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The Limey

  • 1999
  • R
  • 1 घं 29 मि
IMDb रेटिंग
6.9/10
37 हज़ार
आपकी रेटिंग
Terence Stamp in The Limey (1999)
अपराधडार्क कॉमेडीड्रामाथ्रिलररहस्य

एक बेहद अस्थिर और खतरनाक अंग्रेज लॉस एंजिल्स में उस आदमी को खोजने जाता है जिसे वह अपनी बेटी की मौत के लिए जिम्मेदार मानता है.एक बेहद अस्थिर और खतरनाक अंग्रेज लॉस एंजिल्स में उस आदमी को खोजने जाता है जिसे वह अपनी बेटी की मौत के लिए जिम्मेदार मानता है.एक बेहद अस्थिर और खतरनाक अंग्रेज लॉस एंजिल्स में उस आदमी को खोजने जाता है जिसे वह अपनी बेटी की मौत के लिए जिम्मेदार मानता है.

  • निर्देशक
    • Steven Soderbergh
  • लेखक
    • Lem Dobbs
  • स्टार
    • Terence Stamp
    • Peter Fonda
    • Lesley Ann Warren
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    37 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Steven Soderbergh
    • लेखक
      • Lem Dobbs
    • स्टार
      • Terence Stamp
      • Peter Fonda
      • Lesley Ann Warren
    • 294यूज़र समीक्षाएं
    • 79आलोचक समीक्षाएं
    • 73मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 9 नामांकन

    वीडियो1

    The Limey
    Trailer 1:16
    The Limey

    फ़ोटो124

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    पोस्टर देखें

    टॉप कलाकार44

    बदलाव करें
    Terence Stamp
    Terence Stamp
    • Wilson
    Peter Fonda
    Peter Fonda
    • Valentine
    Lesley Ann Warren
    Lesley Ann Warren
    • Elaine
    Luis Guzmán
    Luis Guzmán
    • Ed
    • (as Luis Guzman)
    Barry Newman
    Barry Newman
    • Avery
    Joe Dallesandro
    Joe Dallesandro
    • Uncle John
    • (as Joe Dallessandro)
    Nicky Katt
    Nicky Katt
    • Stacy
    Amelia Heinle
    Amelia Heinle
    • Adhara
    Melissa George
    Melissa George
    • Jennifer
    William Lucking
    William Lucking
    • Warehouse Foreman
    Matthew Kimbrough
    Matthew Kimbrough
    • Tom
    John Robotham
    John Robotham
    • Rick
    Steve Heinze
    Steve Heinze
    • Larry
    Nancy Lenehan
    Nancy Lenehan
    • Lady on Plane
    Wayne Pére
    Wayne Pére
    • Pool Hall Creep
    • (as Wayne Péré)
    John Cothran
    John Cothran
    • DEA Guy
    • (as John Cothran Jr.)
    Ousaun Elam
    Ousaun Elam
    • DEA Guy
    • (as Ousan Elam)
    Dwayne McGee
    • DEA Guy
    • निर्देशक
      • Steven Soderbergh
    • लेखक
      • Lem Dobbs
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं294

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    8FilmOtaku

    Artistic and simple

    The `revenge story' is a pretty overdone plot device, so when a film comes along that employs this theme and still remains fresh and compelling, it is safe to say that is a truly good film. Steven Soderbergh's `The Limey' is able to do just that. In `The Limey', Terrence Stamp plays Wilson, a career criminal who, upon being released from prison in England, finds out that his estranged daughter has died (or perhaps been murdered) in Los Angeles. Wilson's mission is to find out what happened to her, and prescribe his own brand of justice on the man behind her death.

