लेस्टर का जीवन परिपूर्ण लगता है, एक सम्मानजनक नौकरी और एक परिवार लेकिन अंदर ही अंदर वह धीरे-धीरे डीप्रेशन का शिकार बन रहा है. जीवन से संघर्ष करते हुए, वह अपनी बेटी की दोस्त, एंजेला से प्रभाव... सभी पढ़ेंलेस्टर का जीवन परिपूर्ण लगता है, एक सम्मानजनक नौकरी और एक परिवार लेकिन अंदर ही अंदर वह धीरे-धीरे डीप्रेशन का शिकार बन रहा है. जीवन से संघर्ष करते हुए, वह अपनी बेटी की दोस्त, एंजेला से प्रभावित हो जाता हैलेस्टर का जीवन परिपूर्ण लगता है, एक सम्मानजनक नौकरी और एक परिवार लेकिन अंदर ही अंदर वह धीरे-धीरे डीप्रेशन का शिकार बन रहा है. जीवन से संघर्ष करते हुए, वह अपनी बेटी की दोस्त, एंजेला से प्रभावित हो जाता है
- 5 ऑस्कर जीते
- 112 जीत और कुल 102 नामांकन
सारांश
फ़ीचर्ड समीक्षाएं
It is a wonderful psychological drama, a satire about the American community and about the American life; dark, painful irony and cynicism in the descriptions of life and characters; deep sarcasm on types of people in the community, habits of behaviour such as "...if you want to succeed, you always have to seem successful..." or "never stop smiling", parasites of the community, and, most importantly, the treatment of people who are "different", who are "freaky" to some extent; and eventually, there is no character in the film that is not odd in its way, although we have to wait for the very ending of the film, to discover this.
With very deep and accurate exaggeration, (most of) the characters in the movie demonstrate the worst, the darkest sides of their personality, while still remaining very human, very touching and very involving the observer. Everyone can find a certain similarity with characters and persons who he met in his life, in the characters described in the film. The tragi-comical events, the little pieces of funny, disturbing irony dripping from almost every episode, lead the observer to exploration of the American Beauty -- the beauty in life, and the way that we fail to find it, for all our life; the way we hide our feelings and emotions, even behind sullen walls of our sepulchre.
The acting is truly brilliant, the episodes are built logically, coherently, the dialogues are deep, thrilling, intriguing; every sentence and every word is deeply constructed, containing profound irony and intelligent elements of humors. The plot is very intelligently built, constructing a true indication of the sad situation of the American society, and an excellent ground for the actors.
An amazing movie, strongly recommended. 10/10
A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.
Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.
Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.
Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.
As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.
The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).
The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.
Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.
All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.
Kevin Spacey plays this part to a "T". He is strong when it requires and meek when it is needed. His emotional rollercoaster ride is a trip to partake in. Annette Bening is marvelous as well. I think they both should be nominated.
The support cast is also spectacular. Thora Birch, Wes Bentley, and Mena Suvari all give great performances as the troubled "Teenagers" in the film. Of particular mention is Wes Bentley's performance, worthy of a supporting nomination as well.
This is a dramatic and funny tale of a man and his life in a state of turmoil and transition. When he happens to see a beautiful friend of his daughter's at a cheerleading exhibition, he is completely infatuated with her beauty. Using this as his inspiration, he attempts to change all aspects of his life. He confronts his marriage, his job, his ego, and his libido.
The music in this film is also very well chosen. There are moments when the music fits so perfectly with the scene that they meld together as one to present a perfect emotion.
The plot can get rather involved, but you will follow it endlessly to see where you go. I was simply involved, hook, line and sinker.
See this movie more than once, and skip some of the other movies out now that are dare I say, trash.
This should be on the top of many critic's lists this year and it is certainly on top of mine.
My Rating (1 - 10): 10
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
क्या आपको पता है
- ट्रिवियाDirector Sam Mendes designed the two girls' look to change over the course of the film, with Thora Birch gradually using less makeup and Mena Suvari gradually using more, to emphasize his view of their shifting perceptions of themselves.
- गूफ़When Jane and Angela are outside talking to Ricky at school, Angela's cigarette keeps growing and shrinking throughout the conversation.
- भाव
[last lines]
Lester Burnham: [narrating] I had always heard your entire life flashes in front of your eyes the second before you die. First of all, that one second isn't a second at all, it stretches on forever, like an ocean of time... For me, it was lying on my back at Boy Scout camp, watching falling stars... And yellow leaves, from the maple trees, that lined our street... Or my grandmother's hands, and the way her skin seemed like paper... And the first time I saw my cousin Tony's brand new Firebird... And Janie... And Janie... And... Carolyn. I guess I could be pretty pissed off about what happened to me... but it's hard to stay mad, when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much, my heart fills up like a balloon that's about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can't feel anything but gratitude for every single moment of my stupid little life... You have no idea what I'm talking about, I'm sure. But don't worry... you will someday.
- क्रेज़ी क्रेडिटThe end credits gives thanks to the Donmar Warehouse in London and Dr. Bill and Alice. This is a reference by Sam Mendes to the characters played by Tom Cruise and Nicole Kidman in Eyes Wide Shut (1999). Mendes directed Kidman in The Blue Room, which is a play performed at the Donmar Warehouse.
- इसके अलावा अन्य वर्जनSome TV versions deleted most language and explicit content to maintain a clean TV-14 rating.
- कनेक्शनEdited into Sex at 24 Frames Per Second (2003)
- साउंडट्रैकBecause
Written by John Lennon and Paul McCartney
Performed by Elliott Smith
Elliott Smith appears courtesy of DreamWorks Records
टॉप पसंद
- How long is American Beauty?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- American Beauty
- फ़िल्माने की जगहें
- सैक्रामेंटो, कैलिफोर्निया, संयुक्त राज्य अमेरिका(aerial shots)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,00,96,601
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $8,61,531
- 19 सित॰ 1999
- दुनिया भर में सकल
- $35,62,96,601
- चलने की अवधि
- 2 घं 2 मि(122 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1