Thriller

I watched this on television as a kid and it scared the hell out of me. Now that i've seen the whole series i know why. If you have a sense for the macabre and eerie you'll find 90 % gold here. The stories are brilliantly plotted, the acting, though sometimes a little bit stagey is superb and most of all: brian clemens, the creator of this mini-series knew how to trigger an unsettling and creepy atmosphere most big-budgeted movies of the genre never approached.The topics range from assassins raging havoc in an institution for the blind to satanic rites, witchcraft, serial killers and haunted houses. A real gemstone with maybe the best soundtrack since "The fearless vampire killers". Don't you dare to miss it.

Thriller was a ground breaking TV series broadcast from 1973-1976 in the Uk on Saturday nights where it kept a regular spot through out it's run. I say ground breaking because this series was produced entirely for TV and was just perfect for the early 70's. By 1973 color TV's were were available to rent, so consequently many households had access to a color telly. Although black and white can often help with the atmosphere in a film, by contrast the color in this series at the time gave thriller a more modern and realistic feel which I think added to it's chilling effect. I know that it sounds ridiculous today with 43" widescreen plasma screens and hundreds of channels to choose from but in 1973 a 19" or 22" colour telly took TV viewing to a new and exciting level which was the real deal back then!

In addition the regular appearance of imported American actors added another dimension to it. It was interesting to see an American actor such as Garry Collins who normally played a good guy in US TV movies acting in the eery and claustrophobic atmosphere of thriller.

With what I can recall when it originally aired was that at no time did you ever really feel safe in thriller, well at least not for long until some sinister event occurred, somebody disappeared or a body turned up. Even when things appeared perfectly normal suddenly you would start to feel that something was about to happen. Another interesting feature was that the stories changed from week to week; some being supernatural, witchcraft, a mystery, a simple crime, murder or some times a combination of two or three.

The creepy and loud music score was certainly memorable at the beginning as well as the during the nauseating moments when you were expecting something to happen was ideal for TV. Yes some of the acting was wooden and even back at the time I thought that some of the expressions and menacing body language was over the top. Having said that the oppressive atmosphere, the dialog, music score, body language, slow camera work was all that producers had back in those days to make it a horror/thriller series.

There was no special effects or huge sets and if you wanted fast cars, fights and action well there was the Sweeney. Also no muscle bound 20-30 year old men here nor women wearing the now obligatory tank tops and spandex pants. Note there was no gratuitous violence ( if you don't count being strangled, stabbed, or shot with a pillow over the nozzle!) and profanity.

Thriller is very dated today but that is because over the last 30 odd years TV has changed so much. What we find entertaining on TV is completely different from 1973. Can you imagine back in the 70's people being entertained by reality TV shows – not a chance ! Thriller probably has a following more for nostalgic reasons than anything else. However, that is understandable because there does come a time when you just get sick of modern TV and the different tone of thriller ironically now appears to provide a refreshing change to the monotonous, identical garbage of soaps, reality TV shows, 24 hour news and our 21st century obsession with celebrities, the internet, computer games and lastly amercian junk TV like jerry springer, sex and the city and desperate house wifes.

Now that thriller is available on DVD I'll certainly check them out and – – – try to watch them on Saturday nights with the lights dimmed!

I remember seeing Thriller back in the mid-1970's when I was about ten. I found it the most terrifying TV series I have seen before or since! It had a memorable creepy theme tune accompanied by fish-eye lens shots of the locations used in that week's story, with a blood red surround. You never knew what to expect from an episode, some being supernatural, others being real world whodunits or Hitchcock style dramas. Some of the mysteries are very intriguing, and the direction is always good. Thriller can be criticised as being of its time in some negative ways, such as being slow moving, having a lot of stock characters, being predictable, and having plot holes. Also, the great clunking fist of Lord Grade appears frequently in the form of many characters being irrelevantly American to please ABC, who reportedly paid $100,000 per episode! But when you look at almost any good TV series many years later you see these sort of faults, and Thriller is inventive, frightening and enjoyable enough to brush its bad points aside. A few years after its first showing, the series was broken up into stand alone TV films with rubbish music/credits replacing the classic theme with the fish-eye lens shots. This made the episodes easier to repeat, as they were no longer officially a series, but it meant subsequent generations of viewers have been less aware of this fine series, and it would have been forgotten were it not for online fan-sites creating demand for the superb 16 disc boxed DVD set of all 43 episodes.