    Soderbergh's direction in `The Limey' is superb. While I enjoy and admire most of his filmography, I was so enamored with his second film, the barely-seen, highly acclaimed `Kafka' for its originality, its daring style and intellectual feel, that films like `Oceans Eleven' and `Erin Brockovich', while quite good, didn't reflect what I felt was to be his true maverick style. Seeing `The Limey', made before `Erin Brockovich' and shortly a couple of years after `Kafka', I was happy to see that he kind of held on to that spirit (for lack of a better expression) for one more film before producing more commercial fare. `The Limey' is told in a very non-linear style, and not even as clearly delineated as say, `Pulp Fiction' was; rather it is flashbacks and real-time events expressed by fluttering scenes and an almost wispy presentation. Soderbergh also employs scenes from one of Terrence Stamp's films from the 1960's for some flashbacks, a thoroughly brilliant and creative tactic.

    Terrence Stamp certainly deserves mention for his performance as Wilson. Whether seeing him as General Zod in `Superman II' or as the drag queen Bernadette in `The Adventures of Priscilla Queen of the Desert' he is a true badass. Watching him chase after Peter Fonda in `The Limey' was like watching a reincarnation of Yul Brunner in `Westworld'; he just never let up. Anyone who would get in his way were pretty much toast, but it was all so coldly done that it was almost clinical – just by the hard and distant expression on Wilson's face you know that all of these people were incidental and he wouldn't receive any pleasure until he comes face to face with his nemesis; and even then, it's possibly more of a duty than a pleasure.

    Check out this film – you won't regret it. However, if you're expecting a film with the same kind of commercial tone as say, `Oceans Eleven' you may be in for a surprise, albeit, in this viewer's opinion, a pleasant one.

    --Shelly
    7ccthemovieman-1

    Decent Low-Key Revenge Story

    For modern-day revenge movie, this is unusually low-key and pretty good. It's nothing super but it sneaks up on you. It might bore you, but it might not:. It's really hard to say.

    If you enjoy a character study by an interesting actor (Terrence Stamp) you might like this. But, beware, it has its slow moments. What it is, is simply another revenge tale, so often told but so often fun to watch. This one is about a British criminal (Stamp) getting out of jail, finding out that something bad had happened to his daughter in Los Angeles, and going for the man (Peter Fonda) he feels is responsible for that.

    There is a bit too much flashback in here, so you have to be prepared to put up with that. Of note, the filmmakers used actual film footage from a 1967 film of Stamp to show him in his younger days.

    What I did really enjoy was Stamp's vocabulary and the interesting looks on his face. The supporting cast also adds nicely to this story, particularly Barry Newman, who plays Fonda's bodyguard. There isn't a lot of action in here but when it does occur, it's pretty intense.
    7ma-cortes

    Soderbergh's revenge thriller about a really tough and dangerous Englishman goes to Los Angeles

    A thrilling and suspenseful movie about a thief ex-convict called Wilosn (Terence Stamp) who sets out to find the man he considers responsible for his daughter's death. However , he quickly finds that he is completely out of place with no understanding of the culture he finds . Wilson is a Cockney career criminal who gets out a Brit prison and immediately flies to L. A. and in his investigations is helped by another ex-con (Luis Guzman) . Together they learn that his daughter (Melissa George) had been having an affair with a record producer (Peter Fonda) , who is presently in love with another young woman (Amelia Henlie) . Investigations lead him to surprise the locals not only with his rhyming slang , but with his hard-man resilience , witty and ingenuity . Moreover , an aging actress (Lesley Ann Warren) helps him , as well. Vengeance knows no boundaries !. Tell Him I'm coming !.

