The Love Letter

'The Love Letter' is quite a gentle breezy sort of romantic comedy- drama. It's about opportunities that are missed because people aren't more forward about their feelings. The humour isn't wacky like in most American films. Assuming the director's seat, Chan does quite a good job of portraying the small dockside town and introducing its quirky characters. The story interestingly intertwines the lives of the characters through a love letter. The dialogues are pleasant and the acting is quite good. Kate Capshaw does a good job of carrying the film and maintains a good chemistry with her co-stars. Tom Everett Scott fits the part.It was odd to see Danner play Capshaw's mother because the age difference did not seem believable enough. Tom Selleck was alright. Ellen Degeneres and Geraldine McEwan are scene stealers. In addition, I was amazed by the whimsical soundtrack that flows beautifully with the film, pumping some energy into it and would work well as a standalone score. IU felt the film would have benefited more had their been more comedic situations. At times it gets too serious and that needed to be toned down a little. I liked how it ended without showing the two lovers kissing (as has been evident in x number of rom-coms) but instead suggesting a promising future for them together. 'The Love Letter' was a pleasant watch, a kind of slice of life film.

One of the greatest and most wonderful surprises of 1999, "The Love Letter" is a sparkling little film. Held back by a remarkably asinine trailer--which manages to combine the three or four dull, brief moments in the movie--the picture is a warm-hearted, eminently watchable tale. I had assiduously avoided the flick because of that very trailer, but ended up having to watch "The Love Letter" on an 11 hour flight from Seoul to Vancouver. I could easily have watched it three times--it's that much fun.

Kate Capshaw is bent and broken-down but somehow manages to be both incredibly lovable and believable. Tom Everett Scott is absolutely priceless in his role as a confused young hunk. but any damage they may have done to the overall film is negated by the superb performances of Scott and Capshaw. Sure, it's not worthy of an Oscar. But neither was "Shakespeare in Love", and look what happened there.

Kate Capshaw stars in this charming story of a divorced book store owner who finds a love letter between the cushions of her couch. Who is it from? Therein lies the tale. Working for her in the book store are a handsome college student (Tom Everett Scott), a feisty store manager (Ellen DeGeneres), and a sweet young teenager (Juliane Nicholson). Waiting in the wings is Tom Selleck, the town fireman, who has held a torch for Capshaw all his life. These are all pleasant folks to spend a couple of hours with. The town is picturesque and the background score is romantic (by Luis Bacalov, composer of Il Postino). It's interesting to note that everyone does not end up with whom you expect. Supporting roles are ably, though too briefly, handled by Blythe Danner and Gloria Stewart (Titanic). Director, Peter Chan, who has been involved in the Hong Kong film world, has done surprisingly well with this material which is so American. I'm sure we'll be hearing from him again.

An exceptionally well-done film. Not Hollywood-ish, thus some mixed reviews. But I've viewed this 4 or 5 times, and love it. The editing and pacing are unusually synced to produce the feel of a special film. the music is a big plus. This is a gem to recommend to people who love good film, not those who want yet another blockbuster. Allow yourself the time and focus to move to the same pace, and you'll be rewarded. And the fact that the locus is a bookshop, the home of books which are similarly low-tech and rewarding is a fine match

Wow! I'm surprised to see so many negative and lukewarm opinions on this movie, which I had never heard of (apparently it was not highly promoted by the studio) but which I luckily stumbled upon on an international flight. I so thoroughly enjoyed it that now I'm interested in more by director Peter Chan and screenwriter Maria Maggenti. I did not know there was a book, either, but I've made a note of it for future reading, too.

I admit I feel a bit defensive now, in the face of the other comments here on IMDB. So, what did I like and why did I like it? First of all, unlike some other viewers, I thought the movie WAS very funny. It takes sort of a Steve-Martinesque view of the tender absurdity of humans and their feelings about each other (OK, OK, I just saw a stage production of Picasso at the Lapin Agile, and the tone reminded me somewhat of this). Although there is physical humor, too, what I liked most were light touches, like how Ellen DeGeneres' character instantly, wordlessly went back to working for her boss (played by Kate Capshaw) as soon as she got the apology she felt she deserved -- after insisting with great finality that it was all over.

I also felt this film was a celebration of the beautiful but almost lunatic breadth and diversity of the kinds of feelings we group together under the heading of "love": everything from young (and older) wide-eyed lust, to slow steady enduring commitment. As well as friendships, coworker relationships like the one just mentioned, family bonds . . . the list goes on.

Most of all, I guess I appreciated the fond, loving tone of the movie. The artists seem really to like, and love, people. Yes, there ARE quite a few characters, and they're all different ages and different sexes, they're about different trials and tribulations, but they're all treated with light-hearted love and respect, for the sometimes silly but vulnerable beings we all are.

So, if YOU like people, I think you'd like this movie.