I have happy memories of this series, which was on late-night television where I lived in the states. I thoroughly enjoyed the episodes, which usually had one American TV star, i.e., Barbara Feldon, Donna Mills, etc. and a predominantly English cast. Most of the series, if not all, was written by Brian Clemmens. My favorites were "Coffin for the Bride" and "Lady Killer." Both of these were fabulous. "Coffin" featured a bravura performance by Helen Mirren and "Lady Killer" was a great story with a twist, starring Barbara Feldon and Robert Powell. I had the pleasure of interviewing Barbara Feldon, and she said it was absolutely freezing cold and that in one scene, when she's running while wearing her bathrobe, the wind opens her bathrobe and she had all kinds of clothes on underneath! I have both of those on video, but would love to see the other episodes someday.

A truly-exceptional series that has largely disappeared into obscurity. This is despite it achieving considerable critical and popular approval when broadcast in the 1970's. It is one of the few British series to have achieved success in the USA and it is not difficult to see why it achieved such popularity.

Unlike most series, "Thriller" was an anthology of separate stories, without recurring characters or situations. This allowed great flexibility in terms of style and story-writing but unfortunately made it more difficult to achieve a long-term identity.When broadcast in the USA and given a rare repeat in the UK in the 1980's it was billed as discrete movies, further eroding its identity.

The show had a very unusual length of just over an hour of action. This allowed more chance to develop stories and explore characters, to great effect. However it also created scheduling problems and has probably helped to kill the chance of further repeats. Unlike better-remembered but unquestionably inferior productions of the time, it was shot on video-tape. Once again artistically this was a great success. It made the action darker and more claustrophobic. Unfortunately this also made repeats less likely with filmed action usually seen as more likely to win wider viewer-approval.

Most credit must go to Brian Clemens. He created the series, wrote most episodes entirely and provided the outlines for all of them. His writing was first-class, and well-supported by guest writers such as Terence Feely. He produced highly intriguing, unsettling, often frightening stories. Astutely, violence was largely kept off-screen and the exact motives of characters were frequently well-hidden. Viewers were forced to use their imaginations, making for deeper and more satisfied viewing. Characterisations were very sophisticated but suitably enigmatic. Most stories featured extraordinary twists and some terrifying scenes.

Direction could still have set things back but was immensely strong. A small team of directors kept true to Clemens's intentions and added great atmosphere. Laurie Johnson's music was perfect - extremely chilling and unnerving - and cranked up the tension spendidly. However the producers also knew when to use silence to powerful effect. They were utterly aware that less is often more.

Acting was very fine. The British performers included many of the leading lights of the 1970's and beyond. Unusually almost every story featured an American actor. Although this was almost definitely to help American sales, it brought an extra dimension. The Americans were able to offer more stylish and classless displays than their more traditional and austere (but still exceptional) British counterparts.

There were inevitably some limitations. The depiction of women was very old-fashioned and often patronising, with far too many references to grown women as "girls". There was an over-emphasis upon portraying women as pretty but helpless, dependent on men to save them. However there were some strong, perceptive and assertive female characters. Generally the view of England is very traditional and deferential, focusing on affluent figures in ostensibly idyllic surroundings. Its world-view was more of the 1950's than the 1970's.

Story-development is a little formulaic. For example, many episodes end with men cradling distressed women. However it should be remembered that "Thriller" was intended for a popular audience and not for the avant-garde, and some predictability goes with the territory and is often part of the fun.

The American versions feature filmed titles and music added long after original production by different companies. The music is sometimes very effective but the titles are unnecessarily long, often amateurish or crass, and alien to the main episodes.

However these are minor points. "Thriller" triumphs irrespective of these reservations, and no production is perfect. Any sophisticated viewer lucky enough to see an episode should be hugely impressed with what is seen. One hopes that stories will appear on DVD or video or receive a repeat broadcast so everyone can see what they have been missing!