    There's so much going for this movie with vastly separate lives of two veteran outlaw men : ageing Terence Stamp and Peter Fonda , colliding in an interweaving story of killings , revenge , violence and redemption , being well written by screenwriter Lem Dobbs . Stirring , fun and as effortlessly assured , in its own relativity short budget way , as ¨out of Sight¨, this consistly attractive, imaginatively comic film milks the fish-out-water formula for all it is worthwhile , and anything else . Adding colorful images and enjoyable soundtrack by Cliff Martinez that are perfectly in keeping with the light , relaxed mood . The performances are all terrific , while director Soderbergh seemingly effortless mastery of his medium goes from strength to strength , while stories cross and collide . Sixties icons Terence Stamp and Peter Fonda show that age has not whitered their performance chops in this vengeance thriller in which an extremely volatile ex-convict investigates the death of his daughter learning she was involved with self-important record producer . Soderbergh's flashblack sequences make use of footage Ken Loach's 1967 movie ¨Poor Cow¨ which featured Stamp as a young thief named Wilson along with Carol White . Main cast is frankly well and it's given sterling support cast . Terence Stamp gives a nice acting as an ex-con , fresh out of prison , goes to L. A. to try to learn who murdered his daughter . While Peter Fonda is fine as a mobster who has an obvious fondness for young girls . They're well accompanied by good secondaries with plenty of familiar faces , such as : Lesley Ann Warren , Luis Guzmán , Barry Newman , Joe Dallesandro , Nicky Katt , Amelia Heinle , Melissa George , William Lucking , among others.

    The picture was well photographed by cameraman Edward Lachman and competently directed by Steven Soderbergh , the result is a strong entry for thriller buffs . Soderbergh's customary playfulness with the narrative deftly underlines his ordinary trademarks. Soderbergh made such films as Kafka (1991), King of the Hill (1993), The Underneath (1995) and Gray's Anatomy (1996), which many believed to be disappointments. In 1998, Soderbergh made Out of sight (1998) , his most critically and commercially successful film since Sex, Lies, and Videotape (1989). Then, in 2000, Soderbergh directed two major motion pictures that are now his most successful films to date : Erin Brockovich (2000) and Traffic (2000). These films were both nominated for Best Picture Oscars at the 2001 Academy Awards and gave him the first twin director Oscar nomination in almost 60 years and the first ever win. He won the Oscar for Best Director for Traffic (2000) at the 2001 Oscars . Rating : 6.5/10 . Notable , better than average , well worth watching.
    7valleyjohn

    We don't all speak like that.

    When I see Londoners portrayed in Hollywood I almost want to apologise . Being a Londoner myself I cringe when characters speak to Americans in the local London dialect . It's wouldn't happen and we don't all speak like that anyway!

    Terrance Stamp plays one of those extremely volatile and dangerous Cockneys who goes to Los Angeles to find the man he considers responsible for for his daughter's death .

    Despite the over exaggerating accent I really liked this . Stamp's character is certainly unhinged and you definitely feel he has nothing to lose . He's out for revenge and nothing is going to stop him

    I love the way we see flashbacks to when he was a young man . The flashbacks are taken from Ken Loach's first ever film - Poor Cow and because it's actually stamp as a man in his twenties, it's about as genuine as you are ever going to get .

    This is one of Steven Soderbergh's lesser known films and while it's not perfect , it certainly doesn't look out of place with his back catalogue.
    Infofreak

    Excellent revenge movie with one minor problem...

    Soderbergh is a really odd director. His movies have run the gamut from the wacky, self indulgent surrealism of 'Schizopolis' to the pandering, sell-out mediocrity of 'Ellen Brockovich'. He's really hard to get a handle on. 'Out Of Sight' was stylish with an outstanding cast but left me cold. 'Traffic' featured a handful of great performances, most notably Benicio Del Toro's, but was overall simplistic, unconvincing and cliched. For my money his strongest achievements to date have been his overlooked noir-ish 'Underneath', and this, his involving revenge drama 'The Limey'.

    Terrence Stamp, a fine actor who has appeared in more than his fair share of bad movies, really takes this role and runs with it. He radiates dignity and power as Wilson, the English career criminal out to avenge the death of his estranged daughter. My only problem with his performance, and the movie as a whole, is his Cockney accent, which borders on caricature. If you can get over that hurdle you'll be impressed by the depth of his performance.

