Alice in Wonderland

Being a big fan of the books and the author's work, I have seen most of the film adaptations made of the Alice books (and yes, there were two), and this is one of the better adaptations, and certainly a wonderful film.

Filled with famous faces and some wonderful sets, it may not be 100% like the book, but I won't have a word against this film anyway. The writers make the same mistake of mixing the two books together (understandable), and throw in a few new morals and themes (stage fright, mostly), but it's still great. Folks like Gene Wilder, Pete Postlethwaite, Christopher Lloyd, Robbie Coltrane, Whoopi Goldberg, Ben Kingsley, Martin Short and others make their own contribution to this magical TV production.

The whole thing was an honest live action work that made a decent effort to correct what Disney messed up. Now, be fair, the animation was wonderful (very), but a terrible adaptation. So applaud yourselves, Halmi & Halmi (and everyone else, esp. Richard Hartley for music). You did a great job. And readers pick up a copy of the DVD, it's a great movie.

Alice's adventures in Wonderland have always been easy to visualize, thanks to Tenniel's classic illustrations; but they have been difficult to realize. With computer technology at the state it's at at the turn of the twenty-first century, for the first time Tenniel can come to life in a way that doesn't look like animation.

This is the best looking "Alice" ever. The backgrounds are consistently excellent. The passage from one episode to the other is suitably dreamlike. The computer-animated characters are superb.

The cast is variable. Tina Majorina was a revelation as Alice. I had to check imdb to make sure she wasn't just someone like Reese Witherspoon, an older actress able to look ten years younger. Her performance was exquisite, even better than Fiona Fullerton's 1972 Alice.

Martin Short was good as the Mad Hatter (everyone has a favorite Mad Hatter from days past, and mine was Robert Helpmann from 1972, who also played the child-catcher in "Chitty Chitty Bang Bang"). All the royalty were good. Problems in the cast were Gene Wilder; it might've been his most understated performance since his droll turn as Willie Wonka, but good as he was, he was nevertheless out of place and looked ridiculous and uncomfortable in his costume. Too, though Whoopi Goldberg wasn't bad as the Cheshire cat, the point of her performance was to show Whoopi Goldberg as the Cheshire cat rather than the cat itself.

The "Looking Glass" intrusions weren't out of place. A miniseries doing "Wonderland" one night and "Looking Glass" the next might've been nice, but the best elements were taken from "LG" and the results don't look patched in. The cameos, again, are variable. Robbie Coltrane is an actor too little used and it's good to see him anywhere; and though I might've preferred to see him in a dual role, he worked well with George Wendt as Tweedledum and Tweedledee. Christopher Lloyd was perfectly cast as the White Knight, but the White Knight got short shrift and was hardly worth sticking in at all, other than -- once more -- to say, "Look, we got Christopher Lloyd in a thankless role!". "The Walrus and the Carpenter" was not at all distracting -- and with Peters Ustinov and Postlethwait one would almost wish for a whole movie just about them.

The problems, however, do keep it from being the authoritative "Alice". For one thing, someone thought it would be clever to add lines. In most filmed novels this isn't so bad, since the dialogue in books serves a different purpose than the dialogue in movies. But Carroll's dialogue is so precise he might've been writing a play; and it's so well known that any extraneous line stands out like re-writings in "Hamlet". One gets the idea that the writers thought they were as clever as Carroll, and proved that the most notable thing about them was their collective ego.

This led to particular difficulties with the caterpillar. Ben Kingsley was a good choice for the role and -- like everyone else in the movie -- was very good. But his part seemed altered enough to make one suspicious of the writers' intentions. The framing sequence wasn't bad (again, perhaps a whole movie with that cast in non-Wonderland parts would be wonderful), not as bad as Carroll purists would say, but was unnecessarily preachy, as if the story had to have a moral at the end.

A number of roles in the "Alice" books should, when performed, have human performers: The Mad Hatter, the King and Queen and Jack of Hearts, the Duchess, Tweeledum and --dee, the White Knight, et. al. Some, since we have the technology, should be done by computer graphics, with famous voices, if need be. Star-studded "Alice" vehicles have appeared in the past: the top-heavy 1985 Natalie Gregory "Alice", for instance, where a famous actor's face had to be seen in every role; and the notable 1972 Fiona Fullerton bomb, where many of Britain's finest actors (including Peter Sellers and Ralph Richardson) made complete fools of themselves.

Overall, this is the best Alice ever made (including Disney's). It has dreadful moments where famous actors are shoehorned into roles just to say they're there. It has peculiar elements from "Looking Glass" mixed in at odd angles, but such as they are they aren't terrible. And it has a beautifully talented Alice. For those who aren't dogmatic about their Carroll, this is the one to see if you're looking for an "Alice" to pass an afternoon. And children, who don't know any better than we opinionated adults, will be delighted.

