Immagini di un convento

Set within the cloistered confines of a convent, the film explores themes of forbidden desire, sin, and the supernatural. The nuns, portrayed by an ensemble cast, find themselves entangled in a web of lust and eerie occurrences that challenge their faith and morality. D'Amato's direction creates an atmosphere thick with tension and sensuality, making the convent setting both a place of repression and hidden passions.

The cinematography is one of the film's stronger points. The use of lighting and shadow plays a crucial role in establishing the mood, with candlelit scenes and dark corridors enhancing the sense of mystery and intrigue. The soundtrack, a mix of haunting melodies and period-appropriate music, further immerses the audience in the film's unique atmosphere.

However, Immagini di un convento is not without its shortcomings. The plot often feels secondary to the film's erotic elements, resulting in a narrative that lacks depth and coherence. The characters, while intriguing in their initial setup, are not fully developed, leaving their motivations and transformations somewhat superficial. The balance between the thriller and erotic aspects is uneven, with the latter sometimes overshadowing the former to the detriment of the story.

The performances are a mixed bag as well. Some actors deliver compelling portrayals that draw the viewer in, while others appear wooden and detached, detracting from the overall impact of the film. Additionally, certain scenes intended to shock or titillate may come across as gratuitous or exploitative, which could alienate some viewers.

In conclusion, Immagini di un convento is an atmospheric and visually striking film that struggles to maintain a consistent and engaging narrative. Its blend of eroticism and thriller elements offers moments of intrigue and intensity but ultimately fails to coalesce into a satisfying whole. Fans of Joe D'Amato's work and those interested in 1970s erotic cinema may find it worth a watch, but it may not appeal to a broader audience seeking a more balanced and coherent thriller.

During the 70's sleazy cycle numerous short lived sub-genres popped up to turn heads and enrage moralists every where. None were quite as offensive as nunsploitation and no nunsploitation was as trashy as this.

At a convent in Italy, a man arrives and the nuns begin feeling urges against their calling. It soon becomes clear that the devil has come and the nuns are under his control.

Though the plot suggests some exorcist-style horror, the film plays out much more like a quiet drama. A drama that includes oodles of explicit sexual activity. As the nuns fall into depravity the sexual stakes begin to rise. Of the assorted sored acts, viewers get to see some whippings, rape, oral sex, masturbation, hetero and homo couplings.

For a D'amato flick, it's surprisingly well made. Camera angles, lighting, pacing are all fairly good. Even the scripting and acting are better than the norm. So well is it made that I find myself wishing that all D'amato flicks looked this quality.

On a side note, it's interesting that with the exception of a short fellatio bit the hetero scenes are strictly soft-core while the lesbian scenes are fully explicit.

A well constructed piece of erotica, if one can get past the sacrilegious content.

7/10

The jury is still out as far as nunsploitation and I are concerned; it's not that I don't appreciate sleaze in movies, just that the idea of a load of God-fearing women living behind convent walls doesn't really appeal to me all that much. It's lucky, then, that cult cinema God Joe D'Amato is on hand to spice this theme up a little, with a load of nymphomaniac 'nuns' getting up to all-sorts with each other and any man that that happens to stop by. It's obvious that D'Amato was far more interested in making a porn movie than a film about nuns and their beliefs, and this shines through as the focus is always on the sexual antics, and any whisper of a plot line exists only to string more sex scenes together. There is a plot, however, and it follows a convent full of nuns. After taking in a wounded man against all the convent rules, the nuns soon find themselves making this man the focus of all their desires. However, he has also brought with him the devil (in the form of a statue), and this leads the local priest to visit the convent in order to expel the demon, only he ends up featuring in the nuns' desires also...