    Peter Fonda, who has never impressed me much as an actor in the past (not even his much lauded role in the overrated 'Ulee's Gold'), is also fine as the sleazy record producer who Wilson suspects of wrongdoing. Stamp and Fonda obviously relish playing these characters, and their chemistry together is the cornerstone of the movie. Both actors are supported by an impressive array of old and new faces - including a surprisingly effective Lesley Anne Warren (her best since 'Cop'), the always watchable Luis Guzman ('Boogie Nights', 'Carlito's Way', etc.), blasts from the pasts Barry Newman (cult classic 'Vanishing Point') and Joe Dallessandro (former Warhol superstar), and future star in the making Nicky Katt ('Strange Days', 'SubUrbia').

    Soderbergh cleverly uses footage from Ken Loach's kitchen sink drama 'Poor Cow' for flashbacks, and plays upon Stamp and Fonda's 60s screen personas, but the film is no exercise in mere nostalgia. 'The Limey' is a rarity in Hollywood these days - an intelligent, thoughtful, well crafted and acted adult movie. I liked it a lot.

    इस तरह के और

    Out of Sight
    7.0
    Out of Sight
    Haywire
    5.8
    Haywire
    King of the Hill
    7.3
    King of the Hill
    Schizopolis
    6.7
    Schizopolis
    The Hit
    7.0
    The Hit
    Sex, Lies, and Videotape
    7.2
    Sex, Lies, and Videotape
    Kafka
    6.8
    Kafka
    Bubble
    6.5
    Bubble
    Traffic
    7.5
    Traffic
    Underneath
    6.1
    Underneath
    The Informant!
    6.5
    The Informant!
    सोलारिस
    6.2
    सोलारिस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Footage from the 1967 film Poor Cow (1967) (Ken Loach's directorial debut) is featured as flashbacks of Wilson (Terence Stamp) with his baby daughter and wife.
    • गूफ़
      The Pleiades is a star cluster in the constellation Taurus; it is not a constellation itself.
    • भाव

      Wilson: How you doin' then? All right, are you? Now look, squire, you're the guv'nor here, I can see that. I'm in your manor now. So there's no need to get your knickers in a twist. Whatever this bollocks is that's going down between you and that slag Valentine, it's got nothing to do with me. I couldn't care less. Alright, mate? Let me explain. When I was in prison - second time - uh, no, telling a lie, third stretch, yeah, third, third - there was this screw what really had it in for me, and that geezer was top of my list. Two years after I got sprung, I sees him in Holland Park. He's sittin' on a bench feedin' bloody pigeons. There was no-one about, I could've gone up behind him and snapped his fuckin' neck, *wallop!* But I left it. I could've knobbled him, but I didn't. 'Cause what I thought I wanted wasn't what I wanted. What I thought I was thinkin' about was something else. I didn't give a toss. It didn't matter, see? This berk on the bench wasn't worth my time. It meant sod-all in the end, 'cause you gotta make a choice: when to do something, and when to let it go. When it matters, and when it don't. Bide your time. That's what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.

      Head DEA Agent: There's one thing I don't understand. The thing I don't understand is every motherfuckin' word you're saying.

    • कनेक्शन
      Edited from Poor Cow (1967)
    • साउंडट्रैक
      The Seeker
      Performed by The Who

      Written by Pete Townshend

      Published by Windswept Pacific Songs o/b/o Towser Tunes, Inc./ABKCO Music, Inc./Fabulous Music Limited

      Courtesy of MCA Records/Polydor Limited

      Under license from EMI Music Special Markets

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Limey?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 4 अगस्त 1999 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Vengar la sangre
    • फ़िल्माने की जगहें
      • The Astral House, 2210 Astral Place, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Terry Valentine's house)
    • उत्पादन कंपनी
      • Artisan Entertainment
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $32,04,663
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,87,122
      • 10 अक्टू॰ 1999
    • दुनिया भर में सकल
      • $33,25,736
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 29 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • Dolby Digital
      • SDDS
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Terence Stamp in The Limey (1999)
    टॉप गैप
    By what name was The Limey (1999) officially released in India in English?
    जवाब
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    • योगदान करने के बारे में और जानें
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