Ghost Dog: The Way of the Samurai

Jim Jarmusch is one of the few filmmakers in Hollywood able to make bodies of work that are challenging, thoughtful, and with a distinctive voice. Like the Coen Brothers, it's hard to make his films accessible to the public like many other films at the cineplexes, and that's part of the joy in watching a film such as Ghost Dog. It's such a strange kind of story, but it's a story that extremely well crafted, even when some of the characters aren't developed enough past a certain point. While I can't really say that it's a great film, there are plenty of great things about it.

Such as a pulsing, rhythmically engaging soundtrack (I'm not a big fan of rap and hip-hop, but the artists on here are better than expected) with the RZA behind the seat. Delicate, finite cinematography by Robby Mueller (who's other superb collaboration with Jarmusch was on Down By Law). A performance from Forrest Whitaker, as the dedicated, un-hinged-from reality 'samurai' known as Ghost Dog, which ranks among his best and shows in plain sight that he can carry an action film with patience and cool. And the film also carries a fine sense of humor to many scenes - the fact that these gangsters (one of which Dog's boss) watch more cartoons than take care of business is as funny as the way they interact sometimes. While it tends to streak on parody, in the characters there's still the fascinating Jarmusch has in mixing the cultures.

It's a hard film to classify, for even though it's a martial-arts movie, the only sight of a sword is used for practice and not a blood-bath in Kill Bill. It's a gangster movie, but every five minutes or so there's philosophical notes on the way of the samurai that seems more in place in a (good, thematically engaging) art film than a (good, shoot-em-up) Hollywood actioner. It's a movie about urban-life, yet the only signs of Urbana are shown from a distance, where the only two who will talk to Ghost Dog are a Haitian ice cream guy (who provides a wonderfully weird scene on the roof with Ghost Dog), and a little girl who likes to read. But it's this mixture that can keep a viewer on his or her toes, especially once you realize the psychological state of the lead as much as his spiritual state.

Parts of the film might turn off one group, but the other parts of the film might keep the same group enthralled. In fact, it's as interesting a comparison to be made to Kill Bill (itself a hybrid) as it is in the spiritual and stylistic parent, Le Samourai by Melville. Like those films, at the least, Jarmusch's film asks to be looked at more than once...Anyway, three cheers for Garry "Nobody" Farmer!

"Ghost Dog" (Forrest Whitaker) is a hit man who lives by the code of the Samurai. He is on retainer to Louie, and has done 12 hits for the mob these past four years. Their relationship started when Louie saved Ghost Dog's life several years before, and now Ghost Dog is indebted to him, according to his code.

Louie tells Ghost Dog to kill a gangster, Handsome Frank, who is sleeping with the daughter of local mafia boss Vargo. Louie has been told that the daughter, Louise, has left the house, but she is still there when Ghost Dog does the hit. In fact, she sees the hit happen. Ghost Dog does not kill her, because the code of the Samurai is against killing noncombatants.

Now the mob says that Ghost Dog must die because of what Louise saw, and it seems they aren't too happy with Louie either. And so the war begins. There is comedy as the mob is none too bright and bungles quite a bit as they go after Ghost Dog, while Ghost Dog is a literate well read fellow who is besting them at every turn in a kind of Roadrunner/Wiley Coyote dynamic. But at the end of the day both groups are living by antiquated codes that nobody else is living by, and complications ensue as a result.

There is a deleted scene in the Criterion release that explains some things not revealed in the film. I'd say watch that to get an inkling of why exactly these mobsters are trying to kill a guy who did exactly what they told him to do, when any error in logistics - the location of Louise - falls on them. My first thought was that because the mob thinks of women as delicate flowers, that allowing Louise to see such violence meant that Ghost Dog must die. It's actually something much more modern and practical if you think about it. And this film is something that does get you thinking.

Lots of the scenes just feel like loosely interconnected vignettes instead of a cohesive story, but it's a character study first and foremost and Whittaker's portrayal of the titular character carries the film. He's simultaneously stoic, kind, principled and naive, never questioning the futility of following a code of honor that his chosen master doesn't himself follow.

I often get annoyed at Criterion - which put this out on Blu a few years back - for picking such obscure films to preserve and release. And then I see them, and I am so thankful that they introduced me to them. I'd say "Cure" also belongs to this group.

This is a really cool movie.I saw it yesterday and want to see it again. Actor Forest Whitaker is quite impressing in this movie.He has a calm atmosphere over him,he does not speak much,but those kind of roles are often the hardest ones.Rest of cast is well chosen. Many of the scenes is highly stylized(sort of John Woo,just lesser noise) and the dialogue is very funny at times.Especially Louie`s meeting with his bosses is a standout. Even the music`s good,by rap group RZA.It fits the personality and actions of Ghost Dog perfectly(his sword training on roof is a highlight). So,let me clear something.This is NOT for everyone.It is cool,stylish and funny.But,unfortunately,not very exciting. It`s a special movie,japanese samurai mixed with rap and mafia.What do we get with this? I don`t really know.It`s not in any genre. Just watch it,you`ll be rewarded.

