Night Train

At the end of the nineteenth century, whenever a filmmaker wanted to convey a sense of urgency and romance, he took his camera, placed it on a railway platform and waited for the sound of a steam whistle. The 1898 movie shorts, ‘Arrival Of Tokyo Train' and ‘Train Hour in Durango, Mexico' do not have modern equivalents. The fact is we prefer not to have drama in our airports. We don't want smoke billowing from our 747's, and we would feel decidedly uncomfortable if every flight were presaged by a man in a navy uniform looking to his pocket watch before announcing, "all aboard now, ladies and gentlemen".

John Lynch, in his engaging feature ‘Night Train', finds passion in his performers rather than in the iron behemoth of the title. The urgency and romance are delivered by John Hurt and Brenda Blethyn, both powerful actors who understand that the full force of love can be projected more with the unsaid and ineffable than with the spoken word.

The romance begins when Michael Poole (Hurt) introduces Alice Mooney (Blethyn) to his secret obsession, the elaborate train set which he has been constructing in his room. Poole, recently released from jail for embezzlement, is now being pursued by the gangster (Lorcan Cranitch) he swindled. So, this sheltered world of miniature tracks and sidings must soon be exchanged for the real thing as our protagonists set off on the Orient Express for Venice.

‘Night Train' is always much more than a chase movie because it explores an area not often charted in recent films. Love is not the sole property of supple young boys and girls whose close-ups invariably involve open pores and beads of perspiration. Sometimes love is simply about forgotten desires and about hope and, to quote the writer John Rechy, sometimes hope is an end in itself.

Night train is a film that reminds us of our frailties.

Night Train is a brilliant and sensitive film. It is directed in a wonderfully subtle way by John Lynch and acted by a distinguished ensemble cast which includes the great Pauline Flanagan as Mrs. Mooney. John Hurt and Brenda Blethyn could not be better cast in their roles of Poole the conman and Alice the shy bookworm. Their blossoming romance is a delight to experience and puts one in mind of another great film, Brief Encounter. The chemistry between Hurt and Blethyn is unsurpassed, in my opinion, particularly in the scene where she agrees to run away with him. Brenda has never been better, before or since, as she avoids the usual histrionics in a performance devoid of artifice and understated to sheer perfection. Director take a bow.

Delighted to see that Night Train is now available on DVD in the USA and Canada on the Madacy label and that it has also been re-released in the UK. Has anyone seen it on TV in the UK? The music by Adam Lynch is superb. Great performances, great direction, great soundtrack, great movie. 10 out of 10.

Delighted to find this has been picked up by Lifetime Movies and will get the exposure it deserves. Sensitive performances and well-photographed travellogue plus an odd subplot make this a winner. Blethyn in particular is her usual talented self and somehow we even begin to see John Hurt as handsome thru her eyes--no small feat!

This film should have had wider distribution - I was lucky enough to see it at a festival two years after it was made, and I'd never heard of it before.

It's gentle, funny, tense - in fact there are some quite scary moments in it - well-acted, with shrewd observation of ordinary lives and relationships, and a believable plot.

I can't think of anyone I wouldn't recommend this to.

This was a mystery of sorts, but more of a romance. The story-line was a little ponderous to start with and "Night Train's" plot is rather common: a man with a troubled past, just released from jail, attempts to hide from a former employer-crook from whom he stole money; he hides in a rooming house run by an elderly widow with an unhappy spinster daughter under her mother's domination; the boarder and daughter become friends; as the crooks close in on the boarder, he convinces the daughter to escape and start a new life, which she does; he then admits that he's on the run because of stolen money, which she demands he return or forget the relationship. Hurt and Blethin were both well cast as the leads and they really did make the whole film work as it picked up momentum. The scenes aboard the Orient Express in Europe were simply beautiful and breathtaking and it was a shame that there wasn't a scene or two on the British Pullman but with the initial story being set in Ireland I guess it made sense to go by boat to Europe and pick up the Orient Express there. Based on the cover photo I was expecting a fast paced thriller but this was just right. Quirky little movie, but worth the time.

Overall rating: 7 out of 10.