Sports Night

If you can only spend a half hour a week in front of the tube, spend 9:30 - 10:00 (eastern, 8:30 central) watching "Sports Night", the best written show on television. If you have unlimited time to watch any and every show on, start here and begin weeding out the rest.

Aaron Sorkin is the David Mammet, Billy Wilder or Cameron Crowe of the small screen. (And let's not forget his big screen credits, including the screenplays for "The American President" and "A Few Good Men".) His scripts are crisp, clever and funny as can be.

Add the fantastic pacing of a group of talented directors, and you have the one show on TV that compels you to tune everything else out so that you can savor every second of wondrous activity.

To that we can add a great cast. Josh Charles becomes your best friend. Peter Krause and Felicity Huffman create the greatest romantic tension you will find. Joshua Molina is brilliant. Sabrina Lloyd chews scenery with pure joy and a wink. And Robert Guillaume gives consistently spectacular performances, both before and since his stroke.

Don't miss this show! If you do, you'll never get your wasted 30 minutes back.

The short-lived (45 episodes) "Sports Night" is available in a six-disc DVD box set. If you're a fan of the show, you know what you're getting. Otherwise, read on...

The two biggest questions about "Sports Night" have always been "Will non-sports fans like it?" and "Will sports fans like it?" The answer to both questions is a qualified "Yes."

To answer the first query, the comparison I like to make is to "ER". "Sports Night" is about sports (and television) like "ER" is about emergency rooms. You probably liked ER if you appreciated good television drama with interesting characters, whether or not you cared for medical shows at all. Similarly, if you appreciate brilliant television writing and human drama mixed in with witty dialogue, you will enjoy "Sports Night". At least a casual knowledge of sports and/or television will aid the viewing process, but neither is necessary.

As for the latter question, the target audience for "Sports Night" is not congruent to the viewers of, say, ESPN's "Sportscenter". If you watch "Sports Night" for the sports element, you will likely be disappointed. Most of the athletes referenced are fictitious, and celebrity cameos are non-existent. The sports banter is enjoyable for a big sports nut like me, but the average sports fan probably won't care for this show, much like the average doctor or nurse I know doesn't care for "ER".

So why is this show both unique and of high quality? Let me count the ways...

The writing is the core reason for the quality of "Sports Night". Sharp and snappy dialogue largely defines the show, but the fast pace would be worthless without the intelligence of the words. The Aaron Sorkin-led writing team has created a sextet of lead characters, two anchors and four producers of varying responsibility, who are all well-educated and quick-thinking. Their mouths keep pace with their minds, as the dialogue is as fast or faster than real life, and much more intelligent. There are few pregnant pauses for laughter, as a laugh track was used early on but later wisely discarded. The words form a smart, sexy, and funny world, a world that makes one actually long for such a place. Sorkin later gained prominence with "The West Wing", which employed the same verbal style that Sorkin perfected during his time on "Sports Night." If you liked "West Wing" for its writing, you'll eat up this show as well.

Similar to their characters on the show, the actors (at least at the time) were largely unknown by the general public. This enhanced the team atmosphere of both the show itself and the show within the show. Everyone seemed to rely on everyone else in both worlds, and as with many ensemble casts, the anonymity also let the actors become their characters to viewers. Another reason the characters are appealing is that they each have evident flaws and idiosyncrasies. Many of these imperfections are understandable, recognizable, or easy to relate with, further endearing the characters to viewers.

Rarely is the editing of a television show noteworthy, but keeping up with the back-and-forth dialogue of "Sports Night" is quite a chore. The quick cutting meshes well with the writing. Additionally, the reverse camera angles are a breath of fresh air in a world flooded with three-camera sitcoms. Of course, the question arises as to whether this is a sitcom or a drama or a dramedy. But that's for another place and another time.

Unfortunately, outside of the 45 episodes, there is no bonus material on this 6-disc set. The only pleasant touch is the "Play All Episodes" option, which allows you to just that with each disc's shows. Since each program is only 22 minutes, you can enjoy a handful at a time without getting off the couch. This is also a dangerous feature, as the addictive nature of the show combined with the absence of commercials entices you to watch hours at a time.

