheen set to play Charlie. The writer, fresh out of UCLA, was set to direct it. At the last minute the funding dried up and one of the actors got the script to Paul, who then took over as director. He was flush with money from a German media company. He pushed Brendan aside as director and this mess was created. Probably destroyed the confidence (and career) of a promising young writer in the process.