Taal

I remember watching taal when i was kid , And Aishwarya Rai was everywhere owin to her two hit Movies - Hum dil de chuke sanam and Taal .

Taal Is all in all a Pure musical !! Its a journey of a girl With Music Playin a Important role in the backdrop hence the name Taal.

The movie starts with AISHWARYA Rai (Mansi) a beautiful small town girl with great voice who meets AKSHAYE KHANA (Manav) a Rich down to earth guy . Now the same old Status problem arises and Mansi and Manav's Parents are logger heads and have a heated Fight which results the Couple SplttinG . Mansi Is approached to be a lead singer by A Leading music Composer ANIL KAPOOR (Vikrant) who also owns a Music company . Mansi becomes a overnight star , Manav Tries convincing Mansi all this time to come back to her . Now Vikrant proposes Mansi and Mansi agrees to marry him But Somewhere down her heart even she knows she loves Manav and isn't over him . Now What does Manasi Do ?? Will She Marry Vikrant and Kill her love for MANAV OR Will she Get back to Manav is the basic plot of the movie ? This movie has been made amazingly well it is possibly Subash Ghai's Best Work . The music by A.R REHMAN is the best part of the Movie . Aishwarya Steals the show completely its her movie all the way , Akshay khanna is great Too , Anil kapoor is funny and goofy and plays his part exceedingly well.

Taal is a simple story which looks so pure on the screen and even the cinematography Is not over the top grand its just about perfect .

A must watch for People who think Bollywood is all about stupid Dance - Around - The - Three Flick .

One of the better films i have seen.And definitely one of the better by Subaash Ghai.Though having seen Saudagar and Pardes surely Ghai has a lot of better efforts .Truly not as good as Pardes.Story is same old and the screenplay is utterly predictable.Story is just the typical old triangle boy meets girl falls in love and sons dump of girl falls in love with another guy and guy 1 returns.Climax brings every thing.The movie is not that excellent but still a well made movie

This movie is enjoyable mainly because of the songs.Songs are excellent.The best songs are Kahin Aag Laage and Ramta Jogi.And the performances are excellent.Aishwarya shines in the role of Mansi and is so easy on the eyes in the emotional and dramatic scenes unlike ones like Sushmitha.Who also happens to be a fine actress.Her dancing is amazing.Akshaye was also good.Though this is the only performance that i liked of his.Anil Kapoor superbly stands out and gives a knock out performance.Overall a simple and yet a very entertaining film

It's an okay Bollywood flick. Cliché story line. What sets it apart from other is the music. After almost 18 years it still one of the master class of a musical that Bollywood ever produced. A R Rahman was at his best. The lyric and sound engineering was almost unparalleled to other Hindi movies.

The plot of this film is the usual bollywood fare, poor girl, rich boy, disapproving family. The acting and the script are the usual yada yada. So what makes this movie incredible? It is A MIND BLOWING AUDIO/VISUAL TREAT! At the end of the movie, I was frozen! I could only exhale a modest "WOW". Someone pulled out all the stops for choreography, costuming, scene dressing and location! Your eyes and ears will thank you! The overwhelming beauty of this film together with the fantastic rendering of songs makes you want to get up and dance. Scene after scene make you want to gasp. I highly recommend it. Only Aishwarya Rai could have done this, her eternal beauty with the backdrop of India are the show stoppers. Must see!

What the heck is a digital floppy camera - and where did they get one with as high a resolution as in the movie? One of the many mysteries of life.

Taal is an average movie. With slightly above average music in the generic mould of A R Rahman.

Subhash Ghai's extensive use of Coke jars throughout the movie, and the hotchpotch of scenes and plotlines stolen from other Hindi movies makes for jarring viewing.

Some very strange things go on in the movie, starting with the casting. Aishwarya Rai, while made of plastic, is beautiful, but rustic she is not. 'Dehati' women (and my knowledge of them may be flawed) seldom sport plucked eyebrows, immaculately waxed legs and shaved armpits. Though of course the alternative would mean audiences would have little to whistle at, so perhaps it is best to let that pass.

Akshaye Khanna's acting seems to consist of making weird faces - an absolute ham, if there ever was one. I'm saddened to see a person of Alok Nath's acting talent reduced to roles such as this. One can expect little else from Amrish Puri, who plays his stock-in-trade with all the same expressions that we have come to live from other brainless flicks. 'Mogambo' all over again.

The movie itself boasts of pathetic lyrics (where do they get the inspiration for this tripe?). Subhash Ghai's guest appearance jars more than an ST bus on the road to Pune.

The only saving grace is Anil Kapoor's acting. Akshaye Kumar would do well to take lessons from him - just the right amount of hamming for the most part (although the sentimental drivel being pushed across as acting by the others seems to affect him too in the end).

To summarize: this movie should never have been made. Take a few scenes from Hum Aapke Hain Koun, Dilwale Dulhaniya and Bombay and paste them together instead. Not that the result would be any better.

Also, the concept of using the Coke bottle for indirect kisses is lifted from Salman Rushdie's book, 'The Moor's Last Sigh.'

The problem is, audiences in India have become so used to worse films that rotten pig-kidneys like this movie become hits and the standards stay low all the time.