Almost Blue

Worst acting ever, i mean, even worse than the couple Dionisi/Caselli in Argento's NonHoSonno. Even Santamaria who is a good actor is totally unfit with his role. But if you look at it again, even if he is not directing actors at all, Infascelli took his chance on making a movie with a very strong visual impact, and there it is!! The cinematography is neat and hard. Alex should work on his big skills by making a more solid thriller/horror movie, this was just a decent first try. 6 out of ten

It is hard to see how anyone could trash this film on the criteria of craft. It is a very well made film that understands its genre and goes beyond it. In terms of generic revisionism, this film goes beyond the genre by structuring within the plot a woman trying to compete in a man's world: the detective charged with catching the serial killer. Layered onto that is the role of technology in creating a surveillance culture. Carefully plotted so that the viewer will suspect the wrong person for half the film, it creates a complex investigation, not into personal psychology, but into contemporary society: university culture, techno-pop and music culture, cop culture, and patriarchal culture.

Ironically enough, such a sustained examination of these cultural cross-currents do not anchor the film into Italy specifically--something that is exceedingly rare for an Italian film. This plot could have been just as easily set in Kracow, Oxford, Munich, Ann Arbor, or Berkeley.

It is compelling, complex, and well crafted. Tension builds, is dispersed, and builds again, only to have a twist throw it off yet again. Complaining about it generically is not only off-base, but the equivalent to complaining that every western has horses in it.

There's a serial killer loose in the Italian city of Bologna, and from the get go, we're introduced to the aftermath of a very brutal killing in the hands of a psycho, with a preference for extremely loud music played through his headphones. I thought the killer here is very much like the one in the 2004 film Taking Lives starring Ethan Hawke and Angelina Jolie, where the murderer lingers and adopts the persona of the person he kills, before moving onto the next victim.

In essence this is your classic cat and mouse thriller that explores the links between the three leads in rookie policewoman Grazia (Lorenza Indovina), the psycho killer played by Rolando Ravello to Aamir-Khan-Ghajini's crazed perfection, and the blind man Simone (Claudio Santamaria), who gets caught up in the entire episode because he wilds his time away at his computer listening in to chatrooms, police scanners and what have yous, like an online busybody oracle. In doing so, he puts himself unwittingly in the line of fire as the killer decides to make him the next target. And so the premise is set, and I felt there's a truck load of potential here to at least live up to average thriller expectations.

There was what I thought a perfect moment set up in allowing the audience's imagination to run wild with one killing - you can hear audible sighs of sorrow when the killer picks his mark, because while the character was nothing more than a supporting one, appearing only to nag, everyone understood instantly the impact it is going to have in the story moving on. The aftermath of that was nothing short of poignant, and that hammered home the notion of how evil is as evil can be.

If there's a major letdown in the exciting build-up, it's how everything gets wrapped up in the end too conveniently and in major anti-climatic fashion. Big clue being the need to adopt the persona, and having everyone turn up at the right place at the right time, with room for some sexy time thrown in as well for good measure, just because it's Gialli. It turned what could have been room for a tight, climatic finale into a joke of convenience probably stemming from a lack of ideas. Great build-up, but terrible finale.

This could had been a pretty good genre movie but instead it's a pretty average and forgettable one now. Just when you think the movie is starting to get more interesting it doesn't go through with it and the movie doesn't go anywhere really with its story.

Watching a movie like this always makes you think why did they even make a movie out of this. The story could had just as well been one for an average detective-series, for TV. There isn't really anything that makes this movie stand out.

No, it's not bad all to watch but it's also easily a movie you can do without.

The movie tried to give the movie some more style and class by making the movie it's visual look quite artistic at times, like lots of 'modern' Italian movies often do. It could had worked out if the shots had actually served a purpose for the movie but instead these sort of scenes would just irritate me because the movie was trying too hard at times. I just don't like it when a movie is trying to be constantly different but it doesn't actually enhance the movie its style or story.

It's also pretty much a movie by the numbers. The movie is perhaps lacking in some good surprises or plot twists and now instead also ends pretty disappointingly. The way the way story progresses also doesn't exactly help to make this movie a credible one or even not a compelling one.

Nothing too bad but the movie isn't really heading anywhere with its formulaic story and is not good enough with any of its other aspects to really stand out within its genre.

6/10

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The film tells the story of a hunt for a serial killer in Bologna, Italy. "Almost blue" is closer of "Manhunter", by Michael Mann, than many other "serial killer movie". The story focuses more on the psychology of the three main characters, the police officer who leads the search, the disturbed killer, and the blind guy that somehow helps the police, than on action and intrigue. There's a lot of violence and disturbing images, but, it seems to me, they were functional to the feeling of anguish and anxiety of the movie and they were not at all put in the movie just to shock the audience. An unusual feature for an Italian movie, the film has a very high cure for its visual and sound style and for keeping a coherent narrative tone from the beginning to the end.