I have seen the film it was shown over the easter weekend here and it's great i have seen many of the different versions when I was a child but this one is great the puppets and special effects in just two hours they managed to get two books in and it wasn't that much different to the version made in the 1970's except that one was musical,but it's just the same except for the new bits added on to the story.

I am not entirely sure whether this version is the best version of the book, as I grew up on the Disney film. The book is a real delight, it is admittedly oddball, but it is charming and visionary with memorable colourful characters. That is the same for Through the Looking Glass, I do prefer Alice in Wonderland as a book, but Through the Looking Glass does have a nice narrative and the characters still have their appeal.

Back on target, this TV version is not bad at all. Actually it is decent. The length is rather excessive though making some scenes drag on a bit, and as sweet as it was the subplot about Alice being asked to sing at a party I had mixed feelings about. While it meant that Alice goes on a sort of journey in the film character-wise, it felt somewhat unnecessary. Plus in terms of performances, while I enjoyed the acting on the whole, Whoopi Goldberg as the Cheshire Cat disappointed me. She has the grin and her costume was wonderful, but she should have had more screen time.

However, there is lots to enjoy here. For a TV movie, the visuals are pretty amazing. The sets are really colourful, the landscapes are vivid, the special effects are fairly impressive and the costumes are visionary. And I found the music surprisingly memorable, quite sweet really. I know people have complained of the screenplay being poor, personally I didn't find that. I enjoyed spotting the quotes lifted from the books and the actors seemed to having fun with it. Some of the added lines didn't quite work as well, but they were entertaining. Likewise with the merging of the two books, I for one didn't find that a problem. The director also does a good job making Wonderland as magical, as odd and as dreamlike as it should be, and some scenes were very well directed, especially the Mock Turtle sequence, the Caccus race, the Hatter's tea party, the Walrus and the Carpenter and of course the courtroom scene.

The acting is also very enjoyable. Like Goldberg, Christopher Lloyd as the White Knight could've done with more screen time, but he does a very good job with what he has. Ben Kingsley is entertaining as Major Caterpillar, even if he did have some of the film's weakest dialogue, he delivers very well. Shiela Hancock, while she has been better, was fun as the Cook, a lot of shouting but hey she was fun. Tina Majorino I had no problem with as Alice, I sometimes find Alice in film adaptations bland but Majorino isn't bland, she is appealing and likable. Peter Ustinov is a perfect Walrus, likewise with Pete Postlethwaite as the Carpenter. Gene Wilder does fine also as the melancholy mock turtle, he started off a tad uncomfortable, no wonder with his costume as they are horrible to wear, but once he gets into the role he starts enjoying himself more. My favourite performances though were Miranda Richardson as a suitably shrill Queen of Hearts, Simon Russell Beale in a amusing turn as the King of Hearts and Martin Short as the somewhat eccentric Mad Hatter. Jason Flemying was also a riot as the Knave of Hearts as were Robbie Coltrane and George Wendt as Tweedledee and Tweedledum.

Overall, flawed but perfectly decent made for TV adaptation. 7/10 Bethany Cox

I, like most of the rest of you, grew up with the story of Alice In Wonderland- but what I knew was from the Disney story. I never really liked it, but after seeing Hallmark's representation, I decided that Disney completely ruined the book.

Hallmark's costume designer apparently took a look at the sketches that are commonly associated with the story. In fact, the book of Alice In Wonderland and Through The Looking Glass that I have from England has these sketches in them, and comparing the costumes to the actual drawings shows very little difference minus color, movement, and the addition of the third dimension. Being a person who tends to favor pretty over plot in movies, the animatronic puppets (such as the griffin, the flowers, and the flamingo-croquet) and other visuals made a very fun and entertaining veiwing

experience.

As for the acting, it is obvious that there is a rather star-studded cast. Martin Short is probably the best I've ever seen him as the Mad Hatter. Sure, he is insane- but he's called a "mad" hatter for a reason. It is very interesting to see the man known for playing ghandi in a large caterpillar suit playing what is commonly known to be the trippiest character in the book. Also, frankly, the queen of hearts in the disney version terrified me as a girl (as well as tweedle dee and tweedle dum), but here they seem less harmful- but they still embody the insanity which basically prevails in the story. Personally I think the "bratty little girl" version of hte queen is a much better take on that character. It makes Alice's maturity over the course of the story more reasonable.

Speaking of story, nobody ever said that Carroll's stories made THAT much sense. So that can't exactly be argued.

Over all- I think its a must see if you've ever enjoyed the stories of Alice.