At first, I didn't think this movie was going to work as a porn film because the first couple of sex scenes are far too rigid and it seems like the actresses are just doing what they're told. However, D'Amato soon bucks this trend with a plethora of tender and perverted scenes that feature some of the most buxom nuns I've ever seen! D'Amato makes great use of his actresses' bodies, and this is a big bonus for the film; as it's much more full on than a lot of the nunsploitation sleaze. Despite the fact that this is a low quality sleaze movie, the production values are really good! The picture is crystal clear, and most of the acting is passable even when they've got their clothes on. The soundtrack courtesy of Nico Fidenco is infectious, and helps to make the overall film more erotic. This film is also bound to appeal to anyone that loves sleazy trash movies, as D'Amato is happy to go a little further than just showing your basic sex scenes, and the film also features lesbians, rape and wooden dildo's... Overall, Images in a Convent is a surprisingly good slice of nunsploitation and comes highly recommended to fans of this type of movie.

A young woman (Paloa Senatore), who is involved in an incestuous affair with her uncle, is sent to a convent and quickly realizes it is a hotbed of carnal lust. While she is sleeping her first night and having an erotic dream about her a uncle, another young nun comes in and performs oral sex on her! Then the young nun is caught coming out of her room by the Mother Superior, who takes her off to another room and whips her (naked, of course), which leads to yet another lesbian scene. And this is BEFORE they all get possessed by Satan! The satanic possession involves a creepy statue of a grinning satyr and a mysterious injured man they let convalesce in the convent (and his idea of convalescing is to screw all the nubile initiates and try to do the same to the Mother Superior). Too late, the church tries to intervene.

This is kind of a supernatural "Exorcist"-influenced "nunsploitation" movie, perhaps closer to insane Mexican nun films like "Alucarda" and "Satanic Pandemonium" or Jess Franco's off-the-wall version of "Love Letters of a Portugese Nun" than it is to the earlier more serious Italian nun films. It's also a Joe D'Amato film, so it has great cinematography, even better music, and, of course, a WHOLE lot of sleazy sex. There might actually be TOO MUCH sex. (I like sex in movies the same way I like salt on my food, but D'Amato has a way of taking the top of the salt shaker and just pouring the whole thing on). There's even a brief hardcore sequence,which is not that graphic, but it's a rape sequence where one nun (Marina Hedman) is accosted by randy highwaymen. This scene is potentially offensive,but only if you can buy hardcore porn star Hedman (who looks like fifty miles of rough road) as an innocent virgin.

Paola Senatore is prettier and a much better actress than Hedman (she too did one hardcore film some years later when she was allegedly hooked on heroin in real life and several months pregnant--but even I'm not depraved enough to want to see that). She has a rebellious and particularly ambiguous character, who might or might not be in league with the satanic forces. The satanic forces themselves are pretty ambiguous (it could just be the group hysteria of the nuns). But in the end D'Amato goes for the sleazy nun sex and doesn't delve too much into this. This could have been better, but it's OK guess

(1979) Images In A Convent/ Immagini di un convento (In Italian with English Subtitles) ADULT DRAMA

Adapted from the novel "La religieuse" by Denis Diderot, cinematography, co-written and directed by Joe D'Amato that has countess of Lignate, Isabela (Paola Senatore) brought to the monastery of nuns so that she can be converted. In charge of converting her is Mother superior, Sister Angela (Nana Aslanoglu). And it is not long before Isabela infects other nuns with perverted thoughts beginning with Sister Licinia (Marina Ambrosini) after she hears Isabella chanting out her uncle's name while lying on her bed, touching herself. She would barge in before she makes out with her. And when Sister Marta (Marina Hadman Bellis) notices this, and Licinia pleads her to punish her. She does this by whipping her while she is fully named other than the stockings and the head gear she has on before she too seduces her.

All of this is just an excuse to showcase many of the big breasted women to put in some compromising positions to which none of them are really that old- full frontal and back and front. I must admit there were times I was a little aroused to see that many beautiful women. All they had to do was remove the devil statue to another location and then problem solved. Like, what is a devil statue doing in a convent of nuns in the first place.