Rating- 9/10

Jim Jarmusch isn't exactly a household name when it comes to Hollywood directors. I don't know about other people, but personally I had heard of his name before, but certainly couldn't name any of his movies. Now that has changed. Since I've seen "Ghost Dog: The Way of the Samurai" I'll try to see at least a couple of his other movies as well, because I really liked this one.

"Ghost Dog: The Way of the Samurai" is a quite unique movie. It tells the story of an African-American mafia hit-man in New York who lives by the rules of the Samurai, in simplicity and alone with his pigeons, who calls himself Ghost Dog and who is always faithful to his master, a local mobster who has saved his life several years ago. When the daughter of the local mob boss witnesses one of Ghost Dog's hits, he must die himself. The first victims are his birds and in response, Ghost Dog goes right at his attackers. He is lethal, but does not want to harm his master or the young woman. And while his life is in constant danger, the only people he ever has contact with are a little girl, with whom he discusses books, and a Haitian ice cream man who only speaks French and doesn't understand a word of what Ghost Dog tells him.

I guess the best way to categorize this movie is to call it a mix of the movie "Léon", the Samurai code and hip-hop culture. Normally you would think that such a mix could never work, but this time it does. I admit that it certainly isn't a normal mix, but Jarmusch avoids the traps that would make this original and daring movie a complete waste of time and which would turn it into one unbelievable and unrealistic mess. I know it sounds strange, how can a movie that combines Italian, Japanese and hip-hop culture into one ever become one solid movie? Don't ask me, I don't even know how he came up with the idea, but it works and that's all that matters.

This movie has several strong points. One is the way everything is told and shown, which make this a sober, but powerful movie. Especially with the quotes that are taken from the Way of the Samurai and that are voiced by Forest Whitaker, a solid base is formed. This helps you to understand why the man does what he does, why he lives his life like that and why he will always respect his master. If this hadn't been in the movie, I would probably not have liked it a bit. The other strong point is the acting. The mobsters look a bit stereotypical, but are well portrayed by people like Cliff Gorman, John Tormey, Richard Portnow,... but the best performance definitely comes from Forest Whitaker. Normally Whitaker plays the role of a good guy, like for instance Jody in "The Crying Game" or Captain Ramey in "Phone Boot" and it has to be said, he really has some talent for that kind of roles. But, as he proves with this movie, he is capable of a lot more. He plays the role of the samurai hit man, doesn't look like he's fit for that role at all (at least, I would never think of him when it comes to that role), but does it really very well.

As a conclusion I would like to add that the sound track is also very nice. Normally I'm not too much a fan of hip hop in the movies, although I can appreciate it as a form of music on itself, but this time it really works. Add to this some nice acting, a cool and well-written story, some funny moments (like for instance a rapping mobster) and what you'll get is a movie that is fun and interesting to watch. I give it an 8/10.

This is a great film; it has pretty much everything a great film needs: a great score, great actors, great performances, etc. The film revolves around Ghost Dog, perfectly portrayed by Forest Whitaker. He is a assassin who lives by the code of the Samurai. Apart from him, we also follow the fate of several mafia men(though nowhere near as intimately as we follow Ghost Dog). These two very different groups, Samurai and mafia, are both depicted reasonably well, giving us insight to how the groups work, and, more importantly, their code. Both groups live and die by the code, and this is probably the most important thing in the movie, and it's shown with respect with both Samurai and mafia; I'm not entirely sure that it's correct all the way through, but that's not what's most important, anyway. The film has reasonably little action, but it's not supposed to be an action film, by any means. It's fairly slow throughout the film, but it never really bores you to the point of not watching any more; I've seen the film at least five times now, so believe me, I know. The film is very stylized and cool throughout, which definitely has some part in keeping you interested, but the theme and story/plot plays a bigger part, I think. The plot is pretty good, and though it keeps a fairly slow pace throughout the film, it also keeps your interest for the entire duration of the film. The acting is all good, though not everyone pulls off as excellent a performance as Whitaker. Isaach De Bankolé portrays Ghost Dog's best friend, and he does gives a great performance. So does Camille Winbush, who portrays a girl who Ghost Dog befriends and discusses books with. The characters are well-written and(mostly) credible. I'm not entirely sure that the film does provide a totally correct version of the Code of the Samurai. The soundtrack is great; it's made by the hip-hop artist RZA, but most of it will be enjoyable to people who aren't into hip-hop. Also, I guess it's more of a score than a soundtrack; there isn't any time where the music feels out of place in a scene. All in all, a great film, but not for all tastes. Don't go in expecting an action film; don't go in expecting a very deep an entirely intellectual film; don't go in expecting a regular movie; go in expecting to see a decent(if not good) representation of both the mafia code and the Samurai code. I've heard some people describe the ending as an anti-climax; I don't know what they were expecting... I won't say that I saw it coming, but I wasn't disappointed when it happened. It had to end it, and I think the director, Jim Jarmusch made a good decision on that. I recommend this film to people with an interest in Samurai, fans of Jarmusch and people looking for a reasonably deep film. I don't recommend this to fans of action movies, as there's fairly little action in the film. No matter who you are, if you're going to see this film, make sure you have the patience for it; it's worth sitting through the two reasonably slow hours for. 8/10