It is strange watching a television show without commercials, but this program fades in and out of black where each break would be. That gives enough of a pause in the show for the feel of a commercial, and after the first break or two, not having to watch ads is a blessing.

The reason I so highly recommend that you buy the DVD set is that "Sports Night" is not broadcast regularly in syndication. You can find it sporadically on Comedy Central, but not at any sane hour. So get the box set because of the show's rewatchability. It doesn't quite contain the memorability (I'm inventing words everywhere) or pop culture labels of "Seinfeld", but it does have a similar ability to entertain time and time again.

Bottom Line: If you appreciate a truly well-done TV show, particularly in the writing department, get and watch the box set. You won't regret it.

TV Guide voted it 'The Best Show You're Not Watching' ('If they're not watching it, how do they know?' demanded Peter Krause, accepting the award.)

Sports Night was West Wing creator Aaron Sorkin's first venture into television. Its focus was a fictitious sports show, the struggling 'Sports Night' on cable channel CFC ('A third-rate show on a fourth-rate network'), and the dramas lived out behind the scenes by the characters: Dan Rydell (Josh Charles, in one of the most marvelously complex and multi-faceted performances ever to grace the small screen) and Casey McCall (Peter Krause, now better known as Nate in Six Feet Under), the two handsome, charming, talented and hopelessly neurotic anchors; the producer, Dana Whitaker (Felicity Huffman), confident in her professional abilities but insecure in her personal life; associate producers Jeremy Goodwin (Joshua Malina, now to be seen in Sorkin's other show), geek extraordinary, and his girlfriend, the forceful, opinionated Natalie Hurley (Sabrina Lloyd); and, overseeing it all with quiet dignity, veteran journalist, now managing editor, Isaac Jaffee (Robert Guillaume, known to a generation of viewers as 'Benson', whose dry delivery makes his every utterance a joy, and whose mere presence lends the show gravitas). A critical success but a ratings failure, it lasted for a scant two seasons comprising 45 half-hour episodes (less commercials and credits, more like 22 minutes apiece). That was enough to gain it a small but dedicated audience, and a fanbase whose numbers are still growing. The release of this DVD boxed set has helped to bring Sports Night, never to date aired on UK TV, to a new and appreciative audience.

Some aspects of the show, which ran from September 1998 to May 2000, haven't aged well – the frequent establishing shots of the New York skyline dominated by the twin towers of the World Trade Centre send a jolt through the system every time, whilst a passing reference to the Spice Girls seems laughably dated. But the dialogue (much of which Sorkin recycled for use in The West Wing) is as fresh and vibrant as the day it was penned, the story lines as compelling, the characters as real, human, endearing and, frequently, maddening, as ever seen on TV – and a great deal more so than most. The performances throughout are assured and compelling, the timing split-second, the direction flawless; and Sorkin's trademark walk-and-talk dialogue and long tracking shots through a standing set will be instantly recognisable to anyone familiar with his work.

Two criticisms: season one is plagued by a laugh track, superimposed (presumably in a fit of madness) by the US network; and there are no DVD extras, only the 45 episodes. But, really, that should be enough. Wanting more is simply greedy. But, of course, I do want more. And so does everyone else who loved this show.

You were wrong. It's 20 years later. And it's still wrong.

Please quit the TV business, because you're awful at it.

Dickhead...

Too bad we can't rate TV shows on IMDB, eh? I wonder what this one would get; I'm sure it would be very high.

Like practically everyone else, it seems, I ran across SN after it had been canceled and was in reruns on cable. It took about 15 seconds to fascinate me, because it was obviously a show about a sports show that somehow wasn't about sports (which naturally made me wonder what it _was_ about), and because the writing was so excellent. Oh, and the acting was good too ;-).

Given all the comments already posted, there seems to be nothing left to say about this program so I'll close by ranking it alongside Babylon 5 and Northern Exposure as one of my all-time favorite shows ever aired on television (the similarities to NE are possibly worth exploring). Really enjoyable stuff; terrible that it only lasted such a short time.